An early advocate of colour photography, Joel Meyerowitz has impacted and influenced generations of artists. For fifty-eight years, the master photographer has documented the US’s ever-changing social landscape. For a while, during the late 1960s, Meyerowitz carried two cameras: one loaded with monochrome stock, the other with colour. Just how, when and why US fine-art photographers switched from black-and-white image-making, which was prized within the gallery system, to colour photography, once seen as the preserve of the holiday snapper, has been the cause of much debate. In this book, Meyerowitz tells the story of his early days as a photographer when he was told that serious photographers took black & white pictures. 'But why?' he asked, 'when the world is in colour?' He proceed to buy a colour camera and various rolls of films and to read manuals and experiment with colour techniques: a passion he continued to pursue all his life...

Where I Find Myself is the first major single book retrospective of one of America's leading photographers. It is organized in inverse chronological order and spans the photographer's whole career to date: from Joel Meyerowitz's most recent picture all the way back to the first photograph he ever took. The book covers all of Joel Meyerowitz's great projects: his work inspired by the artist Morandi, his work on trees, his exclusive coverage of Ground Zero, his trips in the footsteps of Robert Frank across the US, his experiments comparing color and black and white pictures, and of course his iconic street photography work. Joel Meyerovitz is incredibly eloquent and candid about how photography works or doesn't, and this should be an inspiration to anyone interested in photography.

Joel Meyerowitz is one of the pioneers of color photography, as well as an essential reference figure for street photography, large-format photography, and portraits. The Pleasure of Seeing is his first biography, the book offers a look behind the scenes of the life and career of one of America's photographic living legends. In conversation with historian and photographer Lorenzo Braca, Meyerowitz speaks vividly about his beginnings, studying art history, meeting Robert Frank, photographing on the streets of New York City with Tony Ray-Jones and Garry Winogrand, traveling extensively across America and Europe, learning from John Szarkowski, director of photography at MoMA, working on numerous exhibitions and publications, photographing at Ground Zero in 2001 and 2002, and about the most recent still lifes and self-portraits projects. The book contains over one hundred pictures, including Joel's most iconic photographs as well as new and previously unpublished material. This comprehensive visual biography testifies to the author's continuing evolution throughout the six decades of his career and discusses his work in relation to his personal life, to the history of photography, and to the incessant transformation of the medium. Meyerowitz reveals anecdotes, personal memories, and the story behind many of his famous photographs.

It was in 1978, during my first summer of making portraits while using an 8x10 inch large format camera, that I found myself drawn to photographing redheads. I have often been asked; 'why redheads,' and I've often felt it was because in summer redheads seem to bloom in the sun more gloriously than the rest of us. But it also might have been my living far out on the tip of Cape Cod, surrounded by all the blue light of sea and sky, which made me pay more attention to the flamboyant qualities of redheads. Their hair and the exotic markings of their skin in sunlight became even rosier and more astonishing in that blue atmosphere. Redheads, like film itself, are transformed by sunlight. It seems natural to me now that I would have paid attention to this new phenomenon as it appeared within the larger subject of the Cape itself. After making more than 50 portraits that first month, in which at least 30 were of redheads, I understood that this was an impulse to be taken seriously. I ran an ad in the local paper, the Provincetown Advocate: "REMARKABLE PEOPLE! If you are a redhead or know someone who is, I'd like to make your portrait, call...." They began coming to my deck, bringing with them their courage and their shyness, their curiosity and their dreams, and they shared their stories of what it was like to be a redhead. They spoke of the painful remembrances of childhood, the violations of privacy and name calling-"Hey, red," "freckle face," "carrot head." They also shared with me their sense of personal victory at having overcome this early, unwanted celebrity, and how like giants or dwarfs or athletes they had finally grown into their specialness and by surviving had been ennobled by it. You could say that they had been baptized by their own fire, and that their shared experience had formed a "blood knot" among them. I had begun making portraits with the intention of photographing ordinary people. But redheads are both ordinary and special. Their slender slice of the genetic pie accounts for only 2 or 3 percent of the world's population. As different as redheads are in terms of nationality and religion, they often give the appearance of a strong familial connection. My way of making portraits is not by getting down on my hands and knees, nor climbing high on a ladder, nor getting into bed with a celebrity, but simply standing eye to eye with anyone has found their way to me, young or old. I need only one or two sheets of film and the patience to see it through. This new edition of 'Redheads' will have a number of new and previously unseen portraits.

