Advance equity by learning to crack the system's codes We must act now, using what we already know, to advance equity and raise the achievement of every student. With three decades of leading equity work across the country, George S. Perry Jr. issues a call to action for educational leaders who are willing to fight the fight for equity for all students. School and district leaders will encounter roadblocks as they enact systemic change, but Equity Warriors introduces practical, realistic, and strategic approaches for navigating those barriers. Equity Warriors equips education leaders with the moves they can make today to achieve the vision that every student becomes a high achiever by Providing real school and district examples of systemic equity efforts Demonstrating the parallel work that school and district teams must do to achieve and sustain systemic change Cracking the codes in the domains of politics, diplomacy, and warfare to achieve the equity agenda. Equity Warriors is a must read for leaders at all levels of the system who have chosen to be in this fight and are ready to do what it takes to make the system work for all students.

This book constitutes an exploration of an episode of change in a tertiary educational institution. The change episode in question concerns an educational product which is the Masters of Business Information Technology (MBIT). This is a postgraduate coursework program. A need has been discerned to continuously change this product in an evolutionary manner in order to align it with market, government and technological shifts and to accommodate the diversity of students needs. The start and finish of the episode in question are marked by validation of MBIT product change information by the University Academic Development Committee (ADC) governance process. The government, marketplace, industry, university and students are stakeholders in the program change process. The capacity of the systems and processes within the university to support continuous alignment of program structure and content change and ICT change in the external environment is completed. This potentially provides an opportunity to identify the characteristics of processes that ensure evolutionary change to product and resultant sustainability.

Here are all of Stevens' published books of poetry, side-by-side for the first time with the haunting lyrics of his later years and early work that traces the development of his art. From the rococo inventiveness of Harmonium, his first volume (including such classics as "Sunday Morning", "Peter Quince at the Clavier", and "Thirteen Ways of Looking at a Blackbird"), through "Notes Toward a Supreme Fiction", "Esthetique du Mal", "The Auroras of Autumn", and the other large-scale masterpieces of his middle years, to the austere final poems of "The Rock", Stevens' poetry explores with unrelenting intensity the relation between the world and the human imagination, between nature as found and nature as invented, and the ways poetry mediates between them. This volume presents over a hundred poems uncollected by Stevens, including early versions of often discussed works like "The Comedian as the Letter C" and "Owl's Clover". Also here is the most comprehensive selection available of Stevens' prose writings. The Necessary Angel (1951), his distinguished book of essays, joins nearly fifty shorter pieces, many previously uncollected: reviews, speeches, short stories, criticism, philosophical writings, and responses to the work of Eliot, Moore, Williams, and other poets. The often dazzling aphorisms Stevens gathered over the years are included, as are his plays and selections from his poetic notebooks. Rounding out the volume is a fifty-year span of journal entries and letters, newly edited from manuscript sources, which provide fascinating glimpses of Stevens' thoughts on poetry and the creative process.

Pragmatism and American Experience provides a lucid and elegant introduction to America's defining philosophy. Joan Richardson charts the nineteenth-century origins of pragmatist thought and its development through the twentieth and twenty-first centuries, focusing on the major first- and second-generation figures and how their contributions continue to influence philosophical discourse today. At the same time, Richardson casts pragmatism as the method it was designed to be: a way of making ideas clear, examining beliefs, and breaking old habits and reinforcing new and useful ones in the interest of maintaining healthy communities through ongoing conversation. Through this practice we come to perceive, as William James did, that thinking is as natural as breathing, and that the essential work of pragmatism is to open channels essential to all experience.

Joan Richardson provides a fascinating and compelling account of the emergence of the quintessential American philosophy: pragmatism. She demonstrates pragmatism's engagement with various branches of the natural sciences and traces the development of Jamesian pragmatism from the late nineteenth century through modernism, following its pointings into the present. Richardson combines strands from America's religious experience with scientific information to offer interpretations that break new ground in literary and cultural history. This book exemplifies the value of interdisciplinary approaches to producing literary criticism. In a series of highly original readings of Edwards, Emerson, William and Henry James, Stevens, and Stein, A Natural History of Pragmatism tracks the interplay of religious motive, scientific speculation, and literature in shaping an American aesthetic. Wide-ranging and bold, this groundbreaking book will be essential reading for all students and scholars of American literature.

Joan Richardson provides a fascinating and compelling account of the emergence of the quintessential American philosophy: pragmatism. She demonstrates pragmatism's engagement with various branches of the natural sciences and traces the development of Jamesian pragmatism from the late nineteenth century through modernism, following its pointings into the present. Richardson combines strands from America's religious experience with scientific information to offer interpretations that break new ground in literary and cultural history. This book exemplifies the value of interdisciplinary approaches to producing literary criticism. In a series of highly original readings of Edwards, Emerson, William and Henry James, Stevens, and Stein, A Natural History of Pragmatism tracks the interplay of religious motive, scientific speculation, and literature in shaping an American aesthetic. Wide-ranging and bold, this groundbreaking book will be essential reading for all students and scholars of American literature.

How to Live, What to Do is an indispensable introduction to and guide through the work of a poet equal in power and sensibility to Shakespeare and Milton. Like them, Stevens shaped a new language, fashioning an instrument adequate to describing a completely changed environment of fact, extending perception through his poems to align what Emerson called our "axis of vision" with the universe as it came to be understood during his lifetime, 1879-1955, a span shared with Albert Einstein. Projecting his own imagination into spacetime as "a priest of the invisible," persistently cultivating his cosmic consciousness through reading, keeping abreast of the latest discoveries of Einstein, Max Planck, Niels Bohr, Louis de Broglie, and others, Stevens pushed the boundaries of language into the exotic territories of relativity and quantum mechanics while at the same time honoring the continuing human need for belief in some larger order. His work records how to live, what to do in this strange new world of experience, seeing what was always seen but never seen before. Joan Richardson, author of the standard two-volume critical biography of Stevens and coeditor with Frank Kermode of the Library of America edition of the Collected Poetry and Prose, offers concise, lucid captures of Stevens's development and achievement. Over the ten years of researching her Stevens biography, Richardson read all that he read, as well as his complete correspondence, journals, and notebooks. She weaves the details drawn from this deep involvement into the background of American cultural history of the period. This fabric is further enlivened by her preparation in philosophy and the sciences, creating in these thirteen panels a contemporary version of a medieval tapestry sequence, with Stevens in the place of the unicorn, as it were, holding our attention and eliciting, as necessary angel, individual solutions to the riddles of our existence on this planet spinning and hissing around its cooling star at 18.5 miles per second.