'With his gallows humour and observational wit, Jim Powell gives us a vivid portrait of a man in meltdown.' Daily Mail When I was small, my mother showed me how to grow a carrot from a carrot. She filled a jam jar with water, cut the top off a carrot, ran a cocktail stick horizontally through the stub and suspended it over the jar, just touching the water. In time, roots sprouted, and when they were long enough and strong enough, the plant was translated to the garden and new carrots grew. This was one of the many exciting ways in which I was prepared for adult life. This is Matthew Oxenhay at sixty: a stranger to his wife, an embarrassment to his children, and failed former contender for the top job at his City firm. Seizing on his birthday party as an opportunity to deliver some rather crushing home truths to his assembled loved ones, it seems as though Matthew might have hit rock bottom. The truth, however, is that he has some way to go yet . . . With forensic precision and mordant wit, Matthew unpicks the threads that bind him: a comfortable home in the suburbs, a career spent trading futures and a life that bears little resemblance to the one he imagined for himself at twenty. When he unexpectedly bumps into Anna (the one who got away), the stage is set for an epic unravelling. Darkly funny, Trading Futures forces us to confront how change, like death, is an inevitable fact of life: feared by most, it can transform or overwhelm us. This is a brilliantly observed novel, for fans of works such as John Lanchester's Mr Phillips and On Chesil Beach by Ian McEwan. It also featured as Radio 4's Book at Bedtime.

If you are like most people, you're not sure what Postmodernism is. And if this were like most books on the subject, it probably wouldn't tell you. Besides what a few grumpy critics claim, Postmodernism is not a bunch of meaningless intellectual mind games. On the contrary, it is a reaction to the most profound spiritual and philosophical crises of our time-the failure of the Enlightenment. Jim Powell takes the position that Postmodernism is a series of "maps" that help people find their way through a changing world. "Postmodernism For Beginners "features the thoughts of Foucault on power and knowledge, Jameson on mapping the postmodern, Baudrillard on the media, Harvey on time-space compression, Derrida on deconstruction and Deleuze and Guattari on rhizomes. The book also discusses postmodern artifacts such as Madonna, cyberpunk sci-fi, Buddhist ecology and teledildonics.

The spiritual rewards and intellectual challenges of Eastern philosophy are revealed in this visually stunning book, illustrated by Joe Lee and with 19th-century engravings. Eastern philosophy is not only an intellectual pursuit, but one that involves one's entire being. Much of it is so deeply entwined with the non-intellectual art of meditation, that the two are impossible to separate. In this survey of the major philosophies of India, China, Tibet and Japan, Jim Powell draws upon his knowledge of Sanskrit and Chinese, as well as decades of meditation. Whether tackling Buddha, Confucius, Lao Tzu, Dogen, the Dalai Lama or Patanjal-Powell's insights are deeply illuminating. All the major philosophies of India, China, Tibet and Japan are explained and everyone, from beginner to expert, will find "Eastern Philosophy For Beginners" an insightful overview.

How much do we know about the people we love? And would you want to know the truth?

'An engrossing read' Sunday Times

There’s a bar at the crossroads on the way out of town. Or the way in, depending on whether you’re coming or going. Marcie and her husband have run it for years. After thirty years of marriage, there aren’t many secrets left between them. Couples often say that, don’t they? But it’s not always true.

Arlene appeared in the bar one day, hoping that she’d find a man called Jack. Franky came back to town soon after, hoping that people might have forgotten the mess he’d left behind him the first time around. Franky’s problem had always been women. Women and money. What Arlene’s problem is isn’t clear. It’s obvious she has a history, but who doesn’t?

As Arlene gets closer to finding Jack – her father? her lover? – the bar becomes the scene of a great unravelling. In Jim Powell's Things We Nearly Knew, secrets buried a lifetime ago are dragged into the light.

Every church has a unique culture that serves as the soil where its ministry occurs. A church's culture is the somewhat nebulous and complex blend of norms, beliefs, attitudes, traditions, and practices that define the congregation. The culture establishes the environment that often predetermines the effectiveness or ineffectiveness of God's Word within that body of believers. It influences a congregation's potential impact more than techniques, programs, or pragmatic changes.

Dirt Matters explains and illustrates the importance of church culture, connecting it to a simple analogy that anyone can understand. It also shares how it's possible to cultivate and nurture a healthier church environment that can put you and your congregation in a better position to bear fruit for God's glory.

