Immigrants in Our Own Land & Selected Early Poems is a new, expanded edition of Jimmy Santiago Baca's best-selling first book of poetry (originally published by Louisiana State University Press in 1979). A number of poems from early, now unavailable chapbooks have also been included so that the reader can at last have an overview of Baca's remarkable literary development. The voice of Immigrants will be familiar to readers of the widely praised Martin & Meditations on the South Valley and Black Mesa Poems (New Directions, 1987 and 1989), but the territory may not be. Most of the poems in this collection were written while the author was in prison, where he taught himself to read and write. All the poems are concerned with the incarcerated or the disenfranchised; they all communicate the sting from the backhand of the American promise. As Denise Levertov has noted, Baca "is far from being a naive realist," but of poverty and prejudice, of material that is truly raw, he "writes in unconcealed passion."

Combining a stunning lyrical intensity with a profound exploration of the human soul, Healing Earthquakes uses poetry to conjure a romance, from beginning to end. Jimmy Santiago Baca introduces us to a man and woman before they are acquainted and re-creates their first meeting, falling in love, their decision to make a family, the eventual realization of each other's irreconcilable faults, the resulting conflicts, the breakup and hostility, and, finally, their transcendence of the bitterness and resentment. Throughout the relationship we are privy to the couple's astonishing range of emotions: the anguish of loneliness, the heady rush of new love, the irritations and joys of raising children, the difficulties in truly knowing someone, the doldrums of breakup, and so on. It is impossible not to identify with these characters and to recognize one's own experience in theirs.

As he weaves this story, Baca explores many of his traditional themes: the beauty and cruelty of the desert lands where he has spent much of his life, the grace and wisdom of animals, the quiet dignity of life on small Chicano farms. This is an extraordinary work from one of our finest poets.

Fiercely moving, the two long narrative poems of Martin & Meditations on the South Valley revolve around the semi-autobiographical figure of Martin, a mestizo or 'detribalized Apache.' Abandoned as a child and a long time on the hard path to building his own family, Martin at last finds his home in the stubborn and beautiful world of the barrio. Jimmy Santiago Baca 'writes with unconcealed passion, ' Denise Levertov states in her introduction, 'but he is far from being a naive realist; what makes his writing so exciting to me is the way in which it manifests both an intense lyricism and that transformative vision which perceives the mythic and archetypal significance of life-events.'

The over two million men and women incarcerated in penitentiaries and jails have become America's forgotten population. This extraordinary anthology of autobiographical prison writings brings the reader inside their silent and hidden world.
Culled from more than four hundred submissions nationwide, the thirty-six pieces here represent works by a broad spectrum of prisoners: young and old, unknown and infamous, minimum security check forgers and death row inmates. The authors include notorious "Preppie Murderer" Robert Chambers; an elderly truck driver who strangled the woman he professed to love; and a gang member recalling his violent street life. All talk in their own uncensored words about themselves and their families, about their motives and personal demons, about committing crime and doing time.
Just as this collection gives prisoners the rare chance to communicate who they are and what went wrong, it also gives the reader a unique opportunity to see convicts not as hardened criminals but as human beings.

Author Jimmy Santiago Baca was raised in an orphanage and took to the streets at age eleven, after which this amazing young Chicano taught himself to read and write. His statement, "I think that the work I do is done in the dark", encompasses many meanings central to his preoccupation with the night. In this book Baca passionately explores the troubled years of his youth, from which he emerged with heightened awareness of his ethnic identity as a Chicano, his role as a voice for the misunderstood tribal life of the barrio, and his redemptive vocation as a poet. His American Book Award for poetry in 1988 and his National Endowment for the Arts Hispanic Heritage Award in 1989 show the esteem in which his work is held.

A romantic and a populist, Jimmy Santiago Baca celebrates nature and creativity: the power of "becoming more the river than myself" in Winter Poems Along the Rio Grande. These poems are an expansive meditation on Baca's spiritual life, punctuated always with his feet--repeatedly, rhythmically--on the ground as he runs every morning along the river. Baca contemplates his old life, his new love, his family and friends, those living and those dead, injustices and victories, and Chicano culture. As Denise Levertov remarked, Baca "writes with unconcealed passion" and "manifests both an intense lyricism and that transformative vision which perceives the mythical and archetypal significance of life events."

In Spring Poems Along the Rio Grande, Jimmy Santiago Baca continues his daily pilgrimage through the meadows, riverbanks, and bosques of the Rio Grande where winter dies, spring explodes, and inextricable links between the human spirit and the natural world are revealed--"the river and I see through each other's skins / behind the eyes into the tunnels of water-bone and rushing marrow." These poems expand upon those in Baca's recent Winter Poems Along the Rio Grande -- his visions of love and loss, poverty and renewal, redemption and war are reflected in the rocks, trees and animals of his beloved New Mexico. In Spring Poems the words of the river "rise around thorny thickets / then descend again into the burbling stubble," and the poet surrenders himself to this place where his own words are woven by "a thumbnail-sized yellow spider/ with poppy seed eyes." Born in New Mexico of Chicano and Apache descent, Jimmy Santiago Baca was raised first by his grandmother, but was later sent with his brother to an orphanage. A runaway at age thirteen, it was after Baca was sentenced to five years in a Federal prison at the age of twenty-one that he began to turn his life around: there he learned to read and write and found his passion for poetry. His memoir A Place To Stand won the prestigious International Award. He is Champion of the International Poetry Slam and winner of The Before Columbus American Book Award and the Pushcart Prize.