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Showing 1 - 7 of 7 matches in All Departments
The final instalment of Paul Greengrass's action trilogy, based on the novels by Robert Ludlum. The tension is ratcheted up even further as Jason Bourne (Matt Damon) races to uncover the dark mysteries of his past while a government agent is hot on his trail following a shootout in Moscow. Julia Stiles, Joan Allen, David Strathairn and Paddy Considine co-star.
Fourth and final season of the US drama based on the Danish TV series. Picking up from events in the previous season, Linden (Mireille Enos) is left dealing with the aftermath of killing her serial killer lover. Meanwhile, another brutal murder takes place, leading her and fellow detective Stephen Holder (Joel Kinnaman) to an all-boys military school. The episodes are: 'Blood in the Water', 'Unraveling', 'The Good Soldier', 'Dream Baby Dream', 'Truth Asunder' and 'Eden'.
Second instalment of the espionage thriller starring Matt Damon, based on the novel by Robert Ludlum. Having abandoned his life as a CIA assassin, Bourne (Damon) has left his violent past behind him and is living a normal life with girlfriend Marie (Franka Potente) under an assumed name. But his plans for a peaceful life are crushed when he narrowly escapes an assassination attempt. Now hunted by an unknown enemy, Bourne must prove once again that he is not an easy target.
Two modern day teenagers, brother and sister David and Jennifer (Tobey Maguire and Reese Witherspoon), are transported by their TV repairman into the world of Pleasantville, a 1950s sitcom which David constantly watches. In Pleasantville the world is black and white, there is no sex or violence, the basketball team never loses and the library is full of blank books. But the presence of the two teens contaminates the dream-like atmosphere, and soon colour is spreading across the town and its inhabitants are behaving like real people. As Pleasantville becomes more and more modern David and Jennifer have to decide which they prefer: real life or sugar-coated fantasy.
Tearjerker drama produced by and starring Richard Gere. Based on the true story of Hachiko, a dog in 1920s Tokyo who entered Japanese folklore for his incredible loyalty to his master, the film is a remake of the 1987 film 'Hachiko Monogatari' by Seijiro Koyama. When college professor Parker Wilson (Gere) takes in an abandoned dog, Hachi, an unbreakable bond develops between the pair. At the same time every day, Hachi waits for the professor at the station to welcome him home from work. After the professor dies while away from home, the dog continues to wait at the station for his master for almost a decade.
Tearjerker drama produced by and starring Richard Gere. Based on the true story of Hachiko, a dog in 1920s Tokyo who entered Japanese folklore for his incredible loyalty to his master, the film is a remake of the 1987 film 'Hachiko Monogatari' by Seijiro Koyama. When college professor Parker Wilson (Gere) takes in an abandoned dog, Hachi, an unbreakable bond develops between the pair. At the same time every day, Hachi waits for the professor at the station to welcome him home from work. After the professor dies while away from home, the dog continues to wait at the station for his master for almost a decade.
The study of popular culture has been an abiding preoccupation of historians and other academics, not just in the British Isles but elsewhere too. This volume of essays explores the manifestations of popular culture and belief in England, Ireland and Wales from the Reformation onwards. As an interdisciplinary collection it brings together specialists in English Literature, History, Celtic and Religious Studies. It offers new insights thematically via a selection of diverse contributions. The nexus between religion and popular culture links the contributions together, while the geographical spread of the topic facilitates a dynamic comparative methodology. What emerges from these explorations of rites of passage, festivals, revivalism, print culture and gender is the remarkable resilience of popular culture and the extent to which all levels of society were prepared to compromise.
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