The complete, authorised scripts, including deleted scenes, of the multiple award-winning Succession. 'The best TV show in the world.' The Times 'Just about the best thing I've ever seen on television.' New Statesman 'The best television around.' Guardian ** Winner of thirteen Emmys, five Golden Globes, three BAFTAs and a Grammy. ** With an exclusive introduction from Frank Rich. I wonder if the sad I'd be from being without you might be less than the sad I get from being with you? Kendall Roy is dealing with fallout from his hostile takeover attempt of Waystar Royco and the heavy guilt from a fatal accident. Shiv stands poised to make her way into the upper-echelons of the company, which is causing complications for Tom, which is causing complications for Greg. Meanwhile, Roman is reacquainting himself with the business by starting at the bottom, as Connor prepares to launch an unlikely bid for president. Collected here for the first time, the complete scripts of Succession: Season Two feature unseen extra material, including deleted scenes, alternative dialogue and character directions. They reveal a unique insight into the writing, creation and development of a TV sensation and a screen-writing masterpiece.

The complete, authorised scripts, including deleted scenes, of the multiple award-winning Succession. 'The smartest, cruellest, funniest show on television.' Irish Times 'The most thrilling and beautifully obscene TV there is.' Guardian 'Miraculously funny yet mind-blowingly intense.' Empire ** Winner of thirteen Emmys, five Golden Globes, three BAFTAs and a Grammy. ** With an exclusive introduction from Lucy Prebble. 'Love'. You're coming for me with love? In the wake of an ambush by his rebellious son, Kendall, Logan Roy is in a perilous position, scrambling to secure familial, political and financial alliances. A bitter corporate battle threatens to turn into a family civil war. Collected here for the first time, the complete scripts of Succession: Season Three feature unseen extra material, including deleted scenes, alternative dialogue and character directions. They reveal a unique insight into the writing, creation and development of a TV sensation and a screen-writing masterpiece. 'The best TV show in the world.' The Times

** Winner of thirteen Emmys, five Golden Globes, three BAFTAs and a Grammy. ** 'The most thrilling and beautifully obscene TV there is.' Guardian With an exclusive introduction from creator Jesse Armstrong. Collected here for the first time, the complete scripts of Succession: Season Four feature unseen extra material, including deleted scenes, alternative dialogue and character directions. They reveal a unique insight into the writing, creation and development of a TV sensation and a screen-writing masterpiece.

The complete, authorised scripts, including deleted scenes, of the multiple award-winning Succession. ** Winner of thirteen Emmys, five Golden Globes, three BAFTAs and a Grammy. ** With an exclusive introduction from creator Jesse Armstrong. 'The most thrilling and beautifully obscene TV there is.' Guardian 'Extraordinarily entertaining and incisive.' Empire 'One of the most relentlessly paced shows on television.' Rolling Stone Everything I've done in my life is for my children. When Logan Roy, the head of one of the world's largest media and entertainment conglomerates, decides to retire, each of his four grown children follows a personal agenda that doesn't always sync with those of their siblings -- or their father. Collected here for the first time, the complete scripts of Succession: Season One feature unseen extra material, including deleted scenes, alternative dialogue and character directions, and an exclusive introduction from creator and showrunner, Jesse Armstrong. They reveal a unique insight into the writing, creation and development of a TV sensation and a screen-writing masterpiece. 'Monstrous, near-Shakespearean perfection.' New Statesman

Black comedy directed by Chris Morris ('Brass Eye', 'The Day Today'). Riz Ahmed plays Omar, a devout British-based Muslim who forms a small terrorist group. Omar is an unconvincing leader and his team of fellow terrorists are just as unimpressive. Among them are dim-witted Waj (Kayvan Novak), shy and quiet Faisal (Adeel Akhtar) and recently-converted white Muslim, Barry (Nigel Lindsay), whose passion far outweighs his knowledge. Omar and his comrades come up with several destructive plans, including using birds as explosives and bombing mosques in an attempt to provoke non-violent Muslims. But do this rag-tag team of terrorists really pose a genuine threat to Britain?

All six episodes from the fourth series of the award-winning BBC satirical political comedy drama written and directed by Armando Iannucci. In this series, world-weary Secretary of State for Social Affairs, Peter Mannion (Roger Allam), is none too enthusiastic about launching his Coalition partner Fergus (Geoffrey Streatfield)'s new 'Networked Nation' policy. Meanwhile, over in the opposition camp, attack-dog policy enforcer Malcolm Tucker (Peter Capaldi) continues his relentless quest to undermine/oust newly installed leader, Nicola Murray MP (Rebecca Front).

All six episodes from the fifth series of the Channel 4 cult comedy, chronicling the private - and totally dysfunctional - inner thoughts of two 20-something flatmates living in Croydon. Mark (David Mitchell) is the sensible one, a working professional with a slightly disconcerting interest in WWII. Jeremy (Robert Webb) is a lazy waster with half-arsed dreams of becoming a musician but who can never get his act together. As ever, their deepest, darkest thoughts and feelings are revealed as they try in vain to find their place in the modern world and to find love and fulfilment. Episodes comprise: 'Burgling', 'Spin War', 'Jeremy's Broke', 'Jeremy's Mummy', 'Jeremy's Manager' and 'Mark's Women'.

A group of students head into a war zone, armed only with 'the power of theatre' in the first novel from the Emmy award-winning creator of Succession and Peep Show. It's 1994 and a gang of good-hearted young people set off in a Ford Transit van armed with several sacks of rice and a half-written play. Their aim is to light a beacon of peace across the Balkans and, very probably, stop the war. Andrew would love to stop the war. But what he'd also love to do - perhaps even more than stop the war - is sleep with Penny. Does Penny like him though? Or does she love Simon, Andrew's rival, an irritatingly authentic Geordie poet? Or Shannon, the fierce, inspiring American leader of the troupe? And how will this all play out in a war-zone where all the rules have been abandoned? 'Original, unabashed and irresistibly funny' Guardian