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Renaissance Papers 2003 (Hardcover)
Christopher Cobb, M. Thomas Hester; Contributions by Aaron Landau, Amy Scott, Elizabeth Watson, …
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R1,372
Discovery Miles 13 720
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Out of stock
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Essays on Shakespeare, Elizabeth Cary, Erasmus, George Puttenham,
William Tyndale, and the Virginia Company, among other topics.
Renaissance Papers is a collection of the best scholarly essays
submitted each year to the Southeastern Renaissance Conference. The
conference accepts papers on all subjects relating to the
Renaissance -- music, art, history, literature, etc. -- from
scholars all over North America and the world. Of the ten essays in
the 2003 volume, three have to do with Shakespeare; among the
topics here are Shakespeare and social uprising in The Merchant of
Venice, politics and masculinity in Julius Caesar, and the
churching of women in Taming of the Shrew; another essay on
Renaissance drama focuses attention on Elizabeth Cary's Mariam.
Other essays consider Erasmus and the problem of strife, George
Puttenham as a comedic artificer, the hermeneutics of William
Tyndale, the editorial disputes in The Adventures of Master F.J.,
the wooing of Amoret and Scudamour, and the "writing" of the
Virginia Company. Contributors: Jessica Wolfe, Gerald Snare, Jon
Pope, Elizabeth Watson, Wayne Erickson, Mary Free, Amy Scott, Aaron
Landau, Jeanne Roberts, and Jay Stubblefield. M. Thomas Hester is
professor of English, and Christopher Cobb is assistant professor
of English, both at North Carolina State University.
Those who have lost a loved one by suicide often complain
obsessively about not having an explanation for what happened; this
load of pain, added to the ordeal, is devastating. Jessica Wolf,
based on her therapeutic work with suicide survivors, provides
answers that offer guidance and accompaniment in such a complicated
situation. The author weaves together stories from people who have
gone through this difficult time, with clear explanations to
understand what happened and emotional tools to process grief. For
those who remain, this book is a support to heal, find peace and
make sense of existence, despite the absence.Â
From antiquity through the Renaissance, Homer's epic poems - the
Iliad, the Odyssey, and the various mock-epics incorrectly ascribed
to him - served as a lens through which readers, translators, and
writers interpreted contemporary conflicts. They looked to Homer
for wisdom about the danger and the value of strife, embracing his
works as a mythographic shorthand with which to describe and
interpret the era's intellectual, political, and theological
struggles. Homer and the Question of Strife from Erasmus to Hobbes
elegantly exposes the ways in which writers and thinkers as varied
as Erasmus, Rabelais, Spenser, Milton, and Hobbes presented Homer
as a great champion of conflict or its most eloquent critic.
Jessica Wolfe weaves together an exceptional range of sources,
including manuscript commentaries, early modern marginalia,
philosophical and political treatises, and the visual arts. Wolfe's
transnational and multilingual study is a landmark work in the
study of classical reception that has a great deal to offer to
anyone examining the literary, political, and intellectual life of
early modern Europe.
This book explores how machinery and the practice of mechanics
participate in the intellectual culture of Renaissance humanism.
Before the emergence of the concept of technology, sixteenth- and
early seventeenth-century writers recognised the applicability of
mechanical practices and objects to some of their most urgent
moral, aesthetic, and political questions. The construction, use,
and representation of devices including clocks, scientific
instruments, stage machinery, and war engines not only reflect but
also actively reshape how Renaissance writers define and justify
artifice and instrumentality - the reliance upon instruments,
mechanical or otherwise, to achieve a particular end. Harnessing
the discipline of mechanics to their literary and philosophical
concerns, scholars and poets including Francis Bacon, Edmund
Spenser, George Chapman, and Gabriel Harvey look to machinery to
ponder and dispute all manner of instrumental means, from rhetoric
and pedagogy to diplomacy and courtly dissimulation.
This book explores how machinery and the practice of mechanics
participate in the intellectual culture of Renaissance humanism.
Before the emergence of the modern concept of technology,
sixteenth- and early seventeenth-century writers recognized the
applicability of mechanical practices and objects to some of their
most urgent moral, aesthetic, and political questions. The
construction, use, and representation of devices including clocks,
scientific instruments, stage machinery, and war engines not only
reflect but also actively reshape how Renaissance writers define
and justify artifice and instrumentality - the reliance upon
instruments, mechanical or otherwise, to achieve a particular end.
Harnessing the discipline of mechanics to their literary and
philosophical concerns, scholars and poets including Francis Bacon,
Edmund Spenser, George Chapman, and Gabriel Harvey look to
machinery to ponder and dispute all manner of instrumental means,
from rhetoric and pedagogy to diplomacy and courtly dissimulation.
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