Over the last seven years Etgar Keret has had plenty of reasons to worry. His son, Lev, was born in the middle of a terrorist attack in Tel Aviv. His father became ill. And he has been constantly tormented by nightmarish visions of the Iranian president Ahmadinejad, anti-Semitic remarks both real and imagined, and, perhaps most worrisome of all, a dogged telemarketer who seems likely to chase him to the grave. Emerging from these darkly absurd circumstances is a series of funny, tender ruminations on everything from his three-year-old son's impending military service to the terrorist mindset behind Angry Birds. Moving deftly between the personal and the political, the playful and the profound, The Seven Good Years takes a life-affirming look at the human need to find good in the least likely places, and the stories we tell ourselves to make sense of our capricious world.

A chance encounter in New York brings two strangers together: Liat is an idealistic translation student, Hilmi a talented young painter. Together they explore the city, share fantasies, jokes and homemade meals, and fall in love. There is only one problem: Liat is from Israel, Hilmi from Palestine. Keeping their deepening relationship secret, the two lovers build an intimate universe for two in this city far from home. But outside reality can only be kept at bay for so long. After a tempestuous visit from Hilmi's brother, cracks begin to form in the relationship, and their points of difference - Liat's military service, Hilmi's hopes for Palestine's future - threaten to overwhelm their shared present. When they return separately to their divided countries, Liat and Hilmi must decide whether to keep going, or let go. A prizewinning bestseller, but banned in Israeli schools for its frank and tender depiction of a taboo relationship, this is the deeply affecting story of two people trying to bridge one of the most deeply riven borders in the world.

Both investigations began on the same day. One seemed domestic, almost banal: a newborn is found in a bag outside a hospital and the woman who left it there is captured after a few hours. The second investigation appeared stranger and more intriguing: a Swiss tourist disappeared from a beach-hotel near Tel-Aviv, and a quick inquiry showed he had been using a fake passport and at least two names. Can he be a Mossad agent like his daughter claims? And is he in danger? Inspector Avraham Avraham, wishing to outgrow his usual cases of domestic violence, is indifferent to the one, and seduced by the other. Soon he understands he made a wrong choice, as both investigations spiral into a maze of violence and deception, leading to Israel's darkest secrets - and threatening to put Avraham in conflict with the most powerful men in the country, who technically don't even exist. Conviction is a successful synthesis of the emotionality of the previous Avraham cases and the fast-paced, highly suspenseful standalone novel, Three. Once again, Mishani delivers an almost unbearably tense story, both thrilling and emotionally involving. It is yet another triumph.

Winner of the 2018 Sapir Prize. You need to bribe someone into giving you weed? Don't worry, just step into this court room and call the defendant a murderer. You're a rich, lonely man and you want the joy of company? Don't worry, just buy up people's birthdays, and you'll have friends calling every day. You need to get girls into bed? Don't worry, your writer friend will write you a very persuasive story. You're standing on the edge of a very high building, with all of your wretched sorrows? Don't worry, fly already! In these 22 short stories, wild capers reveal painful emotional truths, and the bizarre is just another name for the familiar. Wickedly funny and thrillingly smart, Fly Already is a collage of absurdity, despair and love, written by veteran commentator on the circus farce that is life.

"What Works in Development?" brings together leading experts to address one of the most basic yet vexing issues in development: what do we really know about what works -- and what doesn't --in fighting global poverty?

The contributors, including many of the world's most respected economic development analysts, focus on the ongoing debate over which paths to development truly maximize results. Should we emphasize a big-picture approach --focusing on the role of institutions, macroeconomic policies, growth strategies, and other country-level factors? Or is a more grassroots approach the way to go, with the focus on particular microeconomic interventions such as conditional cash transfers, bed nets, and other microlevel improvements in service delivery on the ground? The book attempts to find a consensus on which approach is likely to be more effective.

