David Driskell (1931-2020) was one of the most revered and boundary-breaking American artists, long recognized for his vibrant and versatile painting and printmaking practice, which combined his sharp observation of American landscapes and his interest in the imagery and aesthetic innovations of the African diaspora. Driskell was equally well-known as a curator, art historian, and educator, and his career as both artist and scholar created a durable public record of the long history of art made by African Americans.The exhibition and accompanying catalogue survey seven decades of the artist s painterly practice from the 1950s forward. Driskell s command of color and line is showcased through his beloved subjects, including the natural world, remembrances of the Southern Black experience, and the Black Christian church. The book includes a primary essay by Driskell scholar and curator Julie McGee as well as many other testaments to Driskell by major American artists, art historians, and museum professionals. The catalogue also features a selection of Driskell s most significant writings, introducing the full range of his career to future generations of readers.

Caring about the effects of one's actions will make green issues sustainable. The main objectives of this research were the consideration and comparison of green tax policies and directives, enacted and proposed environmental legislation in each of the identified countries and each country's commitment to positive environmental change. The results of the study highlight the positive means through which South Africa can grow its economy and lower carbon emissions by implementing an effective environmental policy and using the experiences of China and Sweden to date as direction for the future. This study demonstrated that South Africa must remain mindful of China's extreme unaccountability, as an example of the dire ramifications that would result if South Africa were to deviate from an adherence to green issues. It further demonstrated that South Africa must take its lead from Sweden and positively grow its economy by lowering its carbon emissions through implementing an effective environmental policy.

Let your little one peer into the beautiful underwater world of a tiny seashell as she experiences the exciting adventures of life in the deep blue ocean. Luckily for her, she eventually finds herself at just the right place and time to meet a special someone that changes her life forever. It's a beautiful book with captivating imagery and intense colors.

Clifford Ross’s photographic and video practices over the past thirty years reveals one of the most incisive and technically sophisticated investigations of the nature of vision in the medium’s history. Sightlines showcases the range and depth of Clifford Ross’s art by presenting the inexhaustible variety of visual experience he has created with two primary subjects: mountain and sea. In our era of unprecedented environmental peril, his inventive exploration of the iconic subjects of the mountain and the sea convey powerful creative engagement with the landscapes that are both majestic and fragile.

"American Modern", the beautifully illustrated companion volume to the exhibit of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures: Berenice Abbott, Walker Evans, and Margaret Bourke-White. More broadly, the book maps the formation of what we now identify as 'documentary style', showing how a marginalized genre associated with Progressive reform politics was transformed into a major component of modern art and public culture in America. The essays by Sharon Corwin, Jessica May, and Terri Weissman describe how each of these three photographers developed a different model of photography - as well as a particular understanding of modernism and modernity - which each believed would set the standard for future generations of artists. American Modern identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art, and international theories of photography all intersected to establish the now-dominant documentary style.

A fresh and surprising overview of N. C. Wyeth's career that considers the full range of the multifaceted artist's oeuvre N. C. Wyeth (1882-1945) was widely renowned for his iconic images of characters such as King Arthur, Robin Hood, and Robinson Crusoe that were reproduced as illustrations for books and magazines. The patriarch of the Wyeth family, father of Andrew Wyeth and grandfather of Jamie, he was also an artist with a broad purview whose work includes impressionist views of the Pennsylvania countryside and 1930s modernist interpretations of Maine coastal scenes. The book's essays look at topics such as Wyeth's contributions to the visual mythology of the American West, the darker nuances found in his Treasure Island illustrations, and correlations between his illustrations and cinema. Also explored is the way in which Wyeth's own Chadds Ford properties reflect his conception of home and the role of the artist in American society. Complete with a detailed chronology, this carefully researched study of Wyeth's life and work provides a long overdue assessment of the remarkable breadth of this complex yet often misunderstood artist.