March Avery: A Life in Color is the first monograph on the New York-based painter March Avery. Documenting the artist's practice of more than 80 years, the book features three newly commissioned texts and some 200 images.Avery was born in 1932 to the painters Milton Avery and Sally Michel, and began painting as a child. As she says, "I think I was painting in utero." The dividing line between life and art was blurred during her upbringing, as is reflected in the subject matter of her work: everyday domestic scenes, portraits of friends and family members, and landscapes visited and revisited over the course of a lifetime.Avery's oil paintings, sketches and watercolors are known for their flat picture planes, interlocking shapes and simplicity of forms. The artist's mastery of colour brings life, immediacy of place and emotional depth to her compositions, as March Avery: A Life in Color illustrates, beautifully.The book also includes articles by writers/critics Johanna Fateman, Lynne Tillman and John Yau, whose texts explore and animate Avery's life and work.

For the past two decades, young women (and men) have found their way to feminism through Riot Grrrl - more than a genre, but a movement in its own right. Against the backdrop of the culture wars and before the rise of the Internet or desktop publishing, the 'zine and music culture of the Riot Grrrl movement empowered young women to speak out against sexism and oppression. The movement created a powerful new force of liberation and unity within and outside of the women's movement. This is a collection of the original material of the Riot Grrrl movement.

A sweeping selection of Donald Judd's iconic and ambitious works alongside a diverse collection of newly commissioned writings. "One of the most significant American artists of the postwar period, Donald Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist's expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of the artist's largest and most intricate installations of sixty-three wall-mounted plywood boxes, conceived in 1986. Other works include variations on some of Judd's most recognizable forms, executed in materials such as Cor-ten steel, plexiglass, copper, plywood, brushed aluminum, and enameled aluminum. Brilliant and exacting reproductions bring these works to life on the page. Following the artist's major retrospective at The Museum of Modern Art, New York, in 2020, this book serves as a companion volume. With contributions from a wide range of voices-art historians, critics, writers, and performers- this publication includes rich new writings on Judd's oeuvre, art criticism, and enduring influence. Artworks: 1970-1994 is published on the occasion of the eponymous 2020 exhibition at David Zwirner, New York."

Selections from the work of radical feminist author Andrea Dworkin, famous for her antipornography stance and role in the feminist sex wars of the 1980s. Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. She still looms large in feminist demands for sexual freedom, evoked as a censorial demagogue, more than a decade after her death. Among the very first writers to use her own experiences of rape and battery in a revolutionary analysis of male supremacy, Dworkin was a philosopher outside and against the academy who wrote with a singular, apocalyptic urgency. Last Days at Hot Slit brings together selections from Dworkin's work, both fiction and nonfiction, with the aim of putting the contentious positions she's best known for in dialogue with her literary oeuvre. The collection charts her path from the militant primer Woman Hating (1974), to the formally complex polemics of Pornography (1979) and Intercourse (1987) and the raw experimentalism of her final novel Mercy (1990). It also includes "Goodbye to All This" (1983), a scathing chapter from an unpublished manuscript that calls out her feminist adversaries, and "My Suicide" (1999), a despairing long-form essay found on her hard drive after her death in 2005.