United States Poet Laureate Natasha Trethewey (b. 1966) describes her mode as elegiac. Although the loss of her murdered mother informs each book, Trethewey's range of forms and subjects is wide. In compact sonnets, elegant villanelles, ballad stanzas, and free verse, she creates monuments to mixed-race children of colonial Mexico, African American soldiers from the Civil War, a beautiful prostitute in 1910 New Orleans, and domestic workers from the twentieth-century North and South.

Because her white father and her black mother could not marry legally in Mississippi, Trethewey says she was "given" her subject matter as "the daughter of miscegenation." A sense of psychological exile is evident from her first collection, "Domestic Work" (2000), to the recent "Thrall" (2012). Biracial people of the Americas are a major focus of her poetry and her prose book "Beyond Katrina," a meditation on family, community, and the natural environment of the Mississippi Gulf Coast.

The interviews featured within "Conversations with Natasha Trethewey" provide intriguing artistic and biographical insights into her work. The Pulitzer Prize-winning poet cites diverse influences, from Anne Frank to Seamus Heaney. She emotionally acknowledges Rita Dove's large impact, and she boldly positions herself in the southern literary tradition of Faulkner and Robert Penn Warren. Commenting on "Pastoral," "South," and other poems, Trethewey guides readers to deeper perception and empathy.

BIOGRAPHY A] LITERARY CRITICISM A] GAY & LESBIAN STUDIES-->

Audre Lorde (1934A92), the author of eleven books of poetry, described herself as a "Black feminist lesbian poet warrior mother," but she added that this phrase was inadequate in capturing her full identity. The interviews in this collection portray the many additional sides of the Harlem-born author and activist. She was also a rebellious child of Caribbean parents, a mastectomy patient, a blue-collar worker, a college professor, a student of African mythology, an experimental autobiographer in her book titled "Zami," a critic of imperialism, and a charismatic orator.

Despite her intense engagement with the major social movements of her time, Lorde told interviewers that she was always an outsider, a position of weakness and of strength.

Most of her schoolmates were white. She married a white legal-aid attorney, and after their divorce she was the partner of a white psychologist for many years. These intimate alliances with whites caused some African Americans of both genders to question the depth of her solidarity. Lorde expressed distrust of some white feminists and charged that they lacked real understanding of African American struggles.

Writing proved to be her powerful weapon against injustice. Painfully aware that differences could provoke prejudice and violence, she promoted the bridging of barriers. These interviews reveal the sense of displacement that made Lorde a champion of the outcast and the forgotten--whether in New York, Mississippi, Berlin, or Soweto.

Joan Wylie Hall, the author of "Shirley Jackson: A Study of the Short Fiction," teaches English at the University of Mississippi. Her work hasbeen published in the "Faulkner Journal," "Studies in Short Fiction," "Mississippi Quarterly," and "Legacy: A Journal of American Women Writers,"