Systemic racism and sexism caused one of South Africa’s most important writers to disappear from public consciousness. Is it possible to justly restore her historical presence?

Regina Gelana Twala, a Black South African woman who died in 1968 in Swaziland (now Eswatini), was an extraordinarily prolific writer of books, columns, articles, and letters. Yet today Twala’s name is largely unknown. Her literary achievements are forgotten. Her books are unpublished. Her letters languish in the dusty study of a deceased South African academic. Her articles are buried in discontinued publications. Joel Cabrita argues that Twala’s posthumous obscurity has not developed accidentally as she exposes the ways prejudices around race and gender blocked Black African women like Twala from establishing themselves as successful writers.

Drawing upon Twala’s family papers, interviews, newspapers, and archival records from Pretoria, Uppsala, and Los Angeles, Cabrita argues that an entire cast of characters—censorious editors, territorial White academics, apartheid officials, and male African politicians whose politics were at odds with her own—conspired to erase Twala’s legacy. Through her unique documentary output, Twala marked herself as a radical voice on issues of gender, race, and class. The literary gatekeepers of the racist and sexist society of twentieth-century southern Africa clamped down by literally writing her out of the region’s history.

Written Out also scrutinizes the troubled racial politics of African history as a discipline that has been historically dominated by White academics, a situation that many people within the field are now examining critically. Inspired by this recent movement, Cabrita interrogates what it means for her —a White historian based in the Northern Hemisphere—to tell the story of a Black African woman. Far from a laudable “recovery” of an important lost figure, Cabrita acknowledges that her biography inevitably reproduces old dynamics of White scholarly privilege and dominance. Cabrita’s narration of Twala’s career resurrects it but also reminds us that Twala, tragically, is still not the author of her own life story.

In The People's Zion, Joel Cabrita tells the transatlantic story of Southern Africa's largest popular religious movement, Zionism. It began in Zion City, a utopian community established in 1900 just north of Chicago. The Zionist church, which promoted faith healing, drew tens of thousands of marginalized Americans from across racial and class divides. It also sent missionaries abroad, particularly to Southern Africa, where its uplifting spiritualism and pan-racialism resonated with urban working-class whites and blacks. Circulated throughout Southern Africa by Zion City's missionaries and literature, Zionism thrived among white and black workers drawn to Johannesburg by the discovery of gold. As in Chicago, these early devotees of faith healing hoped for a color-blind society in which they could acquire equal status and purpose amid demoralizing social and economic circumstances. Defying segregation and later apartheid, black and white Zionists formed a uniquely cosmopolitan community that played a key role in remaking the racial politics of modern Southern Africa. Connecting cities, regions, and societies usually considered in isolation, Cabrita shows how Zionists on either side of the Atlantic used the democratic resources of evangelical Christianity to stake out a place of belonging within rapidly-changing societies. In doing so, they laid claim to nothing less than the Kingdom of God. Today, the number of American Zionists is small, but thousands of independent Zionist churches counting millions of members still dot the Southern African landscape.

Text and Authority in the South African Nazaretha Church tells the story of one of the largest African churches in South Africa, Ibandla lamaNazaretha, or Church of the Nazaretha. Founded in 1910 by charismatic faith-healer Isaiah Shembe, the Nazaretha church, with over four million members, has become an influential social and political player in the region. Deeply influenced by a transnational evangelical literary culture, Nazaretha believers have patterned their lives upon the Christian Bible. They cast themselves as actors who enact scriptural drama upon African soil. But Nazaretha believers also believe the existing Christian Bible to be in need of updating and revision. For this reason, they have written further scriptures - a new 'Bible' - which testify to the miraculous work of their founding prophet, Shembe. Joel Cabrita's book charts the key role that these sacred texts play in making, breaking and contesting social power and authority, both within the church and more broadly in South African public life.

Text and Authority in the South African Nazaretha Church tells the story of one of the largest African churches in South Africa, Ibandla lamaNazaretha, or Church of the Nazaretha. Founded in 1910 by charismatic faith-healer Isaiah Shembe, the Nazaretha church, with over four million members, has become an influential social and political player in the region. Deeply influenced by a transnational evangelical literary culture, Nazaretha believers have patterned their lives upon the Christian Bible. They cast themselves as actors who enact scriptural drama upon African soil. But Nazaretha believers also believe the existing Christian Bible to be in need of updating and revision. For this reason, they have written further scriptures - a new 'Bible' - which testify to the miraculous work of their founding prophet, Shembe. Joel Cabrita's book charts the key role that these sacred texts play in making, breaking and contesting social power and authority, both within the church and more broadly in South African public life.

In recent years, anthropologists, historians, and others have been drawn to study the profuse and creative usages of digital media by religious movements. At the same time, scholars of Christian Africa have long been concerned with the history of textual culture, the politics of Bible translation, and the status of the vernacular in Christianity. Students of Islam in Africa have similarly examined politics of knowledge, the transmission of learning in written form, and the influence of new media. Until now, however, these arenas-Christianity and Islam, digital media and "old" media-have been studied separately. Religion, Media, and Marginality in Modern Africa is one of the first volumes to put new media and old media into significant conversation with one another, and also offers a rare comparison between Christianity and Islam in Africa. The contributors find many previously unacknowledged correspondences among different media and between the two faiths. In the process they challenge the technological determinism-the notion that certain types of media generate particular forms of religious expression-that haunts many studies. In evaluating how media usage and religious commitment intersect in the social, cultural, and political landscapes of modern Africa, this collection will contribute to the development of new paradigms for media and religious studies. Contributors: Heike Behrend, Andre Chappatte, Maria Frahm-Arp, David Gordon, Liz Gunner, Bruce S. Hall, Sean Hanretta, Jorg Haustein, Katrien Pype, and Asonzeh Ukah.