Contributors include Nana Ashraf (Harvard Business School), Abhijit Banerjee (MIT), Nancy Birdsall (Center for Global Development), Anne Case (Princeton University), Jessica Cohen (Brookings), William Easterly (NYU and Brookings), Alaka Halla (Innovations for Poverty Action), Ricardo Hausman (Harvard University), Simon Johnson (MIT), Peter Klenow (Stanford University), Michael Kremer (Harvard), Ross Levine (Brown University), Sendhil Mullainathan (Harvard), Ben Olken (MIT), Lant Pritchett (Harvard), Martin Ravallion (World Bank), Dani Rodrik (Harvard), Paul Romer (Stanford University), and DavidWeil (Brown).

This novel is inspired by a true historical event. Before Theodore Herzl there was Mordecai Manuel Noah, an American journalist, diplomat, playwright, and visionary. In September 1825 he bought Grand Island, downriver from Niagara Falls, from the local Native Americans as a place of refuge for the Jewish people and called it "Ararat." But no Jews came. What if they had followed Noah's call? In Nava Semel's alternate history Jews from throughout the world flee persecution and come to Ararat. Isra Isle becomes the smallest state in the US. Israel does not exist, and there was no Holocaust. In exploring this what-if scenario, Semel stimulates new thinking about memory, Jewish/Israeli identity, attitudes toward minorities, women in top political positions, and the place of cultural heritage. The novel is divided into three parts. Part 1, a detective story, opens in September 2001 when Liam Emanuel, an Israeli descendant of Noah, learns about and inherits this island. He leaves Israel intending to reclaim this "Promised Land" in America. Shortly after he arrives in America Liam disappears. Simon T. Lenox, a Native American police investigator, tries to recover Israel's "missing son." Part 2 flashes back to the time and events surrounding Mordecai Noah's purchase of the island from the local Native Americans. Part 3 poses an alternate history: the rise of a successful modern Jewish city-state, Isra Isle, on the northern New York and Canadian border--a metropolis that looks remarkably like New York City both before and after 9/11--in which the Jewish female governor campaigns to become president of the United States. Nava Semel has published novels, short stories, poetry, plays, children's books, and a number of TV scripts. Her books have been translated and published in many countries. Her book, Becoming Gershona, received the 1990 National Jewish Book Award in the US.

Presented bilingually with a new English translation by Man Booker Prize-winning translator Jessica Cohen, these brief fables by Israeli author Daniel Oz engage with vast concepts about human nature. Full of timeless, open-ended parables, Further Up the Path offers no answers, moralizing, or conclusion: only an uneasy bewilderment with the paradoxes of the human-and animal-condition.

WINNER OF THE INTERNATIONAL MAN BOOKER PRIZE 2017 The setting is a comedy club in a small Israeli town. An audience that has come expecting an evening of amusement instead sees a comedian falling apart on stage; an act of disintegration, a man crumbling, as a matter of choice, before their eyes. They could get up and leave, or boo and whistle and drive him from the stage, if they were not so drawn to glimpse his personal hell. Dovaleh G, a veteran stand-up comic - charming, erratic, repellent - exposes a wound he has been living with for years: a fateful and gruesome choice he had to make between the two people who were dearest to him. A Horse Walks into a Bar is a shocking and breathtaking read. Betrayals between lovers, the treachery of friends, guilt demanding redress. Flaying alive both himself and the people watching him, Dovaleh G provokes both revulsion and empathy from an audience that doesn't know whether to laugh or cry - and all this in the presence of a former childhood friend who is trying to understand why he's been summoned to this performance.

Both investigations began on the same day. One seemed domestic, almost banal: a newborn is found in a bag outside a hospital and the woman who left it there is captured after a few hours. The second investigation appeared stranger and more intriguing: a Swiss tourist disappeared from a beach-hotel near Tel-Aviv, and a quick inquiry showed he had been using a fake passport and at least two names. Can he be a Mossad agent like his daughter claims? And is he in danger? Inspector Avraham Avraham, wishing to outgrow his usual cases of domestic violence, is indifferent to the one, and seduced by the other. Soon he understands he made a wrong choice, as both investigations spiral into a maze of violence and deception, leading to Israel's darkest secrets - and threatening to put Avraham in conflict with the most powerful men in the country, who technically don't even exist. Conviction is a successful synthesis of the emotionality of the previous Avraham cases and the fast-paced, highly suspenseful standalone novel, Three. Once again, Mishani delivers an almost unbearably tense story, both thrilling and emotionally involving. It is yet another triumph.

