Published in 1965: In the following pages the author has endeavoured to give, as clearly and concisely as possible, a description of the literature composing the Grail cycle, an analysis of its content and a survey of the leading theories to which this perplexing body of romance has given rise.

Published in 1965: In the following pages the author has endeavoured to give, as clearly and concisely as possible, a description of the literature composing the Grail cycle, an analysis of its content and a survey of the leading theories to which this perplexing body of romance has given rise.

Acknowledged by T. S. Eliot as crucial to understanding "The Waste Land," Jessie Weston's book has continued to attract readers interested in ancient religion, myth, and especially Arthurian legend. Weston examines the saga of the Grail, which, in many versions, begins when the wounded king of a famished land sees a procession of objects including a bleeding lance and a bejewelled cup. She maintains that all versions defy uniform applications of Celtic and Christian interpretations, and explores the legend's Gnostic roots.

Drawing from J. G. Frazer, who studied ancient nature cults that associated the physical condition of the king with the productivity of the land, Weston considers how the legend of the Grail related to fertility rites--with the lance and the cup serving as sexual symbols. She traces its origins to a Gnostic text that served as a link between ancient vegetation cults and the Celts and Christians who embellished the story. Conceiving of the Grail saga as a literary outgrowth of ancient ritual, she seeks a Gnostic Christian interpretation that unites the quest for fertility with the striving for mystical oneness with God.

This prose rendering of a poem from the late fourteenth century (or earlier) recounts an adventure undertaken by King Arthur's famous nephew, Sir Gawain. Brave and chivalrous, faithful to his word and ever-mindful of his honor, as well as others', Gawain represents the model of knightly grace. When a gigantic stranger clad in green armor bursts in on the Round Table assembly to issue a challenge, the gallant Gawain volunteers to do battle for his king. This parable blends paganistic elements and Christian ethics to celebrate the virtue of forgiveness, and it is frequently assigned to classes in literature and history because of its short length and its excellent representation of chivalric tradition. Unabridged republication of Sir Gawain and the Green Knight: A Middle-English Arthurian Romance Retold in Modern Prose, originally published by Charles Scribner's Sons, New York, 1909.