Nimrod Boys is a complementary book to Nimrod Rise and Fall from acclaimed author Tony Blackman. It is a collection of over twenty first-hand accounts of operating the Hawker Siddeley Nimrod - an aircraft which served at the forefront of the Cold War. As the first jet-powered maritime aircraft, it could reach critical points for rescues or for operational requirements in rapid time. Its outstanding navigation and electronics systems also allowed the Nimrod to be a first-class machine in anti-submarine warfare. The book focuses on the Nimrod's UK-based and worldwide operations. With detailed accounts of the Nimrod's role during the Falklands Campaign and in later conflicts such as the First Gulf War to modern-day anti-drug smuggling operations in the Caribbean. There are also descriptions of the Nimrod's achievements in the International Fincastle Competition - where RAF squadrons competed against counterparts from Australia, Canada and New Zealand. With a variety of perspectives on Nimrod crew life, including from a female air electronic operator, readers will find dramatic, engaging and occasionally humorous stories. One flight test observer also reflects on the cancelled Nimrod MR4 project. Nimrod Boys written by Tony Blackman with Joe Kennedy and with a foreword by AVM Andrew Roberts is more than worthy addition to the celebrated Boys series.

We are entering, we are told, a post-liberal age. Authoritarian populism is in the political ascendant, and notions of permissiveness, multiculturalism and "identity politics" have allegedly failed us, meaning that we must now fall back on some notion of tradition. However, it's not only the usual, conservative suspects who have got on board with this argument, but centrist politicians who, at least notionally, are hostile to the likes of Donald Trump and UKIP. Authentocrats examines this populism of the centre, and exposes how its spurious concern for "real people" is part of a broader turn within British culture (as exemplified in the brute masculinity of Daniel Craig's James Bond, the allegedly "progressive" patriotism of nature writing, and a televisual obsession with the World Wars), as it withdraws from the openness of the Nineties under the bad-faith supposition that there's nowhere to go but backwards. In their declaration that the left can only save itself by becoming less liberal, Authentocrats charges liberals themselves with fuelling the post-liberal turn, and asks where the space might be found for an alternative.