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Eric Gill (1882-1940) is one of the twentieth century's most controversial artists. This illustrated introduction focuses on the clarity of Gill's drawn and cut line. It explores his genius as a letter cutter, wood engraver, sculptor and typographer in the light of his refined finished drawings and preparatory sketches. Like all modernists of the early twentieth-century, he used stylised form, explicit sexuality and the influence of other cultures to position himself at the forefront of the avant-garde. An outsider and a radical, Gill nevertheless became one the establishment's favourite artists, with his patrons including the Catholic Church, the Lord Chancellor's office, the British Museum, the Victoria and Albert Museum, the Royal Mint, the London Underground, the BBC, the Post Office and the League of Nations. The authors illuminate here the quality, complexities and contradictions of Gill's fascinating life and art.
This is a new study of the history, archaeology and numismatics of
Central Asia, an area of great significance for our understanding
of the ancient and early medieval world. This vast, land-locked
region, with its extreme continental climate, was a centre of
civilization with great metropolises. Its cosmopolitan population
followed different religions (Zoroastrianism, Christianity,
Buddhism), and traded extensively with China, India, the Middle
East, and Europe. The millennium from the overthrow of the first
world empire of Achaemenian Persians by Alexander the Great to the
arrival of the Arabs and Islam was a period of considerable change
and conflict.
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