A fictional and complex portrait of bestselling author Patricia Highsmith caught up in the longing that would inspire her queer classic, The Price of Salt Flung Out of Space is both a love letter to the essential lesbian novel, The Price of Salt, and an examination of its notorious author, Patricia Highsmith. Veteran comics creators Grace Ellis and Hannah Templer have teamed up to tell this story through Highsmith's eyes-reimagining the events that inspired her to write the story that would become a foundational piece of queer literature. Flung Out of Space opens with Pat begrudgingly writing low-brow comics. A drinker, a smoker, and a hater of life, Pat knows she can do better. Her brain churns with images of the great novel she could and should be writing-what will eventually be Strangers on a Train- which would later be adapted into a classic film by Alfred Hitchcock in 1951. At the same time, Pat, a lesbian consumed with self-loathing, is in and out of conversion therapy, leaving a trail of sexual conquests and broken hearts in her wake. However, one of those very affairs and a chance encounter in a department store give Pat the idea for her soon-to-be beloved tale of homosexual love that was the first of its kind-it gave the lesbian protagonists a happy ending. This is not just the story behind a classic queer book, but of a queer artist who was deeply flawed. It's a comic about what it was like to write comics in the 1950s, but also about what it means to be a writer at any time in history, struggling to find your voice. Author Grace Ellis contextualizes Patricia Highsmith as both an unintentional queer icon and a figure whose problematic views and noted anti-Semitism have cemented her controversial legacy. Highsmith's life imitated her art with results as devastating as the plot twists that brought her fame and fortune.

By the bestselling author of The Talented Mr Ripley, Carol and Strangers on a Train 'The setting is Venice, the characterisation brilliant, the style spare and superb' Daily Mail The honeymoon is over; the bride dead by her own hand. Ray Garrett, the grieving husband, convinces the police in Rome of his innocence, but not his father-in-law, Ed Coleman, who shoots him at point-blank range and leaves him for dead. Ray survives and follows Coleman to Venice, where the two fall into an eerie game of cat-and-mouse - Coleman obsessed with vengeance and Ray determined to save his reputation, and himself. Each is at once the hunter and the hunted in a tense duel that, as each manages to walk away, draws them nearer to death.

Rife with overtones of Dostoyevsky, The Glass Cell, first published forty years ago, combines a quintessential Highsmith mystery with a penetrating critique of the psychological devastation wrought by the prison system. Falsely convicted of fraud, the easygoing but naive Philip Carter is sentenced to six lonely, drug-ravaged years in prison. Upon his release, Carter is a more suspicious and violent man. For those around him, earning back his trust can mean the difference between life and death. The Glass Cell's bleak and compelling portrait of daily prison life and the consequences for those who live it is, sadly, as relevant today as it was when the book was first published in 1964."

Born a scant three months after her uncle Oscar's notorious arrest, raised in the shadow of the greatest scandal of the turn of the twentieth century, Dolly Wilde attracted people of taste and talent wherever she went. Brilliantly witty, charged with charm, a "born writer," she drenched her prodigious talents in liquids, burnt up her opportunities in flamboyant affairs, and died as she lived--repeating her uncle's history of excess, collapse, and ruin. In this biography, Joan Schenkar has created both a captivating portrait of Dolly and a cultural history of Natalie Clifford Barney's remarkable Parisian salon--frequented by Janet Flanner, Mina Loy, Djuna Barnes--in which she shone so brightly.

By the bestselling author of The Talented Mr Ripley, Carol and Strangers on a Train 'Highsmith's novels are peerlessly disturbing . . . bad dreams that keep us thrashing for the rest of the night' New Yorker Sydney Bartleby has killed his wife. At least, he has thought about it, compulsively, repeatedly, plotting schemes, designing escapes, forging alibis. Of course he has; he's a thriller writer. He even knows how to dispose of her body. But when Alicia takes a long, unannounced holiday, Sydney descends into the treacherous world of his own fantasy. A masterpiece of noir fantasy in which Highsmith revels in eliciting the unsettling psychological forces that lurk beneath the surface of everyday life.