Ferris Beach is a place where excitement and magic coexist. Or so Mary Katherine "Katie" Burns, the only child of middle-aged Fred and Cleva Burns, believes. Shy and self-conscious, she daydreams about Ferris Beach, where her beautiful cousin, Angela, leads a romantic, mysterious life.
It is the early 1970s, and when the land across the road from the Burns's historic house is sold to developers, Misty Rhodes also from Ferris Beach and her flamboyant parents move into the nearest newly built split-level. In contrast to Katie s composed, reserved, practical mother, Misty and her mother are everything Katie wants to be: daring, outrageous, fun. The two girls become inseparable, sharing every secret, every dream until one fateful Fourth of July, when their lives change in a way they could never have imagined.
In this classic McCorkle novel, the author's shrewd grasp of human nature creates characters that resonate with truth and emotion, and a story perfect for mothers and daughters to share and cherish.

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Award-winning author Jill McCorkle takes us on a splendid journey through time and memory in this, her tenth work of fiction. "Life After Life "is filled with a sense of wonder at our capacity for self-discovery at any age. And the residents, staff, and neighbors of the Pine Haven retirement center (from twelve-year-old Abby to eighty-five-year-old Sadie) share some of life s most profound discoveries and are some of the most true-to-life characters that you are ever likely to meet in fiction. Delivered with her trademark wit, Jill McCorkle s constantly surprising novel illuminates the possibilities of second chances, hope, and rediscovering life right up to the very end. She has conjured an entire community that reminds us that grace and magic can and do appear when we least expect it."

"Hieroglyphics is a novel that tugs at the deepest places of the human soul--a beautiful, heart-piercing meditation on life and death and the marks we leave on this world. It is the work of a wonderful writer at her finest and most profound." --Jessica Shattuck, author of The Women in the Castle After many years in Boston, Lil and Frank have retired to North Carolina. The two of them married young, having bonded over how they both--suddenly, tragically--lost a parent when they were children. Now, Lil has become deter mined to leave a history for their own kids. She sifts through letters and notes and diary entries, uncovering old stories--and perhaps revealing more secrets than Frank wants their children to know. Meanwhile, Frank has become obsessed with the house he lived in as a boy on the outskirts of town, where a young single mother, Shelley, is now raising her son. For Shelley, Frank's repeated visits begin to trigger memories of her own family, memories that she'd hoped to keep buried. Because, after all, not all parents are ones you wish to remember. Empathetic and profound, this novel from master storyteller Jill McCorkle deconstructs and reconstructs what it means to be a father or a mother, and to be a child trying to know your parents--a child learning to make sense of the hieroglyphics of history and memory.

Jo Spencer is a girl who knows what to be and how to be it-straight-A student, cheerleader, May Queen, popular and cute and virginal, and in perfect control. But halfway through her first year in college in the early seventies, her carefully normal life explodes and she comes completely undone. In The Cheerleader, Jo Spencer looks back, as if she were watching reruns of old syndicated TV shows, to figure out what happened.Ordinary chance has dumped Sam Swett, age twenty-one, in the Marshboro, North Carolina, Quik Pik in the middle of a murder. Sam has shaved his head, given away all his belongings except his typewriter; he's drunker than he's ever been and running as fast as he can from his upper-middle-class upbringing. For the next twenty-four hours, Sam is propelled straight into the very core of this small Southern town as it sorts through the facts.

Jill McCorkle's new collection of twelve short stories is peopled with characters brilliantly like us-flawed, clueless, endearing. These stories are also animaled with all manner of mammal, bird, fish, reptile-also flawed and endearing. She asks, what don't humans share with the so-called lesser species? Looking for the answer, she takes us back to her fictional home town of Fulton, North Carolina, to meet a broad range of characters facing up to the double-edged sword life offers hominids. The insight with which McCorkle tells their stories crackles with wit, but also with a deeper-and more forgiving-wisdom than ever before. In Billy Goats, Fulton's herd of seventh graders cruises the summer nights, peeking into parked cars, maddening the town madman. In Monkeys, a widow holds her husband's beloved spider monkey close along with his deepest secrets. In Dogs, a single mother who works for a veterinarian compares him-unfavorably-with his patients. In Snakes, a seasoned wife sees what might have been a snake in the grass and decides to step over it. And, in the exquisite final story, Fish, a grieving daughter remembers her father's empathy for the ugliest of all fishes. The success behind Jill McCorkle's short stories-and her novels-is, as one reviewer noted, her skill as an archaeologist of the absurd, an expert at excavating and examining the comedy of daily life (Richmond Times-Dispatch). Yes, and also the tragedy.