This is a new release of the original 1931 edition.

This is a new release of the original 1931 edition.

1931. There is no obvious drama in this straightforward narrative. No one could pretend that Roxana reveals either charm or striking personality. The author's art comes from a particular form of realism, in which he stands almost alone. It is built upon absolute simplicity in style, elaborately precise statement of natural detail and a complete absence of emphasis or emotion. We do not judge Roxana for her conduct, but sympathize with her as a woman because Defoe has made her our friend. We believe in her as a real, living, intimate acquaintance who is interesting because her life is crowded with surprising events and fortune treats her with more than its usual caprice.

1931. There is no obvious drama in this straightforward narrative. No one could pretend that Roxana reveals either charm or striking personality. The author's art comes from a particular form of realism, in which he stands almost alone. It is built upon absolute simplicity in style, elaborately precise statement of natural detail and a complete absence of emphasis or emotion. We do not judge Roxana for her conduct, but sympathize with her as a woman because Defoe has made her our friend. We believe in her as a real, living, intimate acquaintance who is interesting because her life is crowded with surprising events and fortune treats her with more than its usual caprice.

1931. There is no obvious drama in this straightforward narrative. No one could pretend that Roxana reveals either charm or striking personality. The author's art comes from a particular form of realism, in which he stands almost alone. It is built upon absolute simplicity in style, elaborately precise statement of natural detail and a complete absence of emphasis or emotion. We do not judge Roxana for her conduct, but sympathize with her as a woman because Defoe has made her our friend. We believe in her as a real, living, intimate acquaintance who is interesting because her life is crowded with surprising events and fortune treats her with more than its usual caprice.

There is no obvious drama in this straightforward narrative. No one could pretend that Roxana reveals either charm or striking personality. The author's art comes from a particular form of realism, in which he stands almost alone. It is built upon absolute simplicity in style, elaborately precise statement of natural detail and a complete absence of emphasis or emotion. We do not judge Roxana for her conduct, but sympathize with her as a woman because Defoe has made her our friend. We believe in her as a real, living, intimate acquaintance who is interesting because her life is crowded with surprising events and fortune treats her with more than its usual caprice.