First published in German in 1810, this detailed volume was translated from the German by Charles Lock Eastlake and, in six parts, examines every aspect of Goethe's theory of colours, including psychological colours, chemical colours, the moral effect of colour, minerals, plants, insects, mammals and a multitude of further subjects.

First published in German in 1810, this detailed volume was translated from the German by Charles Lock Eastlake and, in six parts, examines every aspect of Goethe's theory of colours, including psychological colours, chemical colours, the moral effect of colour, minerals, plants, insects, mammals and a multitude of further subjects.

In 1814, Johann Wolfgang von Goethe read the poems of the great fourteenth-century Persian poet Hafiz in a newly published translation by Joseph von Hammer-Purgstall. For Goethe, the book was a revelation. He felt a deep connection with Hafiz and Persian poetic traditions, and was immediately inspired to create his own West-Eastern Divan as a lyrical conversation between the poetry and history of his native Germany and that of Persia. The resulting collection engages with the idea of the other and unearths lyrical connections between cultures. The West-Eastern Divan is one of the world's great works of literature, an inspired masterpiece, and a poetic linking of European and Persian traditions. This new bilingual edition expertly presents the wit, intelligence, humor, and technical mastery of the poetry in Goethe's Divan. In order to preserve the work's original power, Eric Ormsby has created this translation in clear contemporary prose rather than in rhymed verse, which tends to obscure the works sharpness. This edition is also accompanied by explanatory notes of the verse in German and in English and a translation of Goethe's own commentary, the "Notes and Essays for a Better Understanding of the West-Eastern Divan." This edition not only bring this classic collection to English-language readers, but also, at a time of renewed Western unease about the other, to open up the rich cultural world of Islam.

This edition presents Parts I and II complete. Cyrus Hamlin provides essential supporting material for this difficult text, and his Interpretive Notes have been expanded and reset in larger, easy-to-read type. "Comments by Contemporaries" includes short pieces by Margaret Fuller, Ralph Waldo Emerson, Thomas Carlyle, and Wilhelm von Humboldt. "Modern Criticism"--comprised of ten essays newly added to the Second Edition--presents the perspectives of Stuart Atkins, Jaroslav Pelikan, Benjamin Bennett, Franco Moretti, Friedrich A. Kittler, Neil M. Flax, Marc Shell, Jane Brown, Hans Rudolf Vaget, and Marshall Berman. A Selected Bibliography is included.

The most comprehensive one-volume collection of Goethe's writings ever published in English The Essential Goethe is the most comprehensive and representative one-volume collection of Goethe's writings ever published in English. It provides English-language readers easier access than ever before to the widest range of work by one of the greatest writers in world history. Goethe's work as playwright, poet, novelist, and autobiographer is fully represented. In addition to the works for which he is most famous, including Faust Part I and the lyric poems, the volume features important literary works that are rarely published in English-including the dramas Egmont, Iphigenia in Tauris, and Torquato Tasso and the bildungsroman Wilhelm Meister's Apprenticeship, a foundational work in the history of the novel. The volume also offers a selection of Goethe's essays on the arts, philosophy, and science, which give access to the thought of a polymath unrivalled in the modern world. Primarily drawn from Princeton's authoritative twelve-volume Goethe edition, the translations are highly readable and reliable modern versions by scholars of Goethe. The volume also features an extensive introduction to Goethe's life and works by volume editor Matthew Bell. Includes: Selected poems Four complete dramas: Faust Part I, Egmont, Iphigenia in Tauris, and Torquato Tasso The complete novel Wilhelm Meister's Apprenticeship A selection from the travel journal Italian Journey Selected essays on art and literature Selected essays on philosophy and science An extensive introduction to Goethe's life and works A chronology of Goethe's life and times A note on the texts and translations

A masterpiece of the European imagination, The Sufferings of Young Werther is the classic strum und drang tale of youthful angst and tragedy. The acclaimed translator Stanley Corngold brings passion and precision to Goethe's timeless novel of obsessive love and madness in this magnificent new rendition. The text is accompanied by the translator's introduction and is fully annotated. Goethe's themes of unrequited love, the pain of rejection, deepening despair, and their tragic consequences are as relevant today as when the work was first published in 1774. This hugely influential novel was immediately bought, printed, read, exported, and imitated throughout Europe, and what Goethe called the novel's "fire rockets" have continued to blaze through the centuries, influencing, among many others, Thomas Mann and Franz Kafka. The reader's understanding and appreciation are enhanced by the Norton Critical Edition's inclusion of a rich selection of Goethe's letters and diary entries as well an autobiographical excerpt and lampoons. "Criticism" brings together seven of the most influential essays written about The Sufferings of Young Werther over the last fifty years. Contributors include Harry Steinhauer, Roland Barthes, R. Ellis Dye, David Wellbery, Hans Rudolf Vaget, Dirk von Petersdorff, and Christiane Frey and David Martyn. A Chronology and Selected Bibliography are also included.

