Cognitive Archaeology: Mind, Ethnography, and the Past in South Africa and Beyond aims to interpret the social and cultural lives of the past, in part by using ethnography to build informed models of past cultural and social systems and partly by using natural models to understand symbolism and belief. How does an archaeologist interpret the past? Which theories are relevant, what kinds of data must be acquired, and how can interpretations be derived? One interpretive approach, developed in southern Africa in the 1980s, has been particularly successful even if still not widely known globally. With an expressed commitment to scientific method, it has resulted in deeper, well-tested understandings of belief, ritual, settlement patterns and social systems. This volume brings together a series of papers that demonstrate and illustrate this approach to archaeological interpretation, including contributions from North America, Western Europe and sub-Saharan Africa, in the process highlighting innovative methodological and substantive research that improves our understanding of the human past. Professional archaeological researchers would be the primary audience of this book. Because of its theoretical and methodological emphasis, it will also be relevant to method and theory courses and postgraduate students.

Cognitive Archaeology: Mind, Ethnography, and the Past in South Africa and Beyond aims to interpret the social and cultural lives of the past, in part by using ethnography to build informed models of past cultural and social systems and partly by using natural models to understand symbolism and belief. How does an archaeologist interpret the past? Which theories are relevant, what kinds of data must be acquired, and how can interpretations be derived? One interpretive approach, developed in southern Africa in the 1980s, has been particularly successful even if still not widely known globally. With an expressed commitment to scientific method, it has resulted in deeper, well-tested understandings of belief, ritual, settlement patterns and social systems. This volume brings together a series of papers that demonstrate and illustrate this approach to archaeological interpretation, including contributions from North America, Western Europe and sub-Saharan Africa, in the process highlighting innovative methodological and substantive research that improves our understanding of the human past. Professional archaeological researchers would be the primary audience of this book. Because of its theoretical and methodological emphasis, it will also be relevant to method and theory courses and postgraduate students.

The definitive rock art book on Painted Bluff, Alabama Containing more than 130 paintings and engravings, Painted Bluff is perhaps the most elaborate prehistoric pictograph site east of the Mississippi River. Positioned at several levels on a dramatic sandstone cliff along the Tennessee River in northern Alabama, the spectacular paintings and engravings depict mythical creatures, dancing humans, and mystical portals. The Cosmos Revealed: Precontact Mississippian Rock Art at Painted Bluff, Alabama is the first complete description and interpretation of one of the most important archaeological sites in eastern North America. Using art, the site materializes a model or 'cosmogram' of the Mississippian Native American view of the universe and provided connections between the visible and invisible worlds for Native spiritual leaders and other visitors to engage. Discovered in the early 1800s, the site became known as 'Painted Bluff' because of its pictographs, but inexplicably it has only recently been subjected to the intensive archaeological study it deserves. Under the auspices of the Tennessee Valley Authority, the authors of this volume have documented and assessed the site since 2005, and efforts have been made to reverse some of the vandalism that has occurred over many decades and to stabilize natural degradation of the cliff and the artwork it contains. In the course of this documentation, more than one hundred remarkable prehistoric paintings have been recorded, mapped, and photographed on the cliff face. This book synthesizes the research done on the site to date and covers the entire site. Richly illustrated chapters cover the historical background, geology and archaeology, documentation methods, types of rock art, stratigraphy, paint recipes, TVA management, graffiti removal, and a summary that broadly synthesizes the meaning, timeframe, artistry, organization, conceptual boundaries, and the cosmos revealed. The book features numerous color photographs and a complete catalog of the pictographs and petroglyphs at the site.