This 95 page score, size 7 by 10 ? inches, is taken from a previous Belwin Mills publication. It provides the choir and soloist parts along with a piano reduction of the orchestral parts, with notations, instrument cues, and vocal text in German language. In the Table of Contents an English translation is included. This was to be Brahms' longest work, in 7 movements, and was based on sacred biblical text, in German language, and therefore did not follow the traditional Latin requiem text. Includes: Blessed are they that mourn * Behold, all flesh is as the grass * Lord, make me to know the measure of my days on earth * How lovely is thy dwelling place * Ye are now sorrowful * Here on earth we have no continuing place * Blessed are the dead.

Claudio Abbado conducts the Lucerne Festival Orchestra for a performance of three works, recorded at the KKL Luzern Concert Hall in 2013. The works are: Brahms' 'Tragic Overture'; Schoenberg's Orchestral Interlude and 'Song of the Wood Dove' from 'Gurre-Lieder'; and Beethoven's Symphony No. 3 in E flat major ('Eroica').

Mariss Jansons leads the Chor and Symphonieorches des Bayerischen Rundfunks in performances of Brahms' 'Symphony No.2 in D Major, Opus 73' and Janácek's 'Glagolitic Mass', recorded live at the KKL Concert Hall, Lucerne in 2012. The soloists are Tatiana Monogarova, Marina Prudenskja, Ludovit Ludha and Peter Mikulás.

Highlights of the Norton Critical Score of Symphony No. 4 * The first edition of the score with Brahm's corrections incorporated * Historical background * Correspondence before publication * Reviews of first and early performances * Analysis and criticism by music scholars, including: Hugo Riemann, "Johannes Brahms, Fourth Symphony in E-minor" (1897); Heinrich Schenker, from Free Composition (1935); Rene Leibowitz, "Aimez-vous Brahms?" (1971); Walter Frisch, from Brahms: The Four Symphonies (1996); Raymond Knapp, from Brahms and the Cahllenge of the Symphony (1997).