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Showing 1 - 8 of 8 matches in All Departments
Rousham in Oxfordshire was one of the first landscape gardens created in England and is, still, one of the most influential. Designed by William Kent in the late 1730s for the Cottrell-Dormer family (who are its owners today) it has become a place of pilgrimage for landscape architects and garden designers worldwide as well as garden lovers. Its magical glades and sculptural set-pieces have long intrigued Francis Hamel, who has lived and worked there for 25 years. Since the beginning of 2020 he has composed an extraordinary collection of paintings that capture the gardens and their magic. With essays by Tom Stuart-Smith, Joanna Kavenna and Christopher Woodward, the reader is led down its mysterious pathways; from tree-shaded walks peopled with statues of Pan, Venus and other immortals to sun-dappled meadows carpeted with wild flowers. It is just as Kent left it- a secret garden that is open to all.
In Thus Spake Zarathustra, Nietzsche conducts his protagonist through his great journey of life - the quest for meaning, and fulfilment, and for a way to live with the knowledge of death. In this faithful new translation by Michael Hulse, Zarathustra is revealed in all his bold and ironic splendour, as a man who strives to find a way to live - joyfully - in a secular world. Luminous and ecstatic, Thus Spake Zarathustra is a grand celebration of perilous, beautiful, human life by one of the most important philosophers in history.
'Smart, strange, coping with death through Light' Margaret Atwood 'Extraordinary, wise, funny, adventurous' A. L. Kennedy 'So utterly startling and inventive, it's almost an act of resistance' Miriam Toews 'I couldn't put it down. A cult following seems certain' Literary Review 'Refreshing as well as disconcerting to read a novel that sets aside convention so resolutely' Guardian 'Opts to push the boundaries of what the novel is' Telegraph 'A comic metaphysical thriller' Scotland on Sunday In this darkly ironic novel - a quest for truth, a satire, an elegy - Joanna Kavenna displays fearless originality and wit in confronting the strangeness of reality and how we contend with the death of those we love. Beautiful, ethereal drawings by Oly Ralfe illustrate this haunting journey through time, space and human understanding.
Cassandra White is a woman on a mission. Her Lakeland farm may be falling apart, but at least she's escaped the madness of modern life. But when her valley is invaded by bankers buying up second homes, she's determined to put up a fight. What begins as a hare-brained scheme with a few unruly locals soon has the whole community taking up arms - and, before she knows it, Cassandra's leading a revolution...
Woolf's fine character studies of several authors, among them Samuel Taylor Coleridge, who 'seems not a man, but a swarm, a cloud, a buzz of words, darting this way and that, clustering, quivering and hanging suspended'. He is, Woolf adds,so complex, so eccentric, that we 'become dazed in the labyrinth of what we call Coleridge'. He was incapable of adopting requisite social modes, of suppressing his obsessive urge to talk, of pandering to the expectations of others. Woolf tries to capture a 'clear picture' of Coleridge but this metaphor is skewed and what she really reveals is a voice - mad and beautiful - never to be heard again:
Reality versus fiction is at the heart of the current literary debate. We live in a world of docu-drama, the 'real life' story. Works of art, novels, films, are frequently bolstered by reference to the autobiography of the creator, or to underlying 'fact.' Where does that leave the imagination? And who gets to define the parameters of 'reality' and 'fiction' anyway? Five writers debate the limits of materialism and realism, in art and literature - and offer a passionate defence of the alchemical imagination in a fact-based world.
A darkly comic novel about a woman on the edge of a nervous breakdown, set against the backdrop of a London awash with faithless lovers, cutthroat strivers, and so-called friends One day successful young journalist and dedicated urbanite Rosa Lane sends her boss an e-mail that says I quit and then walks out of her job. She can't explain why--not to Liam, who's lived with her for years; not to her friends; not to her anxious, recently widowed father. All Rosa knows is that she needs to find enlightenment, to somehow understand her mother's death and do more than just earn her living. Thus begins the piercingly wise and bitingly funny odyssey of Rosa Lane. Along the way, she is deceived by her lover, evicted by her roommate, threatened by her bank manager, picked over by prospective employers, befuddled by philosophy, and tormented by omnivorous London. Brought very low indeed, Rosa in her desperation makes a final assault on those who have done her wrong, leading to the beginning of her return to normality--whatever that is. In a remarkable fiction debut, Joanna Kavenna displays lacerating wit, a perfect eye for social hypocrisies, and great depths of compassion to create a triumphant modern heroine.
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