Los anos de aprendizaje de Wilhelm Meister constituye, por antonomasia, la novela de formacion o bildungsroman. En esta obra, compendio de todas las tendencias narrativas del siglo XVIII, el autor ofrece un diagnostico de su epoca al intentar responder a una pregunta: como se puede llegar a ser feliz?

One of the great classics of European literature, "Faust" is Goethe's most complex and profound work. To tell the dramatic and tragic story of one man's pact with the Devil in exchange for knowledge and power, Goethe drew from an immense variety of cultural and historical material, and a wealth of poetic and theatrical traditions. What results is a tour de force illustrating Goethe's own moral and artistic development, and a symbolic, cautionary tale of Western humanity striving restlessly and ruthlessly for progress.

Capturing the sense, poetic variety, and tonal range of the German original in present-day English, Stuart Atkins's translation presents the formal and rhythmic dexterity of "Faust" in all its richness and beauty, without recourse to archaisms or interpretive elaborations.

Featuring a new introduction by David Wellbery, this Princeton Classics edition of "Faust" is the definitive English version of a timeless masterpiece.

By closely following Goethe's explanations of the color phenomena, the reader may become so divorced from the wavelength theory-Goethe never even mentions it-that he may begin to think about color theory relatively unhampered by prejudice, ancient or modern. By the time Goethe's Theory of Colours appeared in 1810, the wavelength theory of light and color had been firmly established. To Goethe, the theory was the result of mistaking an incidental result for an elemental principle. Far from pretending to a knowledge of physics, he insisted that such knowledge was an actual hindrance to understanding. He based his conclusions exclusively upon exhaustive personal observation of the phenomena of color. Of his own theory, Goethe was supremely confident: "From the philosopher, we believe we merit thanks for having traced the phenomena of colours to their first sources, to the circumstances under which they appear and are, and beyond which no further explanation respecting them is possible." Goethe's scientific conclusions have, of course, long since been thoroughly demolished, but the intelligent reader of today may enjoy this work on quite different grounds: for the beauty and sweep of his conjectures regarding the connection between color and philosophical ideas; for an insight into early nineteenth-century beliefs and modes of thought; and for the flavor of life in Europe just after the American and French Revolutions. The book does not have to be studied to be appreciated. Goethe's subjective theory of colors permits him to speak most persuasively of color harmony and aesthetics. In some readers these notions will evoke a positive response on their merits. Others may regard them as pure fantasy, but savor the grace and style of their exposition. The work may also be read as an accurate guide to the study of color phenomena. Goethe's conclusions have been repudiated, but no one quarrels with his reporting of the facts to be observed. With simple objects-vessels, prisms, lenses, and the like-the reader will be led through a demonstration course not only in subjectively produced colors, but also in the observable physical phenomena of color. By closely following Goethe's explanations of the color phenomena, the reader may become so divorced from the wavelength theory-Goethe never even mentions it-that he may begin to think about color theory relatively unhampered by prejudice, ancient or modern.

'I can promise to be candid, not, however, to be impartial.' A selection of the most insightful maxims and reflections from one of Germany's greatest ever thinkers. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Johann Wolfgang Von Goethe (1749-1832). Goethe's works available in Penguin Classics are Faust, Part I, Faust, Part II, Maxims and Reflections, Elective Affinities, The Sorrows of Young Werther, Selected Poetry amd Italian Journey 1786-1788.

`a world without love would be no world' Elegy II This bilingual edition of Goethe's erotic poems contains the Roman Elegies (1789), The Diary (1810), and a selection from the Venetian Epigrams of 1790. Editorial censorship has long obscured the true form and content of the Elegies, which were inspired by Goethe's sexual liberation in Italy and his love for the woman he took as his unofficial wife on his return to Germany.They are here presented as Goethe boldly conceived them together with the long-surpressed narrative poem known as The Diary. Superficially the story of a failed sexual adventure by a man of 60, at another level this is a profound study of the psychology of desire and the nature of fidelity, as well as being one of the most beautiful and good-humoured poems in the German language. Completing the edition is a selection from Goethe's more light-hearted and much censored cycle of erotica, the Venetian Epigrams. David Luke's translations do full justice to Goethe's aim of liberating German poetry and restoring sexual love to its central position in human life. Hans Vaget's fine introduction provides the background to these poems, as well as showing some of the profound and little-known connections between them. Johann Wolfgang Goethe was born in 1749, the son of a well-to-do citizen of Frankfurt. In the early 1770's he was the dominating figure of the German literary revival, his tragic novel Werther bringing him international fame. In 1755 he became a minister of state and director of the court theatre and in the 1790's he and his younger contemporary Schiller were the joint architects of Weimar Classicism, the central phase of German literary culture. Faust, written at various stages of his life and in a variety of styles, became a constantly enlarged repository of his personal wisdom and his creative energies never ceased to take new forms. In 1806 he married Christiane Vulpious, having lived with her for eighteen years. He died in 1832. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.