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The advent of photography opened up new worlds to 19th century
viewers, who were able to visualize themselves and the world beyond
in unprecedented detail. But the emphasis on the photography's
objectivity masked the subjectivity inherent in deciding what to
record, from what angle and when. This text examines this inherent
subjectivity. Drawing on photographs that come from personal
albums, corporate archives, commercial photographers, government
reports and which were produced as art, as record, as data, the
work shows how the photography shaped and was shaped by
geographical concerns.
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Nadine Gordimer
Paperback
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R383
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Discovery Miles 3 180
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