How do we experience a city in terms of the senses? What are the inter-relations between human experience and behaviour in urban space? This volume examines these questions in the context of European urban culture between the fifteenth and twentieth centuries, exploring the institutions and ideologies relating to the range of sensual experience and its interpretation. Spanning pre-industrial and modern cities in Britain, France, Germany and the United States, it enables the reader to establish major contrasts and continuities in what is still an evolving urban experience. Divided into sections corresponding to the five senses: noise, vision, taste, touch and smell, each sections allows for comparisons which act as reminders that the experience of the city was a multi-sensual one, and that these experiences were as much intellectual as physical in their nature.

How do we experience a city in terms of the senses? What are the inter-relations between human experience and behaviour in urban space? This volume examines these questions in the context of European urban culture between the fifteenth and twentieth centuries, exploring the institutions and ideologies relating to the range of sensual experience and its interpretation. Spanning pre-industrial and modern cities in Britain, France, Germany and the United States, it enables the reader to establish major contrasts and continuities in what is still an evolving urban experience. Divided into sections corresponding to the five senses: noise, vision, taste, touch and smell, each sections allows for comparisons which act as reminders that the experience of the city was a multi-sensual one, and that these experiences were as much intellectual as physical in their nature.

First published in 1999, this volume explores how the cities of central Europe, among them Berlin, Budapest, Hamburg, Vienna and Prague, went through a period of phenomenal growth during the nineteenth and early twentieth centuries. Their rapid expansion and growing economic importance made citizens aware of the need to manage the fabric and culture of the urban environment, while burgeoning nationalism and the development of local and international tourism constructed cities as showcases for national and regional identity. Competing visions of how city and nation should represent themselves were advanced by different social groups, by commercial interests and by local and national political authorities. Among the developments examined in this collection of essays are the campaign for the architectural development of Hamburg; international modernism and notions of the garden city in Czechoslovakia; competition among German cities as art centres; the role of Wawel Hill in Krakow as a vehicle for Polish nationalism; tourism in Austria-Hungary; Jewish assimilation in Vienna; social control and cultural policy in Vienna; and the representation of Berlin on film. The volume is introduced by Malcolm Gee, Tim Kirk and Jill Steward who provide an historical overview which establishes a context for the exchange of ideas and competition between the cities of central Europe during this period.

First published in 1999, this volume explores how the cities of central Europe, among them Berlin, Budapest, Hamburg, Vienna and Prague, went through a period of phenomenal growth during the nineteenth and early twentieth centuries. Their rapid expansion and growing economic importance made citizens aware of the need to manage the fabric and culture of the urban environment, while burgeoning nationalism and the development of local and international tourism constructed cities as showcases for national and regional identity. Competing visions of how city and nation should represent themselves were advanced by different social groups, by commercial interests and by local and national political authorities. Among the developments examined in this collection of essays are the campaign for the architectural development of Hamburg; international modernism and notions of the garden city in Czechoslovakia; competition among German cities as art centres; the role of Wawel Hill in Krakow as a vehicle for Polish nationalism; tourism in Austria-Hungary; Jewish assimilation in Vienna; social control and cultural policy in Vienna; and the representation of Berlin on film. The volume is introduced by Malcolm Gee, Tim Kirk and Jill Steward who provide an historical overview which establishes a context for the exchange of ideas and competition between the cities of central Europe during this period.