Historical Consciousness and the Use of the Past in the Ancient World offers linked essays on uses of the past in prominent and diverse cultures in ancient civilizations across the world. The contributors are leading experts in Ancient Near Eastern Studies, Sinology, Biblical Studies, Classics, and Maya Studies. This volume addresses crucial questions in current scholarship on historical consciousness and historiography. These questions include the formation of different traditions and the manifold uses of the past in particular socio-political contexts or circumstances; the ways in which these traditions and these types of cultural memory informed or contributed to the rise of more formal modes of historiography; interactions between formal modes of historiography and other traditions of historical consciousness during their transmission; and the implications of such interactions for cultural heritage, collective memory, and later understandings of history. The chapters discuss many questions relating to the volume's theme: theoretical and methodological approaches to ancient material; intellectual, didactic, and social circumstances and institutions; ideological motivations behind, and social functions of, interactions; conceptual, narratological, and literary processes and mechanisms such as synchronism, sequencing of events, periodization, mythological prologues, aetiological motifs, genealogical and chronological schemes, geographical and ethnographical features, temporal and stylistic devices; interchanges between different temporal frameworks such as mythical, legendary, ritual, chronological; the extent and variety of interactions such as manifestations in visual arts, monuments, cultic activities, music and dramatic performance; physical or textual channels for dissemination and transmission; stages and periods of interaction in different cultures, authors, and texts; convention and innovation; differences and relationships between scholarly and popular conceptions of history; and exchanges between local traditions and ones with a global perspective. By taking an interdisciplinary approach, this volume situates the rise of formal modes of historiography within a larger context of the development of historical consciousness and a wider web of intercommunicating discourses. It also uncovers intellectual processes, literary mechanisms, and social institutions involved in the construction of history. During its construction, while many local traditions persisted, some ancients gradually went beyond the temporal and spatial limitations of their local traditions, arriving at a more extended and unified timespan, a wider geographical region, and a common origin.

Performances in the premodern communities shaped identities, created meanings, generated and maintained political control. But unlike other social scientists, archaeologists have not worked much with these concepts. Archaeology of Performance shows how the notions of theatricality and spectacle are as important economics and politics in understanding how ancient communities work. Without sacrificing conceptual rigor, the contributors draw on the wide-ranging literature on performance. Without sacrificing material evidence, they try to see how performance creates meaning and ideology. Drawing on evidence from societies large and small, Archaeology of Performance offers an important new ways of understanding ancient theaters of power.

Performances in the premodern communities shaped identities, created meanings, generated and maintained political control. But unlike other social scientists, archaeologists have not worked much with these concepts. Archaeology of Performance shows how the notions of theatricality and spectacle are as important economics and politics in understanding how ancient communities work. Without sacrificing conceptual rigor, the contributors draw on the wide-ranging literature on performance. Without sacrificing material evidence, they try to see how performance creates meaning and ideology. Drawing on evidence from societies large and small, Archaeology of Performance offers an important new ways of understanding ancient theaters of power.

Osiris, Horus, Isis, Thoth, Anubis - the many strange and compelling figures of the Egyptian gods and goddesses seem to possess endless fascination. The renowned Egyptologist Erik Hornung here studies the ancient Egyptians' conceptions of god, basing his account on a thorough reappraisal of the primary sources. His book, now available in English for the first time, is the most extensive exploration yet undertaken of the nature of Egyptian religion.Hornung examines the characteristics, spheres of action, and significance of Egyptian gods and goddesses, analyzing the complex and changing iconography used to represent them, and disentangling the many seemingly contradictory aspects of the religion of which they are a part. He seeks to answer two basic questions: How did the Egyptians themselves see their gods? Did they believe there was an impersonal, anonymous force behind the multiplicity of their deities? Throughout, he attempts to evoke the complexity and richness of the religion of the ancient Egyptians and of their worldview, which differs so greatly from our own.A work of extraordinary distinction, Hornung s book will appeal to anyone interested in ancient Egypt, in ancient religion, and in the history of religion, as well as students and scholars of ancient history, anthropology, and archaeology. Sensitively translated by John Baines and with a new preface by the author, this edition has been amplified and updated with an English-language audience in mind."

A generously illustrated selection of John Baines's influential writings on two core areas of ancient Egyptian civilization: the role of writing, which was very different in antiquity from what is familiar in the modern world, and the importance of visual culture. These questions are explored through a number of case studies. The volume assembles articles that were scattered in publications in a variety of disciplines, making available key contributions on core problems of theory, comparison, and analysis in the study of many civilizations and offering important points of departure for further research. Three wholly new essays are included, and the overall approach is an interdisciplinary one, synthesizing insights from archaeology, anthropology, and art history as well as Egyptology.

