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Becoming Photography looks back at the more than 30-year-long
career of the Canadian artist Chuck Samuels (*1956). Samuels often
photographs or films himself to explore the themes of memory,
photography, and cinema. This catalogue contains analytical essays
by Mona Hakim and Joan Fontcuberta. Hakim, a close colleague of
Samuels, observes all of the artist's serial work, while
Fontcuberta analyses the presence of truth and falsehood in his
oeuvre.
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Roberto Huarcaya (Paperback)
Roberto Huarcaya, Joan Fontcuberta; Text written by Carlo Trivelli, Victor Vich
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R908
Discovery Miles 9 080
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Ships in 12 - 17 working days
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Jardin de Mi Padre (Hardcover)
Luis Carlos Tovar; Text written by Luis Carlos Tovar, Lydia Dorner, Joan Fontcuberta, Tatyana Franck, …
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R876
Discovery Miles 8 760
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Ships in 12 - 17 working days
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Becoming Photography looks back at the more than 30-year-long
career of the Canadian artist Chuck Samuels (*1956). Samuels often
photographs or films himself to explore the themes of memory,
photography, and cinema. This catalogue contains analytical essays
by Mona Hakim and Joan Fontcuberta. Hakim, a close colleague of
Samuels, observes all of the artist's serial work, while
Fontcuberta analyses the presence of truth and falsehood in his
oeuvre. Text in French.
Honorable Mention, Exhibition Catalogues - 2014 AAM Museum
Publications Design Competition While photographs have been
exchanged, appropriated, and mobilized in different contexts since
the 19th century, their movement is now occurring at an
unprecedented speed. The Itinerant Languages of Photography
examines photography's capacity to circulate across time and space
as well as across other media, such as art, literature, and cinema.
Taking its point of departure from Latin American and Spanish
photographic archives, the volume offers an alternative history of
photography by focusing on the transnational dimension of
technological traffic and image production at a time when
photography is at the center of current debates on the role of
representation, authorship, and reception in a global contemporary
culture. Featuring a wide-range of photographs-images that converse
across temporal, political, and cultural boundaries by artists such
as Lola and Manuel Alvarez Bravo, Henri Cartier-Bresson, Marcelo
Brodsky, Joan Colom, Marc Ferrez, and Joan Fontcuberta-the book
argues that the photographic image comes into being only as a
consequence of reproduction, displacement, and itinerancy.
Distributed for the Princeton University Art Museum Exhibition
Schedule: Princeton University Art Museum (09/07/13-01/19/14)
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