First published in German in 1810, this detailed volume was translated from the German by Charles Lock Eastlake and, in six parts, examines every aspect of Goethe's theory of colours, including psychological colours, chemical colours, the moral effect of colour, minerals, plants, insects, mammals and a multitude of further subjects.

First published in German in 1810, this detailed volume was translated from the German by Charles Lock Eastlake and, in six parts, examines every aspect of Goethe's theory of colours, including psychological colours, chemical colours, the moral effect of colour, minerals, plants, insects, mammals and a multitude of further subjects.

In 1814, Johann Wolfgang von Goethe read the poems of the great fourteenth-century Persian poet Hafiz in a newly published translation by Joseph von Hammer-Purgstall. For Goethe, the book was a revelation. He felt a deep connection with Hafiz and Persian poetic traditions, and was immediately inspired to create his own West-Eastern Divan as a lyrical conversation between the poetry and history of his native Germany and that of Persia. The resulting collection engages with the idea of the other and unearths lyrical connections between cultures. The West-Eastern Divan is one of the world's great works of literature, an inspired masterpiece, and a poetic linking of European and Persian traditions. This new bilingual edition expertly presents the wit, intelligence, humor, and technical mastery of the poetry in Goethe's Divan. In order to preserve the work's original power, Eric Ormsby has created this translation in clear contemporary prose rather than in rhymed verse, which tends to obscure the works sharpness. This edition is also accompanied by explanatory notes of the verse in German and in English and a translation of Goethe's own commentary, the "Notes and Essays for a Better Understanding of the West-Eastern Divan." This edition not only bring this classic collection to English-language readers, but also, at a time of renewed Western unease about the other, to open up the rich cultural world of Islam.

This edition presents Parts I and II complete. Cyrus Hamlin provides essential supporting material for this difficult text, and his Interpretive Notes have been expanded and reset in larger, easy-to-read type. "Comments by Contemporaries" includes short pieces by Margaret Fuller, Ralph Waldo Emerson, Thomas Carlyle, and Wilhelm von Humboldt. "Modern Criticism"--comprised of ten essays newly added to the Second Edition--presents the perspectives of Stuart Atkins, Jaroslav Pelikan, Benjamin Bennett, Franco Moretti, Friedrich A. Kittler, Neil M. Flax, Marc Shell, Jane Brown, Hans Rudolf Vaget, and Marshall Berman. A Selected Bibliography is included.

This work by Johann Wolfgang von Goethe (1749 1832) was translated into English in 1840 by Sir Charles Eastlake (1793 1865), painter and later keeper of the National Gallery. Goethe's 1810 work was rejected by many contemporary scientists because it appeared to contradict the physical laws laid down by Newton. However, its focus on the human perception of the colour spectrum, as opposed to the observable optical phenomenon, was attractive to, and influential upon, artists and philosophers. As Eastlake says in his preface, the work's dismissal on scientific grounds had caused 'a well-arranged mass of observations and experiments, many of which are important and interesting', to be overlooked. Eastlake also puts Goethe's work into its aesthetic and scientific context and describes its original reception. His clear translation of Goethe's observations and experiments on colour and light will appeal to anyone interested in our responses to art."

The most comprehensive one-volume collection of Goethe's writings ever published in English The Essential Goethe is the most comprehensive and representative one-volume collection of Goethe's writings ever published in English. It provides English-language readers easier access than ever before to the widest range of work by one of the greatest writers in world history. Goethe's work as playwright, poet, novelist, and autobiographer is fully represented. In addition to the works for which he is most famous, including Faust Part I and the lyric poems, the volume features important literary works that are rarely published in English-including the dramas Egmont, Iphigenia in Tauris, and Torquato Tasso and the bildungsroman Wilhelm Meister's Apprenticeship, a foundational work in the history of the novel. The volume also offers a selection of Goethe's essays on the arts, philosophy, and science, which give access to the thought of a polymath unrivalled in the modern world. Primarily drawn from Princeton's authoritative twelve-volume Goethe edition, the translations are highly readable and reliable modern versions by scholars of Goethe. The volume also features an extensive introduction to Goethe's life and works by volume editor Matthew Bell. Includes: Selected poems Four complete dramas: Faust Part I, Egmont, Iphigenia in Tauris, and Torquato Tasso The complete novel Wilhelm Meister's Apprenticeship A selection from the travel journal Italian Journey Selected essays on art and literature Selected essays on philosophy and science An extensive introduction to Goethe's life and works A chronology of Goethe's life and times A note on the texts and translations

The playwright and critic John Oxenford (1812-77) had an acute aptitude for languages. Although he translated both Moliere and Calderon into English, he specialised in German translations and set high standards, not least with his rendering of several works by Johann Wolfgang von Goethe (1749-1832). Among the greatest literary figures of his day, Goethe combined considerable achievements as a poet, novelist and playwright with his diverse interests in natural science and politics. This two-volume translation of his autobiography first appeared in 1848-9. In Volume 1, Goethe tells the story of his life from the day he was born until the publication of The Sorrows of Young Werther, which attained cult status almost immediately after it was released in 1774. As the protagonist of his own story, Goethe reflects here on how he himself came of age.

