Through fourteen original essays by leading historians and media scholars, "Anglo-American Media Interactions" reveals the complicated ways in which British and American media have influenced each other over the past two centuries. In doing so, it adds an important transatlantic dimension to a media scholarship that normally remains within strictly national contexts, while demonstrating the crucial and varied ways in which media have helped build an Anglo-American 'special relationship'.

This scholarly work deals specifically with the important changes in popular journalism in the late nineteenth and early twentieth centuries. A pioneering study in the history of journalism, it is the first volume to focus on the history of the New Journalism in Britain, which is central in the overall history of the modern press. Written by leading scholars representing a variety of disciplines, the fourteen essays provide a careful historical analysis of the transformation that took place in journalism, and the innovations that occurred, such as the greater use of illustrations and photographs, headlines and crossheads, and increased coverage of human interest subjects. The authors take different positions on aspects of the New Journalism, and the book offers a wealth of new information based on original research, as well as lively, interpretive commentary on the nature of change in modern journalism and its relationship to popular culture. The in-depth examination of major subject areas, such as The Beginnings of the New Journalism, The Flowering of the New Journalism, and Subjects and Audiences, dispels the simplistic view of the New Journalism as occurring within a short period of time by showing that the changes took place slowly and had many ramifications. The annotated bibliography includes studies of individual newspapers and biographies of some of the leading journalists.

This volume consists of fifteen essays by leading scholars dealing with the Victorian editor and his influence on the culture of his time. The first section analyzes the relationship between Victorian editors and their audience. The essays show how editors effectively balanced fiction and politics, how social change effected periodical publishing, and how editors dealt with Victorian sexual and moral preoccupations. The second section places the editor in the context of his profession. By focusing on specific editors and their journals, the third section sheds additional light on the themes developed in the first two. To complete the book, a bibliographic essay offers new information about the published sources available for further research on the nineteenth-century editor.