Ora, a middle-aged Israeli mother, is about to celebrate her son Ofer's release from army service when he returns to the front for a major offensive. Instead of waiting at home for the 'notifiers' who could arrive at any moment to tell her of her son's fate, she sets off for a hike in Galilee, leaving no forwarding address. If a mother is not there to receive the news, a son cannot die, can he? Recently estranged from her husband, Ora drags along an unlikely companion: their former best friend and her former lover Avram, the man who in fact turns out to be her son's biological father. As they sleep out in the hills, ford rivers and cross valleys, Ora recounts, step by step and word by word, the story of her son's birth, life and possible death, in one mother's magical, passionate and heartbreaking attempt to keep her son safe from harm.

A dark psychological thriller with a killer twist, that has topped the bestseller charts in its native Israel Winner of the Prix Mystere de la Critique 2021 Longlisted for the CWA Dagger for Crime Fiction in Translation 2021 *TRANSLATED BY MAN BOOKER WINNER JESSICA COHEN* Three tells the stories of three women: Orna, a divorced single-mother looking for a new relationship; Emilia, a Latvian immigrant on a spiritual search; and Ella, married and mother of three, returning to University to write her thesis. All of them will meet the same man. His name is Gil. He won't tell them the whole truth about himself - but they don't tell him everything either. Tense, twisted and surprising, Three is a daring new form of psychological thriller. It is a declaration of war against the normalisation of death and violence. Slowly but surely, you see the danger each woman walks into. What you won't see is the trap being laid - until it snaps shut.

Throughout his career, David Grossman has been a voice for peace and reconciliation between Israel and its Arab citizens and neighbors. In these six essays on politics and culture in Israel, he addresses the conscience of a country that has lost faith in its leaders and its ideals. The collection includes an already famous speech concerning the disastrous Second Lebanon War of 2006, the war that took the life of Grossman's twenty-one-year-old son, Uri.
Moving, human, clear-sighted, and courageous, touching on literature and artistic creation as well as politics and philosophy, these writings are a cri de coeur from "a writer who has been, for nearly two decades, one of the most original and talented not only in his own country, but anywhere" ("The New York Times Book Review").

'Hanoch Levin is the modern world on the stage... we badly need to hear what he has to say.' David Lan Hanoch Levin was one of Israel's leading dramatists. Born in Tel Aviv in 1943, his work includes comedies, tragedies, and satirical cabarets, most of which he directed himself. He received numerous theatre awards both in Israel and abroad and his plays have been staged around the world. Levin was awarded the Bialik Prize in 1994. Published in brand-new English translations, these selected volumes of Hanoch Levin, one of Israel's leading dramatists, aim to bring one of the most important playwrights of the Middle East to English speaking audiences. Plays One contains the plays Krum (1975), Schitz (1975), The Torments of Job (1981), A Winter Funeral (1978), and The Child Dreams (1993).

'Hanoch Levin is the modern world on the stage... we badly need to hear what he has to say.' David Lan Hanoch Levin was one of Israel's leading dramatists. Born in Tel Aviv in 1943, his work includes comedies, tragedies, and satirical cabarets, most of which he directed himself. He received numerous theatre awards both in Israel and abroad and his plays have been staged around the world. Levin was awarded the Bialik Prize in 1994. Published in brand-new English translations, these selected volumes of Hanoch Levin, one of Israel's leading dramatists, aim to bring one of the most important playwrights of the Middle East to English speaking audiences. Plays Two contains the plays Suitcase Packers (1983), The Lost Women of Troy (1984), The Labour of Life (1989), Walkers in the Dark (1998) and Requiem (1999).

In Falling Out of Time, David Grossman has created a genre-defying drama - part play, part prose, pure poetry - to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son.The man - called simply the 'Walking Man' - paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net Mender, the Midwife, the Elderly Maths Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death's hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossman's storytelling - a realm where loss is not merely an absence, but a life force of its own.