The playwright and critic John Oxenford (1812-77) had an acute aptitude for languages. Although he translated both Moliere and Calderon into English, he specialised in German translations and set high standards, not least with his rendering of several works by Johann Wolfgang von Goethe (1749-1832). Among the greatest literary figures of his day, Goethe combined considerable achievements as a poet, novelist and playwright with his diverse interests in natural science and politics. This two-volume translation of his autobiography first appeared in 1848-9. In Volume 2, Goethe recalls how he first arrived in the small city of Weimar, which grew into an important cultural centre, due in no small part to his extended residence there. Also included are letters from Switzerland along with notes from the time he spent in Italy during the 1880s. Goethe's Italian travels would be highly significant for his artistic development and outlook.

Thomas Carlyle (1795 1881) was one of the most influential authors of the nineteenth century. Eagerly studied at the highest level of intellectual society, his satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. After graduating from Edinburgh University in 1814, he published his first scholarly work on German literature in 1824, before finding success with his history of the French Revolution in 1837. After falling from favour during the first part of the twentieth century, his work has more recently become the subject of scholarly re-examination. His introduction of German literature and philosophy into the British intellectual milieu profoundly influenced later philosophical ideas and literary studies. These volumes are reproduced from the 1896 Centenary Edition of his collected works. Volume 23 contains the first volume of his translation of Goethe's Wilhelm Meister.

Thomas Carlyle (1795 1881) was one of the most influential authors of the nineteenth century. Eagerly studied at the highest level of intellectual society, his satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. After graduating from Edinburgh University in 1814, he published his first scholarly work on German literature in 1824, before finding success with his history of the French Revolution in 1837. After falling from favour during the first part of the twentieth century, his work has more recently become the subject of scholarly re-examination. His introduction of German literature and philosophy into the British intellectual milieu profoundly influenced later philosophical ideas and literary studies. These volumes are reproduced from the 1896 Centenary Edition of his collected works. Volume 24 contains the second volume of his translation of Goethe's Wilhelm Meister.

A masterpiece of the European imagination, The Sufferings of Young Werther is the classic strum und drang tale of youthful angst and tragedy. The acclaimed translator Stanley Corngold brings passion and precision to Goethe's timeless novel of obsessive love and madness in this magnificent new rendition. The text is accompanied by the translator's introduction and is fully annotated. Goethe's themes of unrequited love, the pain of rejection, deepening despair, and their tragic consequences are as relevant today as when the work was first published in 1774. This hugely influential novel was immediately bought, printed, read, exported, and imitated throughout Europe, and what Goethe called the novel's "fire rockets" have continued to blaze through the centuries, influencing, among many others, Thomas Mann and Franz Kafka. The reader's understanding and appreciation are enhanced by the Norton Critical Edition's inclusion of a rich selection of Goethe's letters and diary entries as well an autobiographical excerpt and lampoons. "Criticism" brings together seven of the most influential essays written about The Sufferings of Young Werther over the last fifty years. Contributors include Harry Steinhauer, Roland Barthes, R. Ellis Dye, David Wellbery, Hans Rudolf Vaget, Dirk von Petersdorff, and Christiane Frey and David Martyn. A Chronology and Selected Bibliography are also included.

Los anos de aprendizaje de Wilhelm Meister constituye, por antonomasia, la novela de formacion o bildungsroman. En esta obra, compendio de todas las tendencias narrativas del siglo XVIII, el autor ofrece un diagnostico de su epoca al intentar responder a una pregunta: como se puede llegar a ser feliz?

One of the great classics of European literature, "Faust" is Goethe's most complex and profound work. To tell the dramatic and tragic story of one man's pact with the Devil in exchange for knowledge and power, Goethe drew from an immense variety of cultural and historical material, and a wealth of poetic and theatrical traditions. What results is a tour de force illustrating Goethe's own moral and artistic development, and a symbolic, cautionary tale of Western humanity striving restlessly and ruthlessly for progress.

Capturing the sense, poetic variety, and tonal range of the German original in present-day English, Stuart Atkins's translation presents the formal and rhythmic dexterity of "Faust" in all its richness and beauty, without recourse to archaisms or interpretive elaborations.

Featuring a new introduction by David Wellbery, this Princeton Classics edition of "Faust" is the definitive English version of a timeless masterpiece.

"Greenberg has accomplished a magnificent literary feat. He has taken a great German work, until now all but inaccessible to English readers, and made it into a sparkling English poem, full of verve and wit. Greenberg's translation lives; it is done in a modern idiom but with respect for the original text; I found it a joy to read."-Irving Howe (on the earlier edition) A classic of world literature, Goethe's Faust is a philosophical and poetic drama full of satire, irony, humor, and tragedy. Martin Greenberg re-creates not only the text's varied meter and rhyme but also its diverse tones and styles-dramatic and lyrical, reflective and farcical, pathetic and coarse, colloquial and soaring. His rendition of Faust is the first faithful, readable, and elegantly written translation of Goethe's masterpiece available in English. At last, the Greenberg Faust is available in a single volume, together with a thoroughly updated translation, preface, and notes.