Eavan Boland was a trailblazing poet, critic, teacher, and essayist. Her writing shifted the conversation on how women redefined poetry in the late twentieth and early twenty-first centuries—both in Ireland and abroad. This generous and wise volume contains essays selected from the two volumes Boland published during her lifetime, Object Lessons (1995) and A Journey with Two Maps (2011); major later writings addressing the changing nature of poetry, the poet, and Ireland; and an unpublished draft of “Daughter”—an extended lyric essay that Boland was working on at the time of her death. With a compelling blend of memoir, analysis, and argument, Citizen Poet traces the arc of Boland’s pioneering view of nationhood through the lens of womanhood. Carving a path for the next generation, she broke open the male-dominated canon of Irish literature and mapped her poetic journey through the contours of life as a mother, daughter, and citizen.

At her death in 2020, Eavan Boland left a formidable body of work - poems and prose. Together hey transformed Irish poetry and had a considerable impact throughout the English-speaking world. She was also a major feminist thinker and essayist. She challenged and changed Irish culture and society. This collection of her most important essays combines autobiographical and critical reflections on the events and influences that shaped her life and work. It includes work never before collected, as well as draft chapters of the memoir, Daughter, that she was working on when she died. The book opens with substantial extracts from Object Lessons: the life of the woman and the poet in our times (1995), including 'Outside History' and 'The Woman Poet: Her Dilemma'. From A Journey with Two Maps: becoming a woman poet (2011) Jody Allen Randolph, her longtime friend and editor, selects the title essay and 'Becoming an Irish Poet', 'Domestic Violence' and the celebrated 'Letter to a Young Woman Poet'. The Uncollected Essays are full of surprises from each period of her life. The introduction tells the intertwined stories of her life and her writing, her sense of Ireland and exile, and her evolving insights into how the poet can earn, widen and share her freedoms. 'As time went on,' Randolph writes, 'Boland's prose grew clearer in focus and purpose; she argued that a poet's work is not just to write their poems, but also to contribute to the critique by which they will eventually be judged.'

Published to celebrate the seventieth birthday of acclaimed Irish poet Eavan Boland, this book brings together many of Boland's best known poems with her own striking photographs of her native city, Dublin. Through juxtaposition of text and image, place and memory, the book creates a unique portrait of the city: 'fragments', Boland says, 'can point at something accurately'. A Poet's Dublin also includes an introduction by Jody Allen Randolph and a conversation between Eavan Boland and Paula Meehan in which the two poets reflect on their shared city and the central role it has played in their lives and in their work.

In this powerful and authoritative study Jody Allen Randolph provides the fullest account yet of the work of a major figure in twentieth-century Irish literature as well as in contemporary women's writing. Eavan Boland's achievement in changing the map of Irish poetry is tracked and analyzed from her first poems to the present. The book traces the evolution of that achievement, guiding the reader through Boland's early attachment to Yeats, her growing unease with the absence of women's writing, her encounter with pioneering American poets like Sylvia Plath, Elizabeth Bishop, and Adrienne Rich, and her eventual, challenging amendments in poetry and prose to Ireland's poetic tradition. Using research from private papers the book also traces a time of upheaval and change in Ireland, exploring Boland's connection to Mary Robinson, in a chapter that details the nexus of a woman president and a woman poet in a country that was resistant to both. Finally, this book invites the reader to share a compelling perspective on the growth of a poet described by one critic as Ireland's "first great woman poet."

In this powerful and authoritative study Jody Allen Randolph provides the fullest account yet of the work of a major figure in twentieth-century Irish literature as well as in contemporary women's writing. Eavan Boland's achievement in changing the map of Irish poetry is tracked and analyzed from her first poems to the present. The book traces the evolution of that achievement, guiding the reader through Boland's early attachment to Yeats, her growing unease with the absence of women's writing, her encounter with pioneering American poets like Sylvia Plath, Elizabeth Bishop, and Adrienne Rich, and her eventual, challenging amendments in poetry and prose to Ireland's poetic tradition. Using research from private papers the book also traces a time of upheaval and change in Ireland, exploring Boland's connection to Mary Robinson, in a chapter that details the nexus of a woman president and a woman poet in a country that was resistant to both. Finally, this book invites the reader to share a compelling perspective on the growth of a poet described by one critic as Ireland's "first great woman poet."

These are poems about the charged spaces in which people live, about the interiors where seductions, quarrels, memories, and griefs occur. A marriage is a window for outward violence; a painted cup becomes a theater for a long love; in an ordinary room a mythic violation takes place.