Aldo Rossi, a practicing architect and leader of the Italian architectural movement La Tendenza, is also one of the most influential theorists writing today. The Architecture of the City is his major work of architectural and urban theory. In part a protest against functionalism and the Modern Movement, in part an attempt to restore the craft of architecture to its position as the only valid object of architectural study, and in part an analysis of the rules and forms of the city's construction, the book has become immensely popular among architects and design students.An Oppositions Book.

The essays in "The Hand and the Soul" explore the question of how ethical ideas guiding the design process--a concern for the environment or for social justice--relate to the beauty of our buildings, cities, and artworks. The book presents a range of viewpoints and does not ignore the perils of an easy association of ethics and aesthetics. Yet the majority of contributors, among them historians, theorists, as well practicing designers and artists, argue passionately in defense of the idea that the good and the beautiful can and should be able to find a common ground in the design disciplines.

The book begins with an exploration of recent difficulties in pairing ethics and aesthetics. Can one effect a philosophical convergence of these elements, or is it dangerous to conflate moral and aesthetic terms? The discussion continues with considerations of the overlap that occurs between the fine arts and the design disciplines, the intersection of aesthetic theory and practice with sustainability and environmental science, and the concept of "open works"--projects whose design processes are flexible, nonhierarchical, and attuned to the unique features of a particular place or cultural situation. The book concludes with a look at several contrasting ideas developed in the essays and examines ethics as a desire for community, as well as a sense of responsibility, an obligation to contemplate not only what buildings offer us but also what they may take away.

In juxtaposing the work of historians and theorists with that of practicing designers and artists, "The Hand and the Soul, " whose title is drawn from an essay by American artist Philip Guston, seeks to bridge the divide between theory and practice, between abstract ethical or aesthetic concepts and practical ways of making tangible artifacts. In a field dominated by esoteric studies and, at the other extreme, primarily illustrated works, "The Hand and the Soul" offers a vital discussion that is at once theoretically rigorous and grounded in the practice of art, architecture, landscape architecture, and urbanism.

Contributors

Richard Shusterman * Joan Ockman * Howard Singerman * Robin Dripps * Nathaniel Coleman * Thomas Berding * Steven A. Moore * William Sherman * Timothy Beatley * Elissa Rosenberg * Phoebe Crisman * Sanda Iliescu * W. G. Clark

In a series of three symposia at Columbia University in the 1960s, leading scholars and critics gathered to re-examine the architecture of the 1910s, 1920s, and 1930s and assess its scope and significance anew. Chaired by Henry-Russell Hitchcock with the support of Philip Johnson, the Modern Architecture Symposia marked a pivotal moment in the reappraisal of early modern architecture and its historiography during the late modern period. This book contains the symposia's formal papers and informal conversations, the majority unpublished and presented for the first time as a group, and offers new insight into the architects, ideologies, stylistic influences, and geographic variation that informed modern architectural production in the early 20th century. Additionally, the discussions it captures between symposia participants-many of whom were considered to be foremost among European and American architectural historians of the period-reveal emerging methodological debates that would reshape the dominant narrative during the late modern and postmodern period. Distributed for the Temple Hoyne Buell Center for the Study of American Architecture