Features previously unpublished material alongside famous plays This pioneering edition provides access to some of the most popular plays of the nineteenth century. Characterised by exhilarating plots, large-scale special effects and often transgressive characterisation, these dramas are still exciting for modern readers. This anthology lays the foundation for further scholarly work on sensation drama and focuses public attention on to this influential and immensely popular genre. It features five plays from writers including Dion Boucicault and Mary Elizabeth Braddon. These are supported by a substantial critical apparatus, which adds further value to the anthology by providing rich details on performance history and textual variants. The critical introduction situates the genre in its cultural context and argues for the significance of sensation drama to shifting theatrical cultures and practices. Key Features Provides detailed critical apparatus to facilitate the study of neglected plays, including performance history, notes and recommended further reading Widens the critical conversation on sensation drama by drawing attention to the work of female playwrights Reprints obscure works by popular authors and shows their involvement with both literary and theatrical cultures

Features previously unpublished material alongside famous plays This pioneering edition provides access to some of the most popular plays of the nineteenth century. Characterised by exhilarating plots, large-scale special effects and often transgressive characterisation, these dramas are still exciting for modern readers. This anthology lays the foundation for further scholarly work on sensation drama and focuses public attention on to this influential and immensely popular genre. It features five plays from writers including Dion Boucicault and Mary Elizabeth Braddon. These are supported by a substantial critical apparatus, which adds further value to the anthology by providing rich details on performance history and textual variants. The critical introduction situates the genre in its cultural context and argues for the significance of sensation drama to shifting theatrical cultures and practices. Key Features Provides detailed critical apparatus to facilitate the study of neglected plays, including performance history, notes and recommended further reading Widens the critical conversation on sensation drama by drawing attention to the work of female playwrights Reprints obscure works by popular authors and shows their involvement with both literary and theatrical cultures

Traces and measures the material impact of Dickens' fiction in London's built environment Dickens and Demolition examines how tropes, characters, or extracts from Dickens' fiction were repurposed as a portable terminology in arguments for large-scale demolition and redevelopment projects in London during his lifetime. Commentators with public voices repeatedly mobilised a Dickensian vocabulary to communicate their opinions about how and where London's built environment should be improved in the mid-nineteenth century, or to justify proposed alterations. In analysing allusions to Dickens in a variety of archival sources, including dramatizations, press reports, political debates, and the visual arts, this book asks what cultural work is performed by literary afterlives, and whether we can trace their material effects in the spaces we inhabit. Key Features Intersects with cross-disciplinary scholarly interests in studies of Dickens, histories of London, literary afterlives and urban studies The first study of how Dickens's works were appropriated and mobilised by other people within his lifetime Offers close analyses of literary and non-literary texts Engages with critical discourse around of literary afterlives

Traces and measures the material impact of Dickens' fiction in London's built environment Dickens and Demolition examines how tropes, characters, or extracts from Dickens' fiction were repurposed as a portable terminology in arguments for large-scale demolition and redevelopment projects in London during his lifetime. Commentators with public voices repeatedly mobilised a Dickensian vocabulary to communicate their opinions about how and where London's built environment should be improved in the mid-nineteenth century, or to justify proposed alterations. In analysing allusions to Dickens in a variety of archival sources, including dramatizations, press reports, political debates, and the visual arts, this book asks what cultural work is performed by literary afterlives, and whether we can trace their material effects in the spaces we inhabit. Key Features Intersects with cross-disciplinary scholarly interests in studies of Dickens, histories of London, literary afterlives and urban studies The first study of how Dickens's works were appropriated and mobilised by other people within his lifetime Offers close analyses of literary and non-literary texts Engages with critical discourse around of literary afterlives