This compact book, packed with glorious colour photography joins a series on the stand out holdings of the British Museum. It describes the discovery, conservation and analysis of the corpse of Lindow Man, Britain's best preserved bog body, dating to the late Iron Age. The book also looks at the modern reconstruction of Lindow Man's face, and how this was done, as well as the evidence for diet, medical history and for his brutal death, examined in the context of Iron Age society.

For over 60 years, spectacular discoveries have been made on a wooded hillside at Snettisham, overlooking the northwest Norfolk coast, close to Hunstanton. The location of the discoveries, at Ken Hill, is known as the ‘gold field’ because of the large number of gold and silver alloy neck-rings (‘torcs’) and coins recovered from the site. Known as the ‘Snettisham Treasure’, these objects represent one of the largest collections of prehistoric precious metal objects ever discovered, and one of the largest concentrations of Celtic art. The objects were found in at least 14 separate hoards buried between 150 BC and AD 100 – spanning the late Iron Age and early Roman periods, but with a peak of activity during the late Iron Age. The objects from Snettisham are widely known, but the site has never been fully published. This book is the first comprehensive account of the discoveries and excavations at the site and presents a full catalogue of the finds. The majority are in the British Museum, with a significant collection also held by Norwich Castle Museum. The book also presents the results of extensive scientific analysis, revealing new and exciting details about how torcs were manufactured. The final section places Snettisham in its wider social and landscape context. The authors argue that each hoard represents different collection and depositional histories. The repeated, yet varied, acts of deposition at the site were part of creating, negotiating and reinforcing social structures, as well as performing and creating social change.

Recognising that objects are not passive, but interact with society, acquiring their own histories and identites, Jody Joy takes a biographical approach to the study of Britains Iron Age mirrors, attempting to reconstruct aspects of their histories and relationships. He examines production, form and decoration, as well as evidence for use and wear, and places this alongside regional contexts for distribution and deposition, and how these changed over time.