Praeludium, 5 Toccatas, 3 Fugues, Ricercari, Ciacona. The comb binding creates a lay-flat book that is perfect for study and performance.

for SSSATB unaccompanied or with guitar This moving rendition of Pachelbel's Canon sets the 'Requiescat' from Oscar Wilde's 'Rosa Mystica' (1890). Chilcott displays his sensitivity as a vocal arranger, exploiting the richness of the SSSATB format and the lyricism of the optional guitar accompaniment. The result is a gratifying new take on a well-loved classic, sure to touch choirs and audiences alike.

The Concert Performer Series brings you 18 well-known piano pieces, beautifully presented on strong, high-sheen card, complete with a special CD-Rom which contains both audio and MIDI to help you practise for a truly great performance. About the CD: Track 1 contains an audio concert performance. This track is playable on any CD player or computer equipped with a CD-Rom drive and audio CD player software. Track 2 is a special audio 'study track', on which you'll hear the same performance as Track 1 at a slower speed. Listening to and playing along with this track can help you resolve questions of rhythm and interpretation as you are learning the piece. MIDI data is provided for both Macintosh and PC. In order to use these files, you must have software and hardware designed to play and/or edit MIDI files. The file is a type 1 standard MIDI file (SMF) and is completely compatible with most current hardware and software sequencers and players. The instrument assignments conform to the General MIDI Standard. Mute one of the channels to practise one hand alone. Change the tempo or even transpose the whole piece to a new key. Add an orchestral or rock background - the possibilities are endless!

Johann Pachelbel's beloved Canon, the first movement of the Canon and Gigue in D major, was completely unknown until its publication in a 1918 article in the German periodical "Archiv f r Musikwissenschaft." The first complete score and parts, edited by Max Seiffert, appeared 11 years later. Though receiving some attention, the work only rocketed to fame in the 1970s in the wake of a recording made by the French conductor Jean-Fran ois Paillard. In recent years, Seiffert's edition has come under fire due to his his fairly liberal addition of tempi and dynamics. The problem of making a definitive score is made very challenging because the composer's manuscript is lost, and the only extant source is a 19th century copy located in the Berlin State Library. The present urtext score has no added articulations, tempi or slurs. Only dynamics have been added, as a possible suggested interpretation only.

Canon by Johann Pachelbel is one of the most famous and recognizable pieces of classical music. The treatment of the melody in this arrangement follows a popular Baroque tradition, the concerto grosso. This technique utilizes a small group of soloists that were supported by the remainder of the ensemble. In this arrangement, the solo instruments are 2 solo cornets and 2 euphoniums which have the majority of the technically scalar passages as well as the lyrical melody line. The "chamber sound" created by this arrangement is a welcome variation from the tutti sound that is commonly found in brass band writing.