The Delivery Man is a thrilling and astonishing debut--a scary, fast-paced, and illuminating portrait of the MySpace generation. It is a love story set against the surreal excess of Las Vegas--and the artificial suburbs, gated communities, and freeways that surround it--where broken lives come to seek new beginnings and casinos feed the lust of tourists and residents alike. Ultra-sophisticated local kids grow up fast and burn out early. After attending college in New York, Chase returns to Vegas and is drawn into the lucrative but dangerous world of a teenage call-girl service with his childhood friend, Michele, a beautiful Salvadoran immigrant with whom he shares a tragic past. Over the course of one extraordinary summer they will confront the violence and emptiness at the heart of the city and their generation. At once stark and electrically atmospheric, horrifying and hopeful, The Delivery Man is an ambitious literary novel as well as a fast and absorbing page-turner--and a powerful indictment of a society in which personal responsibility has been abandoned, lust is increasingly mistaken for love, and innocence is an anachronism.

Through 1996 and 1997 bestselling author Joe McGinniss followed the Italian football season from Castel di Sangro, a small town nestled in the Abruzzi region of Italy. The motley crew that comprised the di Sangro soccer team in the early 90s masked an unparalleled prowess for playing soccer. This is the story of a team and a town with no aspirations, just a passion for the game, and how that passion allowed this team to rise to the top of the professional Italian soccer league. With the lust for life of Robert Crichton's THE SECRET OF SANTA VITTORIA and the sporting dreams of modern movie classic FIELDS OF DREAMS, THE MIRACLE OF CASTEL DI SANGRO is an ebullient story of how a two-hour game transformed a dot on the map into a place of magic, miracles and wonder.

At thirty-nine, Nancy Kissel had it all: glamour, gusto, garishly flaunted wealth, and the royal lifestyle of the expatriate wife. Not to mention three young children and what a friend described as "the best marriage in the universe."

That marriage -- to Merrill Lynch and former Goldman Sachs investment banker Robert Kissel -- ended abruptly one November night in 2003 in the bedroom of their luxury apartment high above Hong Kong's glittering Victoria Harbour.

Why?

Hong Kong prosecutors, who charged Nancy with murder, said she wanted to inherit Rob's millions and start a new life with a blue-collar lover who lived in a New Hampshire trailer park.

She said she'd killed in self-defense while fighting for her life against an abusive, cocaine-addicted husband who had forced her for years to submit to his brutal sexual demands.

Her 2005 trial, lasting for months and rich in lurid detail, captivated Hong Kong's expatriate community and attracted attention worldwide. Less than a year after the jury of seven Chinese citizens returned its unexpected verdict, Rob's brother, Andrew, a Connecticut real estate tycoon facing prison for fraud and embezzlement, was also found dead: stabbed in the back in the basement of his multimillion-dollar Greenwich mansion by person or persons unknown.

Never Enough is the harrowing true story of these two brothers, Robert and Andrew Kissel, who grew up wanting to own the world but instead wound up murdered half a world apart; and of Nancy Kissel, a riddle wrapped inside an enigma, a modern American woman for whom having it all might not have been enough.

In this singularly compelling narrative, Joe McGinniss -- past master at exposing the dark heart of the American family in the bestsellers "Fatal Vision, Blind Faith," and "Cruel Doubt" -- explores his darkest and most disturbing subject yet: a smart and beautiful family so corroded by greed that it destroys itself from within.

Here is a family saga almost biblical in its tragic proportion but dazzlingly modern in flavor -- and utterly unstoppable in its pulsating narrative drive. From the shimmering skyscrapers and greed-drenched bustle of Hong Kong to the moneyed hush and hauteur of backcountry Greenwich, McGinniss lures readers irresistibly forward, as this twisted tale of ambition gone mad and love gone bad rushes to its terrible, inexorable conclusion.

This is the fourth edition of a work that always has been controversial in Alaska. Yet, it is an important and highly readable classic work that captures a portrait frozen in time of a raw state in turmoil during the oil boom. McGinnis went north to find out if there was anything left of the "last frontier." He found "mind-bending contradictions," as a previous publisher put it--greed, waste, addictions, and racism, among other things, that contrasted with an awesome untamed natural beauty and an honest, open, and independent spirit of the people.

"The big horse," in racing vernacular, is the animal that brings fame and fortune to a stable. He's the heavyweight champion, the All-American quarterback, the four-legged Michael Jordan of the barn. Seabiscuit was once Tom Smith's "big horse." A generation ago, Secretariat was Lucien Lauren's. In 2003, Funny Cide was Barclay Tagg's. In sixty years as a trainer, P. G. Johnson had never had one -- until Volponi.

P. G. Johnson was a blue-collar wizard, a hardscrabble tough guy who had come east from Chicago, determined to make his mark on New York. And he did. He became leading trainer at all three New York tracks -- Saratoga, Belmont, and Aqueduct -- as well as at Florida's Tropical Park. And he did it without ever winning a Triple Crown or Breeders' Cup event, or having "the big horse."

"I never knew how to kiss rich people's asses, and I got too old to learn. If no owner was going to give me a big horse, I figured I'd have to find one myself," he said. He did that, in his seventies, buying a mare for $8,000, breeding her to a $20,000 stallion, and in 1998 producing Volponi, the horse that would change his life.

In October 2002, weakened by surgery and radiation treatment for cancer, P. G. watched Volponi -- the longest shot in the field at 43 to 1 -- bring home more than $2 million by winning the Breeders' Cup Classic, the richest race in America.

The following summer at Saratoga, McGinniss -- journalist, investigative reporter, and horse racing obsessive -- began showing up, more "Tuesdays with Morrie" than "Guys and Dolls," at P. G.'s barn in the predawn hours to listen to the inside racing stories and lore P. G. had gathered. McGinniss came to appreciate that Johnson wasnot only a stellar horseman but an American original whose wit and wisdom carried far beyond the confines of the racetrack.

As for Volponi, the big horse had given P. G. the perfect Disney ending with the Breeders' Cup victory, and, indeed, Disney soon bought film rights to P. G.'s life story. "He'll be even better next year," P. G. had said, but by the time McGinniss got to Saratoga, Volponi had not won a race in nine months. His faith undiminished, P. G. continued to race Volponi against the best, at Saratoga and beyond, until in the end it came down to the 2003 Breeders' Cup Classic in Santa Anita, a race only one horse in history had ever won twice. As fires burned in the Southern California hills, Volponi -- with Funny Cide's jockey, Jose Santos, in the saddle -- ran the last race of his life.

This book is about what happened that day, about what came after, and about much of what had come before. It's the most exciting, rewarding, and heartwarming story about the world of horse racing that you'll ever read, by one of America's finest writers, at the top of his form.

What makes you cast your ballot? A Presidential candidate or a good campaign? How he stands on the issues or how he stands up to the camera?The Selling of the President is the enduring story of the 1968 campaign that wrote the script for modern Presidential politicking and how that script came to be. It introduces: Harry Treleaven, the first adman to suggest that issues bore voters, that image is what counts Roger Ailes, a PR man who coordinated the TV presentations that delivered the product Frank Shakespeare, the man behind the whole campaign, who, after eighteen years at CBS, cast the image that sold America a President And the candidate, Richard Nixon himself a politician running on television for the highest office in the land In his introduction, Joe McGinniss discusses why unfortunately his classic book is as pertinent today to understanding our political culture as it was the year it was published.