Derived from a session at the European Association of Archaeologists 4th annual meeting at Gothenburg in 1998. These eight papers address the various and varied theoretical perspectives on social representation in rock art. Existing theories are challenged and new ideas presented in this study of contemporary rock art research.

This book provides new insights into the relationship between humans and birds in Northern Europe during the Bronze Age. Joakim Goldhahn argues that birds had a central role in Bronze Age society and imagination, as reflected in legends, myths, rituals, and cosmologies. Goldhahn offers a new theoretical model for understanding the intricate relationship between humans and birds during this period. He explores traces of birds found in a range of archaeological context, including settlements and burials, and analyzes depictions of birds on bronze artefacts and figurines, rock art, and ritual paraphernalia. He demonstrates how birds were used in divinations, and provides the oldest evidence of omens taken from gastric contents of birds - extispicy - ever found in Europe.