This 95 page score, size 7 by 10 ? inches, is taken from a previous Belwin Mills publication. It provides the choir and soloist parts along with a piano reduction of the orchestral parts, with notations, instrument cues, and vocal text in German language. In the Table of Contents an English translation is included. This was to be Brahms' longest work, in 7 movements, and was based on sacred biblical text, in German language, and therefore did not follow the traditional Latin requiem text. Includes: Blessed are they that mourn * Behold, all flesh is as the grass * Lord, make me to know the measure of my days on earth * How lovely is thy dwelling place * Ye are now sorrowful * Here on earth we have no continuing place * Blessed are the dead.

The A Z of String Players surveys the lives, careers and recordings of over 300 string players from the past and present. Many great string players who have made recordings are included, from Accardo to Zukerman. The text covers artists from the earliest recording processes to contemporary, cutting-edge technology. In this clear and straight-forward publication, the artists are listed alphabetically, with a summary of their career, notable recordings, biography and critical appraisal of their recorded legacy. In addition, four compact discs present a selection of recordings from 69 artists. This package will appeal to enthusiast and scholar alike as a readable, informed and fascinating work of reference.

Claudio Abbado conducts the Lucerne Festival Orchestra for a performance of three works, recorded at the KKL Luzern Concert Hall in 2013. The works are: Brahms' 'Tragic Overture'; Schoenberg's Orchestral Interlude and 'Song of the Wood Dove' from 'Gurre-Lieder'; and Beethoven's Symphony No. 3 in E flat major ('Eroica').

Mariss Jansons leads the Chor and Symphonieorches des Bayerischen Rundfunks in performances of Brahms' 'Symphony No.2 in D Major, Opus 73' and Janácek's 'Glagolitic Mass', recorded live at the KKL Concert Hall, Lucerne in 2012. The soloists are Tatiana Monogarova, Marina Prudenskja, Ludovit Ludha and Peter Mikulás.

for eleven winds
An arrangement from the original for solo piano which follows Brahms's techniques of orchestration so as to capture as much as possible his idiomatic wind sound.

Highlights of the Norton Critical Score of Symphony No. 4 * The first edition of the score with Brahm's corrections incorporated * Historical background * Correspondence before publication * Reviews of first and early performances * Analysis and criticism by music scholars, including: Hugo Riemann, "Johannes Brahms, Fourth Symphony in E-minor" (1897); Heinrich Schenker, from Free Composition (1935); Rene Leibowitz, "Aimez-vous Brahms?" (1971); Walter Frisch, from Brahms: The Four Symphonies (1996); Raymond Knapp, from Brahms and the Cahllenge of the Symphony (1997).

Brahms' Six Piano Pieces are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.

All solo music not in other volumes, including Symphonic Etudes, Phantasie, 13 other choice works. Definitive Breitkopf & Härtel edition.