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Gossip Girl meets One of Us is Lying in this tense, taut,
unputdownable murder mystery. In Gold Coast, Long Island,
everything from the expensive boutiques to the manicured beaches,
to the pressed uniforms of Jill Newman and her friends, looks
perfect. But as Jill found out three years ago, nothing is as it
seems. Jill's best friend, the brilliant, dazzling Shaila Arnold,
was killed by her boyfriend. After that dark night on the beach,
Graham confessed, the case was closed, and Jill tried to move on.
Now, it's Jill's senior year and she's determined to make it her
best yet. After all, she's a senior and a Player - a member of Gold
Coast Prep's exclusive, not-so-secret secret society. Senior
Players have the best parties, highest grades and the admiration of
the entire school. This is going to be Jill's year. She's sure of
it. But when Jill starts getting texts proclaiming Graham's
innocence, her dreams of the perfect senior year start to crumble.
If Graham didn't kill Shaila, who did? Jill vows to find out, but
digging deeper could mean putting her friendships, and her future,
in jeopardy. In development as major HBO Max television show THE
PLAYERS TABLE
A glitzy YA thriller set in New York City elite social circles, filled
with backstabbing and blackmail, twisty secrets, and a dead body, from
New York Times bestselling author Jessica Goodman.
Perfect for fans of Euphoria, Holly Jackson, and Jessica Knoll.
An invitation for membership to the exclusive Legacy Club in New York
City is more than an honor. It gives lifetime access to power and
wealth beyond any prep school doors, as Legacy Club members always look
out for their own. That is, after you make it through a rigorous week
of events and the extravagant gala, the Legacy Ball.
It’s not surprising when Excelsior Prep seniors Bernie Kaplan, Isobel
Rothcroft, and Skyler Hawkins are nominated as Legacies; their family
pedigrees have assured their membership since birth—even if they're all
keeping secrets that could destroy their reputations. But scholarship
kid from Queens Tori Tasso is the surprise nominee no one saw coming.
She’s never fit in this world of designer bags, penthouse apartments,
and million-dollar donations. So what did she do to secure her place?
The evening of the Legacy Ball arrives, and everyone expects a night of
luxury and excess, haute couture, and plenty of hushed gossip.
No one expects their secrets to come out.
Or for someone to die trying to keep them hidden.
The thirty years Carlo Goldoni spent in Paris hold an ambiguous
place in his career. The preface to his autobiography explicitly
draws attention to France as the site of his authorial glory, but
elsewhere he dismisses his work for the Parisian Comedie-Italienne
as a failure, and this view has come to dominate modern readings of
his French experience. This study sets out to explore this apparent
contradiction. By reading Goldoni's own contemporary and subsequent
accounts through the lens of his context as a dramatic author in
1760s Paris, Jessica Goodman sheds new light on both his experience
and critical reactions to that experience. A key part of this
contextualisation is an examination of contemporary
Comedie-Italienne archives, resulting in the most comprehensive
existing account of this oft-neglected theatre and its authorial
relations in the period. When material and artistic conditions at
the Comedie-Italienne thwarted the self-fashioning strategies
Goldoni had developed in Italy, he turned his attention to other
areas of French life; notably the court and the Comedie-Francaise.
Yet despite relative success in this regard, his career as an
eclectic homme de lettres was lost in translation to posterity. In
his French Memoires, he constructed the claim of Parisian glory
according to an out-dated understanding of what it meant to succeed
in the French literary field, focusing predominantly on the power
of Comedie-Francaise success. Ultimately, this construction was a
failure: in modern France, Goldoni is remembered as a famous
foreigner, not the consecrated French litterateur he believed he
had become.
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