In this riveting inside account of his life in rock-and-roll band Aerosmith, Joe Perry opens up for the first time to tell the story of his wild, unbridled life as the band's lead guitarist. He delves deep into his volatile, profound, and enduring relationship with singer Steve Tyler, and reveals the real people behind the larger-than-life rock-gods on stage. It's an intimate account of nearly five decades of mega highs and heartbreaking lows. The story of Aerosmith is not your average rock-and-roll tale. It's an epic saga, at once a study in brotherhood and solitude that plays out on the killing fields of rock and roll. With record-making hits and colossal album sales that compete with legends such as U2 and Frank Sinatra, Aerosmith has earned their place in the Rock and Roll Hall of Fame. But with a sweeping comeback in the late 80s, one can see there is a bigger story here: to come back that high, you have to have plummeted pretty low. Aerosmith's game with fame is one of success, failure, rebirth, re-destruction, even the post-destructive rebirth, but here they are today, in their 60s and still on top. ROCKS is ultimately a story of endurance, and it starts almost half a century ago with young Perry, the misanthrope whose loving parents practically begged him to assimilate, but who quits school because he doesn't want to cut his hair. He meets Tyler in a restaurant in Boston, sways him from pop music to the darker side, rock-and-roll, and it doesn't take long for the "Toxic Twins" to skyrocket into a world of fame, drugs, and utter excess. Perry takes a personal look into the two stars behind Aerosmith, the people who enabled them, the ones who controlled them, and the ones who changed them.

Aerosmith's lead guitarist Joe Perry opens up for the first time to tell the riveting inside story of his lifeinside the band, featuring everyone from Jimmy Page to Alice Cooper, Bette Midler to Chuck Berry, John Belushi to Al Hirschfeld. Before the platinum records or the Super Bowl half-time show or the Rock and Roll Hall of Fame, Joe Perry was a boy growing up in small town Massachusetts. But the guitar became his passion, an object of lust, an outlet for his restlessness and his rebellious soul. That passion quickly blossomed into an obsession, and he got a band together. One night after a performance he met a brash young musician named Steven Tyler; before long, Aerosmith was born. What happened over the next forty-five years has become the stuff of legend: the knock-down, drag-out, band splintering fights; the drugs, the booze, the rehab; the packed arenas and timeless hits; the reconciliations and the comebacks. Full of humour, insight and brutal honesty about life in and out of one of the biggest bands in modern history, Rocks is also the story of a dedicated family man in a thirty-year marriage who has navigated the pressures of an extreme lifestyle. In Perry's own words, it tells the whole story.

Pump is the tenth studio album by American hard rock band Aerosmith, released in 1989. The album was remastered and reissued in 2001. Pump was widely acclaimed by both fans and critics upon its release. The album incorporates the use of keyboards and a horn section on many of the singles ("Love in an Elevator", "The Other Side"), and contains straightforward rockers ("F.I.N.E.*", "Young Lust"), the ballad "What It Takes"...

For poets, priests, and politicians--and especially ordinary Germans--in the nineteenth and twentieth centuries, the image of the loving nuclear family gathered around the Christmas tree symbolized the unity of the nation at large. German Christmas was supposedly organic, a product of the winter solstice rituals of pagan ""Teutonic"" tribes, the celebration of the birth of Jesus, and the age-old customs that defined German character. Yet, as Joe Perry argues, Germans also used these annual celebrations to contest the deepest values that held the German community together: faith, family, and love, certainly, but also civic responsibility, material prosperity, and national belonging. This richly illustrated volume explores the invention, evolution, and politicization of Germany's favorite national holiday. According to Perry, Christmas played a crucial role in public politics, as revealed in the militarization of ""War Christmas"" during World War I and World War II, the Nazification of Christmas by the Third Reich, and the political manipulation of Christmas during the Cold War. Perry offers a close analysis of the impact of consumer culture on popular celebration and the conflicts created as religious, commercial, and political authorities sought to control the holiday's meaning. By unpacking the intimate links between domestic celebration, popular piety, consumer desires, and political ideology, Perry concludes that family festivity was central in the making and remaking of public national identities.

Get a Grip is the eleventh studio album by American rock band Aerosmith, released in 1993. It was the band's last studio album released by Geffen Records. Get a Grip contains five hit singles, four of which charted in the Top 40 of the Billboard Hot 100, between 1993 and 1994: "Livin' on the Edge", "Eat the Rich", "Cryin'", "Amazing" and "Crazy". The promotional videos for the three latter songs helped launch the careers of actress Alicia Silverstone and vocalist Steven Tyler's daughter Liv.

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