|
Showing 1 - 25 of
117 matches in All Departments
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
"The Critical Heritage" series gathers together a large body of
critical sources on major figures in literature. Each volume
presents contemporary responses to a writer's work, enabling
students and researchers to read for themselves, for example,
comments on early performances of Shakespeare's plays, or reactions
to the first publication of Jane Austen's novels. The selected
sources range from important essays in the history of criticism to
journalism and contemporary opinion, and documentary material such
as letters and diaries. Significant pieces of criticism from later
periods are also included, in order to demonstrate the fluctuations
in an author's reputation. Each volume contains an introduction to
the writer's published works, a selected bibliography, and an index
of works, authors and subjects. The whole "Critical Heritage"
series is available as a set of 67 volumes, in mini-sets selected
by period (in slipcase boxes) or as individual volumes.
First published in 1995. Routledge is an imprint of Taylor &
Francis, an informa company.
The world's most famous hymn book has undergone a complete revision
and now offers the broadest ever range of traditional hymns and the
best from today's composers and hymn/song writers. 150 years since
its first publication and after sales of 170 million copies, this
brand new edition contains over 840 items, ranging from the Psalms
to John Bell, Bernadette Farrell and Stuart Townend. The guiding
principles behind this collection are: * congregational singability
* biblical and theological richness * musical excellence *
liturgical versatility * relevance to today's worship styles and to
today's concerns New features include added provision for all the
seasons of the Church year, new items for carol services and other
popular occasions where the repertoire is in need of refreshing,
more choices for all-age worship, fresh translations of some
ancient hymnody, beautiful new tunes, short songs and chants -
alleluias, kyries, blessings etc. and music from the world church.
A full range of indexes (including biblical and thematic) and a
helpful guide to choosing hymns for every occasion will help to
make Ancient & Modern the premier hymn collection of choice.
This is the Full Music edition.
Over the course of his short life, John Keats (1795-1821) honed a
raw talent into a brilliant poetic maturity. By the end of his
brief career, he had written poems of such beauty, imagination and
generosity of spirit, that he had - unwittingly - fulfilled his
wish that he should 'be among the English poets after my death'.
This wide-ranging selection of Keats's poetry contains youthful
verse, such as his earliest known poem 'Imitation of Spenser';
poems from his celebrated collection of 1820 - including 'Lamia',
'Isabella', 'The Eve of St Agnes', 'Ode to a Nightingale' and
'Hyperion' - and later celebrated works such as 'La Belle Dame sans
Merci'. Also included are many poems considered by Keats to be
lesser work, but which illustrate his more earthy, playful side and
superb ear for everyday language.
‘I am certain of nothing but the holiness of the Heart’s affections and the truth of Imagination’ Keats’s first volume of poems, published in 1817, demonstrated both his belief in the consummate power of poetry and his liberal views. While he was criticized by many for his politics, his immediate circle of friends and family immediately recognized his genius. In his short life he proved to be one of the greatest and most original thinkers of the second generation of Romantic poets, with such poems as ‘Ode to a Nightingale’, ‘On First Looking into Chapman’s Homer’ and ‘La Belle Dame sans Merci’. While his writing is illuminated by his exaltation of the imagination and abounds with sensuous descriptions of nature’s beauty, it also explores profound philosophical questions. John Barnard’s acclaimed volume contains all the poems known to have been written by Keats, arranged by date of composition. The texts are lightly modernized and are complemented by extensive notes, a comprehensive introduction, an index of classical names, selected extracts from Keats’s letters and a number of pieces not widely available, including his annotations to Milton’s Paradise Lost.
|
|