Hospitality is something of a modern paradox. On the one hand, hospitality connotes a nicety or pleasantry easily undervalued as a ritual or formality devoid of epistemological or ethical content. On the other hand, the rise in international conflict and violence, the decline of civil speech, and the increased hostility toward immigrants points to the dire need for hospitable responses to mitigate tensions. Hospitality represents a further paradox for feminism. Historically, women have been saddled with disproportionate responsibility for hospitality and have also been treated as unwelcome guests in so many arenas. For these reasons, feminists have good reason to be wary of addressing hospitality. Yet, feminist theory has taken the lead on developing ontological, epistemological, and ethical approaches to connectedness and relationality such that addressing hospitality appears to be an appropriate extrapolation. Feminism and Hospitality is a collection that negotiates amidst these intriguing paradoxes. Feminism and Hospitality: Gender in the Host/Guest Relationship is the first collection of original works to bring a feminist analysis to issues and theories of personal, political, economic, and artistic hospitality. Furthermore, because feminist theorists have brought so much attention to the nature of human relationships, this volume employs a fresh analysis beyond the tradition in political theory.

The development of Simone de Beauvoir's notion of self in both her philosophical and autobiographical writings is analyzed in this volume. Two ideas of the self are isolated: the existential notion of the self and the gendered self, which she developed in "The Second Sex," and which represents a major departure from existential philosophy. Beginning with a study of her early essays, the author proceeds to discuss Beauvoir's major philosophical works and her autobiographical writings where three personae emerge--the child, the woman in love, and the writer. This analysis highlights the innovative quality of Beauvoir's thought. It also shows that writing an autobiography can be a philosophically inventive enterprise and one in which Beauvoir created her most profound analysis of the self.

The development of Simone de Beauvoir's notion of self in both her philosophical and autobiographical writings is analyzed in this volume. Two ideas of the self are isolated: the existential notion of the self and the "gendered self," which she developed in The Second Sex, and which represents a major departure from existential philosophy. Beginning with a study of her early essays, the author proceeds to discuss Beauvoir's major philosophical works and her autobiographical writings where three personae emerge--the child, the woman in love, and the writer. This analysis highlights the innovative quality of Beauvoir's thought. It also shows that writing an autobiography can be a philosophically inventive enterprise and one in which Beauvoir created her most profound analysis of the self.