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This volume offers transdisciplinary perspectives on the study of
acting and performance in moving image forms. It assembles 26
international scholars from dance, theatre, film, media and
cultural studies, art history and philosophy to investigate the art
of acting and the presence of the human body in analog and digital
film, animation and video art. The volume includes classical case
studies and essays devoted to acting history and acting and genres,
but its particular emphasis is on introducing a wide range of
groundbreaking theoretical approaches - from continental and
analytic philosophy to new media theory and cognitivist research -
all of which interrogate the fundamental conceptions of "act" and
"actor" that underwrite both popular and academic notions of
performance in moving image culture.
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