A generously illustrated selection of John Baines's influential writings on two core areas of ancient Egyptian civilization: the role of writing, which was very different in antiquity from what is familiar in the modern world, and the importance of visual culture. These questions are explored through a number of case studies. The volume assembles articles that were scattered in publications in a variety of disciplines, making available key contributions on core problems of theory, comparison, and analysis in the study of many civilizations and offering important points of departure for further research. Three wholly new essays are included, and the overall approach is an interdisciplinary one, synthesizing insights from archaeology, anthropology, and art history as well as Egyptology.

This volume gathers papers from the first conference ever to be held on the disappearance of writing systems, in Oxford in March 2004. While the invention and decipherment of writing systems have long been focuses of research, their eclipse or replacement have been little studied. Because writing is so important in many cultures and civilizations, its disappearance - followed by a period without it or by replacement by a different writing system - is of almost equal significance to invention as a mark of radical change. Probably more writing systems have disappeared than survived in the last five thousand years. Case studies from the Old and New Worlds are presented, ranging over periods from the first millennium BC to the present. In order to address many types of transmission, the broadest possible definition of 'writing' is used, notably including Mexican pictography and the Andean khipu system. One chapter discusses the larger proportion of known human societies which have not possessed complex material codes like writing, offering an alternative perspective on the long-term transmission of socially salient subjects. There is a concluding essay that draws out common themes and offers an initial synthesis of results. The volume offers a new perspective on approaches to writing that will be significant for the understanding of writing systems and their social functions, literacy, memory, and high-cultural communication systems in general.

This novel work uses case studies of both familiar and unfamiliar materials, expanding consideration of ancient Egyptian elite culture to encompass lived experience and exploitation of the natural environment. The opening chapter sets out the conceptual ground for the analyses that follow, arguing that the relatively ephemeral activities under investigation were centrally important to the actors. The first and largest study treats human organization of the landscape and its use to create and transmit elite meanings, especially through pictorial and encyclopaedic forms, and to mobilize emotional values. Next, a treatment of the planning of third millennium settlements on the floodplain argues that Egypt offers a partly rural perspective that provides an alternative to the urban focus of many early civilizations but has parallels in elite culture in much of the world. The third study discusses how a single year's events were orchestrated to culminate in a celebratory hunt in which the king, his court, and high officials participated. The concluding chapter presents an initial synthesis of Egyptian treatments of elite experience, drawing upon additional evidence in particular from literary texts and attitudes to travel. Throughout the book, aesthetics and the cultivation of pleasure and delight are emphasized as essential to ancient elite life.

This volume gathers papers from the first conference ever to be held on the disappearance of writing systems, in Oxford in March 2004. While the invention and decipherment of writing systems have long been focuses of research, their eclipse or replacement have been little studied. Because writing is so important in many cultures and civilizations, its disappearance - followed by a period without it or by replacement by a different writing system - is of almost equal significance to invention as a mark of radical change. Probably more writing systems have disappeared than survived in the last five thousand years. Case studies from the Old and New Worlds are presented, ranging over periods from the first millennium BC to the present. In order to address many types of transmission, the broadest possible definition of 'writing' is used, notably including Mexican pictography and the Andean khipu system.One chapter discusses the larger proportion of known human societies which have not possessed complex material codes like writing, offering an alternative perspective on the long-term transmission of socially salient subjects. A concluding essay draws out common themes and offers an initial synthesis of results. This volume offers a new perspective on approaches to writing that will be significant for the understanding of writing systems and their social functions, literacy, memory, and high-cultural communication systems in general.

This Is A New Release Of The Original 1896 Edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Tobacco In Song And Story John Bain John Bain A. Gray & co., 1896 Tobacco

1896. There is something in this little volume that will appeal to every lover of the weed, no matter what his station in life may be or the grade of tobacco he consumes. It is not meant to be any more a book for the smoker of twenty-five cent cigars than for the man behind the clay pipe. It is intended to be a book of good fellowship, in which all smokers are free and equal. Contents: Sir Walter Raleigh, Sketch; The Discovery of Tobacco; A Few Words About Tobacco; Origin of Tobacco, Conte Arabe; Philosophy of Smoking; Poetry of Smoke; Smokers' Stories; Tobacco Facts; Some Salesmen and Others; and Puffs.