Jill Gebhart Campbell's passion for poetry, writing, and drawing prompted her to write this book, utilizing these creative genres, in order to portray her bipolar illness in a more personal way. It is also a reflection of how the devastating effects of bipolar disorder shaped her life. The author's story is about a young woman's odyssey of triumph and sorrow and her journey to find herself again. Before her diagnosis, she was a beautiful, compassionate young woman who excelled in both athletics and academics. After her diagnosis she gained more than 120 pounds-due to health issues, sick children, psychiatric hospitalizations, and unsuitable medications. She became depressed, self-consumed, and bitter. The debilitating depression and hauntingly real hallucinations forever impacted the way she sees life and how life sees her. Her faith in God proved to be her ultimate anchor through her heart-wrenching circumstances. After admission to solitary confinement, due to hallucinations, she experienced an even more profound depression. "The white walls, barred windows, cold cement floors, and white bedding only exacerbated my feelings of isolation and left me swirling downward in an even deeper depression." However, the Lord's unconditional love has allowed her to walk on the bright side once again. She overcame all the odds to become the woman she longed to be. She has attained the serenity one reaches when they've been to the very end, beyond hope, yet made it back.

The author breaks with old critical commonplaces that contrast Fielding's "masculinity" with Samuel Richardson's "feminine" sensibilities. She argues that a preoccupation with the tenuousness of gendered identity appears throughout Fielding's writings, and that Fielding shared that preoccupation with his contemporaries.

The author breaks with old critical commonplaces that contrast Fielding's "masculinity" with Samuel Richardson's "feminine" sensibilities. She argues that a preoccupation with the tenuousness of gendered identity appears throughout Fielding's writings, and that Fielding shared that preoccupation with his contemporaries.

Where are the women in Canada's international history? Breaking Barriers, Shaping Worlds gathers scholars to explore the role of women in twentieth-century Canadian international affairs. They examine the lives and careers of professionals employed abroad as doctors, nurses, or economic development advisors; those fighting for change as anti-war, anti-nuclear, or Indigenous rights activists; and women working as diplomatic spouses or as diplomats themselves. This lively, wide-ranging collection reveals the vital contribution of women to the search for global order that has been a hallmark of Canada's international history.

Buildings in Society: International Studies in the Historic Era presents a series of papers reflecting the latest approaches to the study of buildings from the historic period. This volume does not examine buildings as architecture, but adopts an archaeological perspective to consider them as artefacts, reflecting the needs of those who commissioned them. Studies have often failed to consider the historical contexts in which the buildings were constructed and how they were subsequently used and interpreted. The papers in this volume situate their interpretation in their social context. Buildings can inform us about past cultures as they are responsive and evolve to meet people's needs over time. The buildings examined in this volume range from the twelfth to the twenty-first century and cross continents including case-studies from America, Australia and Europe, the United Kingdom, Ireland, Scandinavia and the Mediterranean. Themes include: Approaches to the study of buildings, Buildings of Power, Buildings in Identity, Domestic Space and Urban and Village Spaces. The essays consider building design, role, and how the buildings were altered as their function changed to coincide with the needs and aspirations of those who owned or used the buildings. This collection of papers emphasizes the need for further international multidisciplinary approaches including archaeology, architectural history and art history in order to understand how ideas, styles, approaches and designs spread over time and space. Together, these papers generate valuable new insights into the study of buildings in the historic period.

Jill Gebhart Campbell's passion for poetry, writing, and drawing prompted her to write this book, utilizing these creative genres, in order to portray her bipolar illness in a more personal way. It is also a reflection of how the devastating effects of bipolar disorder shaped her life. The author's story is about a young woman's odyssey of triumph and sorrow and her journey to find herself again. Before her diagnosis, she was a beautiful, compassionate young woman who excelled in both athletics and academics. After her diagnosis she gained more than 120 pounds-due to health issues, sick children, psychiatric hospitalizations, and unsuitable medications. She became depressed, self-consumed, and bitter. The debilitating depression and hauntingly real hallucinations forever impacted the way she sees life and how life sees her. Her faith in God proved to be her ultimate anchor through her heart-wrenching circumstances. After admission to solitary confinement, due to hallucinations, she experienced an even more profound depression. "The white walls, barred windows, cold cement floors, and white bedding only exacerbated my feelings of isolation and left me swirling downward in an even deeper depression." However, the Lord's unconditional love has allowed her to walk on the bright side once again. She overcame all the odds to become the woman she longed to be. She has attained the serenity one reaches when they've been to the very end, beyond hope, yet made it back.

The first book-length study of Horace Walpole’s scandalous The Mysterious Mother, including critical essays, an abridged script, and a facsimile edition   Horace Walpole’s five-act tragedy The Mysterious Mother (1768), a sensational tale of incest and intrigue, was initially circulated only among the author’s friends. Walpole never permitted it to be performed during his lifetime except as a private theatrical. He described his play as a “delicious entertainment for the closet� and claimed that he “did not think it would do for the stage.� Yet the essays in this volume trace a history of private readings, amateur theatricals, and even early public performances, demonstrating that the play was read and performed more than Walpole’s protests suggest. Exploring a wide variety of topics—including the play’s crypto-Catholicism, its treatments of incest, guilt, motherhood, orphans, and scientific spectacle, and the complex relations between print and performance—the essays demonstrate the rich relevance of The Mysterious Mother to current critical discussions.   The volume includes the proceedings of a mini-conference hosted at Yale University in 2018 on the occasion of a staged reading of the play. Also included are the director’s reflections, an abridged script, a facsimile of Walpole’s own copy of the full-length play, and reproductions of the illustrations he commissioned from Lady Diana Beauclerk.

Where are the women in Canada’s international history? Breaking Barriers, Shaping Worlds gathers scholars to explore the role of women in twentieth-century Canadian international affairs. They examine the lives and careers of professionals employed abroad as doctors, nurses, or economic development advisors; those fighting for change as anti-war, anti-nuclear, or Indigenous rights activists; and women working as diplomatic spouses or as diplomats themselves. This lively, wide-ranging collection reveals the vital contribution of women to the search for global order that has been a hallmark of Canada’s international history.

The history of children's literature is a growing area of study; this group of essays brings together innovative, scholarly voices to explore the fascinating tales behind many beloved books. The publication mines the Betsy Beinecke Shirley Collection of American Children's Literature, one of the world's richest sources for original books, manuscripts, and artwork. The essays, commissioned for this volume, examine little-known backstories of three hundred years of classic children's literature, from Louisa May Alcott to Langston Hughes to Mo Willems. Distributed for the Beinecke Rare Book and Manuscript Library