Perfect Strangers captures the kinetic bustle of changing streets and passing crowds in New York City. Over the last seven years, Melissa O’Shaughnessy has photographed daily on the streets of New York, capturing fleeting moments when the light, the people, and the chaos of the city collide in surprising, poignant, and humorous ways. As one of only a few women street photographers contributing to this dynamic genre, O’Shaughnessy enters the territory with clarity and a distinctly humanist eye. Perfect Strangers is a refreshing addition to the tradition of street photography.

The 'Masters of Photography' series is a new approach to photography how-to. Each volume is dedicated to the work of one key photographer who, through a series of bite-sized lessons and ideas, tells you everything you always wanted to know about their approach to taking photographs. From their influences, ideas and experiences, to tech tips and best shots. The series begins with Joel Meyerowitz, who will teach you, among other essentials: how to use a camera to reclaim the streets as your own, why you need to watch the world always with a sense of possibility, how to set your subjects at ease, and the importance of being playful and of finding a lens that suits your personality. Praise for Joel Meyerowitz's retrospective, Where I Find Myself: "So let me say it plainly: Joel Meyerowitz's Where I Find Myself is a compelling, wonderful, deeply pleasing collection of an essential photographer's work. [it] is a necessary book. Necessary because of its size and scope. Necessary because of the way it holds the aesthetic of the artist in the air." LensCulture "More than just a career retrospective, Meyerowitz's book is a personal celebration of photography as an art form." Publishers Weekly "After over half a century of making pictures, Meyerowitz is noted as one of the most influential photographers living today. A new book titled Joel Meyerowitz's Where I Find Myself brings together his tremendous archive to create a portrait of not only America during the 20th and early 21st centuries, but also a prolific artist with a lifetime of groundbreaking work." BuzzFeed "Joel Meyerowitz's Where I Find Myself is a pièce de résistance, a masterful feat of publishing that sets the bar as high as it can possibly reach. The photographer's magnum opus opens in the present day, with his most recent body of work and unfolds in reverse chronological order, leading us through a spellbinding life in photography that is simply unparalleled." Feature Shoot "After 40 years Meyerowitz continues to entice and enthrall with a consistency of vision that reshapes subject matter in his own light. If you are a fan of Meyerowitz's work and especially of Cape Light, this lifetime retrospective will be a treasured addition." New York Journal of Books

In this book, the authors explore and discuss the development of one of the most interesting and dynamic of photographic genres. Hailed as a landmark work when it was first published in 1994, Bystander is widely regarded by street photographers as the 'bible' of street photography. It covers an incredible array of talent, from the unknowns of the late 19th century to the acknowledged masters of the 20th, such as Atget, Stieglitz, Strand, Cartier-Bresson, Brassai, Kertesz, Frank, Arbus, Winogrand and Levitt to name just a few. In this new and fully revised edition, the story of street photography is brought up to date with a re-evaluation of some historical material, the inclusion of more contemporary photographers and a discussion of the ongoing rise of digital photography.

Aimed at children between the ages of nine and twelve, Seeing Things is a wonderful introduction to photography that asks how photographers transform ordinary things into meaningful moments. In this book, acclaimed and beloved photographer Joel Meyerowitz takes readers on a journey through the power and magic of photography: its abilities to freeze time, tell a story, combine several layers into one frame, and record life’s fleeting and beautiful moments. The book features the work of masters such as William Eggleston, Mary Ellen Mark, Helen Levitt, and Walker Evans, among many others. Each picture is accompanied by a short commentary, encouraging readers to look closely and use their imagination to understand key ideas in photography such as light, gesture, composition—and, ultimately, how there is wonder all around us when viewed through the lens.