O Positive is the long-awaited debut collection of poetry from Joe Dunthorne, and it has all the appeal of his widely acclaimed fiction.

Adopting a sunny, genial tone, Dunthorne lures the reader to darker places, exploring death and dread, failure and regret - the 'lounge of our suffering'. Often, he catches us off-guard: a 'whiplash' effect where poems shift from laughter to slaughter in a moment. Impertinent owls, an immersive theatre troupe, ancient men from the Great War and idiot balloonists - such characters dramatise our human fancies and foibles, joining the protagonist in scenarios both humorously bizarre and all-too-familiar. These performances serve to probe and unpeel the layers of the self - all the way down to the raw.

'Are we making a bomb?' 'This is a trust exercise, like in drama,' she says. 'Are we making a bomb as a trust exercise?' Fifteen-year-old Oliver Tate is terrified that his family is falling apart. He fears for his depressed father and is convinced that his mother is having an affair with her capoeira teacher. Deciding that it is down to him alone to save his parents' marriage, Oliver sets out on a campaign to rescue it while also embarking on an even more ambitious goal: to lose his virginity before he's sixteen to the seductive but slightly pyromaniacal Jordana . . . 'The sharpest, funniest, rudest account of a troubled teenager's coming of age since The Catcher in the Rye' Independent 'A brilliant first novel by a young man of ferocious comic talent' The Times

The world-renowned UEA Creative Writing MA presents its 2013 batch of young talent, featuring work from all four strands of the course.

Submarine is the wickedly funny first novel by Joe Dunthorne NOW AN ACCLAIMED FILM BY RICHARD AYOADE Meet Oliver Tate, fifteen years old. Convinced that his father is depressed ('Depression comes in bouts. Like boxing. Dad is in the blue corner') and his mother is having an affair with her capoeira teacher, ('a hippy-looking twonk'), he embarks on a hilariously misguided campaign to bring the family back together. Meanwhile, he is also trying to lose his virginity - before he turns sixteeen - to his pyromaniac girlfriend Jordana. Will Oliver succeed in either aim? Submerge yourself in Submarine and find out . . . 'Brilliant . . . laugh-out-loud enjoyable. The sharpest, funniest, rudest account of a troubled teenager's coming-of-age since The Catcher in the Rye' Independent 'A richly amusing tale of mock GCSEs, sex, death and challenging vocabulary . . . Excruciatingly funny incidents and cracking gags' Time Out 'Excellent . . . the wonderful, Day-Glo certainties of adolescence have rarely been so brilliantly laid out' Independent on Sunday 'Perfectly pitched . . . transplants The Catcher in the Rye to south Wales . . . Dunthorne can make you laugh like did during double physics on a wet Wednesday afternoon' Observer 'A brilliant first novel by a young man of ferocious comic talent' The Times Joe Dunthorne was born and brought up in Swansea. He is the author of Submarine, which has been translated into fifteen languages and made into an acclaimed film directed by Richard Ayoade, and Wild Abandon, which won the 2012 Encore Award. His debut poetry pamphlet was published by Faber and Faber. He lives in London. www.joedunthorne.com

The dryly precocious, soon-to-be-fifteen-year-old hero of this engagingly offbeat debut novel, Oliver Tate lives in the seaside town of Swansea, Wales. At once a self-styled social scientist, a spy in the baffling adult world surrounding him, and a budding, hormone-driven emotional explorer, Oliver is stealthily (and perhaps a bit more nervously than he'd ever admit) nosing his way forward through the murky and uniquely perilous waters of adolescence. His objectives? Uncovering the secrets behind his parents' teetering marriage, unraveling the mystery that is his alluring and equally quirky classmate Jordana Bevan, and understanding where he fits in among the pansexuals, Zoroastrians, and other mystifying, fascinating beings in his orbit.
"It's in my interests to know about my parents' mental problems," he reasons. Thus, when he discovers that his affable dad is quietly struggling with depression, Oliver marshals all the daytime-TV pop-psychology wisdom at his command-not to mention his formidable, uninhibited powers of imagination-in order to put things right again. But a covert expedition into the mysterious territory of middle-aged malaise is bound to be tricky business for a teenager with more to learn about the agonies and ecstasies of life than a pocket thesaurus and his "worldly" school chum Chips can teach him.
Ready or not, however, Oliver is about to get a crash course. His awkwardly torrid and tender relationship with Jordana is hurtling at the speed of teenage passion toward the inevitable magic moment . . . and whatever lies beyond. And his boy-detective exploits have set him on a collision course with the New Age old flame who's resurfaced in his mother's life to lead her into temptation with lessons in surfing, self-defense . . . and maybe seduction. Struggling to buoy his parents' wedded bliss, deep-six his own virginity, and sound the depths of heartache, happiness, and the business of being human, what's a lad to do? Poised precariously on the cusp of innocence and experience, yesterday's daydreams and tomorrow's decisions, Oliver Tate aims to damn the torpedoes and take the plunge.

"From the Hardcover edition."

From the wickedly funny author of Submarine comes a hilarious new tragicomedy - a screwball tale of millennial angst, pre-midlife crises and one man's valiant quest to come of age in his thirties. 'Blisteringly funny and brimming with caustic charm - a joyous diagnosis of our modern ills that made me laugh out loud even when it was breaking my heart' Paul Murray, author of Skippy Dies Ray is not a bad guy. He mostly did not cheat on his heavily pregnant wife. He only sometimes despises every one of his friends. His career as a freelance tech journalist is dismal but he dreams of making a difference one day. But Ray is about to learn that his special talent is for making things worse. Brace yourself for an encounter with the modern everyman. Enter the world of ironic misanthropy and semi-ironic underachievement, of competitively sensitive men, catastrophic open marriages, and lots of Internet righteousness. With lacerating wit and wry affection, Joe Dunthorne dissects the urban millennial psyche of a man too old to be an actual millennial. 'Every lost generation needs its memorial and now at last we have The Adulterants. It's very sad and very funny and written with an innocence that in fact is diabolical' Adam Thirlwell, author of Lurid and Cute

Off-beat, irreverent and subversive – a Jewish family memoir about convenient delusions and unsayable truths, from the acclaimed author of the cult classic novel, Submarine.

Joe Dunthorne had always wanted to write about his great-grandfather, Siegfried: an eccentric scientist who invented radioactive toothpaste and a Jewish refugee from the Nazis who returned to Germany under cover of the Berlin Olympics to pull off a heist on his own home.

The only problem was that Siegfried had already written the book of his life – an unpublished, two-thousand page memoir so dry and rambling that none of his living descendants had managed to read it. And, as it turned out when Joe finally read the manuscript himself, it told a very different story from the one he thought he knew…

Thus begins a mystery which stretches across the twentieth century and around the world, from Berlin to Ankara, New York, Glasgow and eventually London – a mystery about the production of something much more sinister than toothpaste. On the trail of one ‘jolly grandpa’ with a patchy psychiatric history and an encyclopaedic knowledge of poison gases, Joe Dunthorne is forced to confront the uncomfortable questions that lie at the heart of every family. Can we ever understand where we come from? Is every family in the end a work of fiction? And even if the truth can be found – will we be able to live with it?

Children of Radium is a remarkable, searching meditation on individual and collective inheritance. Witty and wry, deeply humane and endlessly surprising, it considers the long half-life of trauma, the weight of guilt and the ever-evasive nature of the truth.