Sharp and thought-provoking, this memoir-meets-cultural criticism upends the romanticism of the Great Plains and the patriarchy at the core of its ideals. For many Americans, Kansas represents a vision of Midwestern life that is good and wholesome and evokes the American ideals of god, home, and country. But for those like Jessa Crispin who have grown up in Kansas, the realities are much harsher. She argues that the Midwestern values we cling to cover up a long history of oppression and control over Native Americans, women, and the economically disadvantaged. Blending personal narrative with social commentary, Crispin meditates on why the American Midwest still enjoys an esteemed position in our country's mythic self-image. Ranging from The Wizard of Oz to race, from chastity to rape, from radical militias and recent terrorist plots to Utopian communities, My Three Dads opens on a comic scene in a Kansas rent house the author shares with a (masculine) ghost. This prompts Crispin to think about her intellectual fathers, her spiritual fathers, and her literal fathers. She is curious to understand what she has learned from them and what she needs to unlearn about how a person should be in a family, as a citizen, and as a child of god-ideals, Crispin argues, that have been established and reproduced in service to hierarchy, oppression, and wealth. Written in Crispin's well-honed voice-smart, assured, comfortable with darkness-My Three Dads offers a kind of bleak redemption, the insight that no matter where you go, no matter how far from home you roam, the place you came from is always with you, "like it or not."

When Jessa Crispin was thirty, she burned her settled Chicago life to the ground and took off for Berlin with a pair of suitcases and no plan beyond leaving. Half a decade later, she's still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender. The Dead Ladies Project is an account of that journey-but it's also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who needed to break free from their origins and start afresh. As she reflects on William James struggling through despair in Berlin, Nora Barnacle dependant on and dependable for James Joyce in Trieste, Maud Gonne fomenting revolution and fostering myth in Dublin, or Igor Stravinsky starting over from nothing in Switzerland, Crispin interweaves biography, incisive literary analysis, and personal experience into a rich meditation on the complicated interactions of place, personality, and society that can make escape and reinvention such an attractive, even intoxicating proposition. Personal and profane, funny and fervent, The Dead Ladies Project ranges from the nineteenth century to the present, from historical figures to brand-new hangovers, in search, ultimately, of an answer to a bedrock question: How does a person decide how to live their life?

Are women able to achieve anything they set their minds to? In How to Suppress Women's Writing, award-winning novelist and scholar Joanna Russ lays bare the subtle-and not so subtle-strategies that society uses to ignore, condemn, or belittle women who produce literature. As relevant today as when it was first published in 1983, this book has motivated generations of readers with its powerful feminist critique. "What is it going to take to break apart these rigidities? Russ's book is a formidable attempt. It is angry without being self-righteous, it is thorough without being exhausting, and it is serious without being devoid of a sense of humor. But it was published over thirty years ago, in 1983, and there's not an enormous difference between the world she describes and the world we inhabit." -Jessa Crispin, from the foreword "A book of the most profound and original clarity. Like all clear-sighted people who look and see what has been much mystified and much lied about, Russ is quite excitingly subversive. The study of literature should never be the same again." -Marge Piercy "Joanna Russ is a brilliant writer, a writer of real moral passion and high wit." -Adrienne Rich