These witty, insightful, and readable writings on the various aspects of alternative librarianship, edited by two outspoken library professionals, is a sequel to Revolting Librarians, published in 1972. The contributors, including such as Alison Bechdel, Sanford Berman, Utne Reader librarian Chris Dodge, Rory Litwin, Marilyn Gell Mason, Noel Peattie, Toni Samek, and Jana Varlejs, cover topics that range from library education and librarianship as a profession to the more political and spiritual aspects. The contributions include critiques of library and information science programs, firsthand accounts of work experiences, and original fiction, poetry and art. Ten of the original librarians who wrote essays for Revolting Librarians back in 1972 reflect upon what they wrote thirty years ago and the turns that their lives and careers have taken since.

A quintessential American heroine, Eliza Birdwell is a wonderful blend of would-be austerity, practicality, and gentle humor when it comes to keeping her faith and caring for her family and community. Her husband, Jess, shares Eliza's love of people and peaceful ways but, unlike Eliza, also displays a fondness for a fast horse and a lively tune. With their children, they must negotiate their way through a world that constantly confronts them-sometimes with candor, sometimes with violence-and tests the strength of their beliefs. Whether it's a gift parcel arriving on their doorstep or Confederate soldiers approaching their land, the Birdwells embrace life with emotion, conviction, and a love for one another that seems to conquer all.
The Friendly Persuasion has charmed generations of readers as one of our classic tales of the American Midwest.

In thirty-six stories, West rings changes in time and presents a startling sweep of personalities and moods. Her themes span the breadth of experience, from the bite of misery to the balm of delight. Her achievement, taken totally, is a spectrum of living-a haunting, rewarding experience.

In a memoir filled with compassion and deep resolve, West celebrates the lives of three women-her strong Quaker mother, her beloved and courageous sister, and herself-and gives personal insight into her own battle to survive tuberculosis.

Five white men stand accused of the murder of innocent, peaceful Indians - among them women and children. It is 1824, and Indiana is the Western frontier of a new nation where Seneca warriors stand ready to fall on fledgling settlements should white men's justice fail. In a powerful American saga fashioned from the sparse historical record, Jessamyn West creates characters - an appealing heroine, her lover, the attorney for the defense, an extraordinary Indian seer - who stand at the center of a maelstrom of human emotions: hate, devotion, revenge, compassion, and, above all, love. As the narrative sweeps from the crimes to the tension-packed trial and its strangely moving aftermath, the novel carries the reader to an awareness of undeniably modern implications of our historical past.

Elinore Pruitt, a widow and mother who washed clothes for a living in Denver, planned to work as a housekeeper for some rancher while learning all she would need to know about homesteading a place for herself. In 1909 she went to work for Clyde Stewart, whose ranch was near Burnt Fork, Wyoming, and within six weeks she married him. "Ranch work seemed to require that we be married first and do our sparking afterward," she wrote Juliet Coney, her former employer. She maintained her independence by filing on a quarter section adjacent to her husband's land and proving it up herself. Her delightful letters, written from the time of her arrival until 1913, authentically depict an Old West that, as Jessamyn West notes in her foreword, has been "progressively obscured by those who portray it most often."

The critically acclaimed 1980 film Heartland was based on Elinore Pruitt Stewart's letters and journals.