O Positive is the long-awaited debut collection of poetry from Joe Dunthorne, and it has all the appeal of his widely acclaimed fiction.

Adopting a sunny, genial tone, Dunthorne lures the reader to darker places, exploring death and dread, failure and regret - the 'lounge of our suffering'. Often, he catches us off-guard: a 'whiplash' effect where poems shift from laughter to slaughter in a moment. Impertinent owls, an immersive theatre troupe, ancient men from the Great War and idiot balloonists - such characters dramatise our human fancies and foibles, joining the protagonist in scenarios both humorously bizarre and all-too-familiar. These performances serve to probe and unpeel the layers of the self - all the way down to the raw.

The world-renowned UEA Creative Writing MA presents its 2013 batch of young talent, featuring work from all four strands of the course.

Submarine is the wickedly funny first novel by Joe Dunthorne NOW AN ACCLAIMED FILM BY RICHARD AYOADE Meet Oliver Tate, fifteen years old. Convinced that his father is depressed ('Depression comes in bouts. Like boxing. Dad is in the blue corner') and his mother is having an affair with her capoeira teacher, ('a hippy-looking twonk'), he embarks on a hilariously misguided campaign to bring the family back together. Meanwhile, he is also trying to lose his virginity - before he turns sixteeen - to his pyromaniac girlfriend Jordana. Will Oliver succeed in either aim? Submerge yourself in Submarine and find out . . . 'Brilliant . . . laugh-out-loud enjoyable. The sharpest, funniest, rudest account of a troubled teenager's coming-of-age since The Catcher in the Rye' Independent 'A richly amusing tale of mock GCSEs, sex, death and challenging vocabulary . . . Excruciatingly funny incidents and cracking gags' Time Out 'Excellent . . . the wonderful, Day-Glo certainties of adolescence have rarely been so brilliantly laid out' Independent on Sunday 'Perfectly pitched . . . transplants The Catcher in the Rye to south Wales . . . Dunthorne can make you laugh like did during double physics on a wet Wednesday afternoon' Observer 'A brilliant first novel by a young man of ferocious comic talent' The Times Joe Dunthorne was born and brought up in Swansea. He is the author of Submarine, which has been translated into fifteen languages and made into an acclaimed film directed by Richard Ayoade, and Wild Abandon, which won the 2012 Encore Award. His debut poetry pamphlet was published by Faber and Faber. He lives in London. www.joedunthorne.com

'Are we making a bomb?' 'This is a trust exercise, like in drama,' she says. 'Are we making a bomb as a trust exercise?' Fifteen-year-old Oliver Tate is terrified that his family is falling apart. He fears for his depressed father and is convinced that his mother is having an affair with her capoeira teacher. Deciding that it is down to him alone to save his parents' marriage, Oliver sets out on a campaign to rescue it while also embarking on an even more ambitious goal: to lose his virginity before he's sixteen to the seductive but slightly pyromaniacal Jordana . . . 'The sharpest, funniest, rudest account of a troubled teenager's coming of age since The Catcher in the Rye' Independent 'A brilliant first novel by a young man of ferocious comic talent' The Times

From the wickedly funny author of Submarine comes a hilarious new tragicomedy - a screwball tale of millennial angst, pre-midlife crises and one man's valiant quest to come of age in his thirties. 'Blisteringly funny and brimming with caustic charm - a joyous diagnosis of our modern ills that made me laugh out loud even when it was breaking my heart' Paul Murray, author of Skippy Dies Ray is not a bad guy. He mostly did not cheat on his heavily pregnant wife. He only sometimes despises every one of his friends. His career as a freelance tech journalist is dismal but he dreams of making a difference one day. But Ray is about to learn that his special talent is for making things worse. Brace yourself for an encounter with the modern everyman. Enter the world of ironic misanthropy and semi-ironic underachievement, of competitively sensitive men, catastrophic open marriages, and lots of Internet righteousness. With lacerating wit and wry affection, Joe Dunthorne dissects the urban millennial psyche of a man too old to be an actual millennial. 'Every lost generation needs its memorial and now at last we have The Adulterants. It's very sad and very funny and written with an innocence that in fact is diabolical' Adam Thirlwell, author of Lurid and Cute