http: //www.youtube.com/watch?v=BXPTuQjrIR0

"Admirers of FDR credit his New Deal with restoring the American economy after the disastrous contraction of 1929--33. Truth to tell-as Powell demonstrates without a shadow of a doubt-the New Deal hampered recovery from the contraction, prolonged and added to unemployment, and set the stage for ever more intrusive and costly government. Powell's analysis is thoroughly documented, relying on an impressive variety of popular and academic literature both contemporary and historical."
-Milton Friedman, Nobel Laureate, Hoover Institution
"There is a critical and often forgotten difference between disaster and tragedy. Disasters happen to us all, no matter what we do. Tragedies are brought upon ourselves by hubris. The Depression of the 1930s would have been a brief disaster if it hadn't been for the national tragedy of the New Deal. Jim Powell has proven this."
-P.J. O'Rourke, author of "Parliament of Whores and "Eat the Rich
"The material laid out in this book desperately needs to be available to a much wider audience than the ranks of professional economists and economic historians, if policy confusion similar to the New Deal is to be avoided in the future."
-James M. Buchanan, Nobel Laureate, George Mason University
"I found Jim Powell's book fascinating. I think he has written an important story, one that definitely needs telling."
-Thomas Fleming, author of "The New Dealers' War
"Jim Powell is one tough-minded historian, willing to let the chips fall where they may. That's a rare quality these days, hence more valuable than ever. He lets the history do the talking."
-David Landes, Professor of History Emeritus, Harvard University
"Jim Powell drawstogether voluminous economic research on the effects of all of Roosevelt's major policies. Along the way, Powell gives fascinating thumbnail sketches of the major players. The result is a devastating indictment, compellingly told. Those who think that government intervention helped get the U.S. economy out of the depression should read this book."
-David R. Henderson, editor of "The Fortune Encyclopedia of Economics and author of "The Joy of Freedom
The Great Depression and the New Deal. For generations, the collective American consciousness has believed that the former ruined the country and the latter saved it. Endless praise has been heaped upon President Franklin Delano Roosevelt for masterfully reining in the Depression's destructive effects and propping up the
country on his New Deal platform. In fact, FDR has achieved mythical status in American history and is considered to be, along with Washington, Jefferson, and Lincoln, one of the greatest presidents of all time. But would the Great Depression have been so catastrophic had the New Deal never been implemented?
In FDR's Folly, historian Jim Powell argues that it was in fact the New Deal itself, with its shortsighted programs, that deepened the Great Depression, swelled the federal government, and prevented the country from turning around quickly. You'll discover in alarming detail how FDR's federal programs hurt America more than helped it, with effects we still feel today, including:
- How Social Security actually increased unemployment
- How higher taxes undermined good businesses
- How new labor laws threw people out of work
- And much more
This groundbreaking book pulls back the shroud ofawe and the cloak of time enveloping FDR to prove convincingly how flawed his economic policies actually were, despite his good intentions and the astounding intellect of his circle of advisers. In today's turbulent domestic and global environment, eerily similar to that of the 1930s, it's more important than ever before to uncover and understand the truth of our history, lest we be doomed to repeat it.

"From the Hardcover edition.

Today, thousands of years after her birth, in lands remote from her native island of Lesbos and in languages that did not exist when she wrote her poetry in Aeolic Greek, Sappho remains an important name among lovers of poetry and poets alike, . Celebrated throughout antiquity as the supreme Greek poet of love and of the personal lyric, noted especially for her limpid fusion of formal poise, lucid insight, and incandescent passion, today her poetry is also prized for its uniquely vivid participation in a living paganism. Collected in an edition of nine scrolls by scholars in the second century BC, Sappho's poetry largely disappeared when the Fourth Crusade sacked Constantinople in 1204. All that remained was one poem and a handful of quoted passages . A century ago papyrus fragments recovered in Egypt added a half dozen important texts to Sappho's surviving works. In 2004 a new complete poem was deciphered and published. By far the most significant discovery in a hundred years, it offers a new and tellingly different example of Sappho's poetic art and reveals another side of the poet, thinking about aging and about the transmission of culture from one generation to the next. Jim Powell's translations represent a unique combination of poetic mastery in English verse and a deep schlolarly engagement with Sappho's ancient Greek. They are incomparably faithful to the literal sense of the Greek poems and, simultaneously, to their forms, preserving the original meters and stanzas while exactly replicating the dramatic action of their sequences of disclosure and the passionate momentum of their sentences. Powell's translations have often been anthologized and selected for use in textbooks, winning recognition among discerning readers as by far the best versions in English.

This sophisticated first collection by Jim Powell synthesizes personal and world history to produce a compelling vision of the past, through verse letters to friends and relatives, translations of Horace, Propertius, Sappho, and others, and allusions to ancient figures of history and mythology. I find it difficult to overpraise the ease of this writing, which in one act combines succinct physical presentation and explanation of it. . . . It is perhaps here that Jim Powell, not yet forty, most shows his superiority to many of his contemporaries and seniors. He not only understands the way in which opposites are necessary to one another, he achieves his knowledge in the poem, and so we grasp it as we read. . . . he has tapped a subject matter that is endless and important, and by the thoroughgoingness and the subtlety of his exploration shows he has the power to do almost anything.--Thom Gunn, Shelf Life His title burns away everywhere in the volume, in the fevers of eros, divination, memory, destruction, and grief. . . . Page for page, there is more sheer fine, clear, yet syntactically subtle and metaphorically gorgeous writing in Powell than I have seen in some time.--Mary Kinzie, Poetry Jim Powell's poems, like those of Thomas Hardy, are haunted forms, full of ghosts and mocking gods, shadows and foreshadowings. But Powell is a Hardy whose poems we've never read, a Hardy with his hand in the blaze, not stirring the ash in a cold and wind-torn grate.--Jennifer Clarvoe, The Threepenny Review