Over many centuries, wars have been lost due to lack of food and proper supplies for the troops. Without a way to survive, the troops had to retreat rather than stay and fight. The same need applied to ships at sea. "New York to Okinawa Sloooooowly" is the true story of a soldier who served on one of the supply ships that were vital to the survival of the troops in battle during Wolrd War II.John Barnes graduated from high school in 1941. While many of the kids in his class headed off to college, that was not John's plan. He wanted to join the marines, but when he discovered that his mother would not sign the papers, he set his sights on the US Coast Guard, the same service as his favorite cousin, Frank. After his basic training, he and his shipmates headed out on a journey that would ultimately take them to Okinawa. Through the severe storms, typhoons and enemy aircraft attacks, they got the job done come hell or high water.

Based on a series of lectures for adult students, this lively and entertaining book proves that, far from being a dusty, dull subject, geometry is in fact full of beauty and fascination. The author's infectious enthusiasm is put to use in explaining many of the key concepts in the field, starting with the Golden Number and taking the reader on a geometrical journey via Shapes and Solids, through the Fourth Dimension, finishing up with Einstein's Theories of Relativity.

Equally suitable as a gift for a youngster or as a nostalgic journey back into the world of mathematics for older readers, John Barnes' book is the perfect antidote for anyone whose maths lessons at school are a source of painful memories. Where once geometry was a source of confusion and frustration, Barnes brings enlightenment and entertainment.

In this second edition, stimulated by recent lectures at Oxford, further material and extra illustrations have been added on many topics including Coloured Cubes, Chaos and Crystals.

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Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Particular attention is also paid to the ways in which the cinema of other countries affected the English industry. Volume 4 examines how in 1899 two major events influenced British cinema. The Boer War created a boom in film production as a result of an insatiable demand for news and pictures of the campaign brought on my fervent patriotism. Though actual battle could not be filmed, 'fake' war films based on incidents from the campaign began to be produced by English filmmakers. The University of Exeter Press editions of Volumes 2, 3, 4 are re-jacketed re-issues of the first editions. The long-awaited fifth and final volume in the series is published for the first time by UEP, and edited and introduced by Richard Maltby, Professor of Screen Studies, Flinders University, Australia. Describing in detail one of the most inventive periods in the history of English cinema, this series represents a major contribution to international film studies. Each illustrated volume details a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors, as well as a comprehensive filmography of English films, fiction and non-fiction, for the year. The previous volumes are aready established as classics in their field and have recently been re-jacketed and re-issued by University of Exeter Press.The fifth and final volume documents the year 1900, when the conflict in South Africa against the Boers and the Boxer uprising in China proved popular subjects for news films and fictional representations. It includes a full Introduction by Richard Maltby which places Victorian cinema in its cultural, social and historical context

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Particular attention is also paid to the ways in which the cinema of other countries affected the English industry. Volume 5 documents the emergence of Cecil M. Hepworth as one of England's major film producers in 1900. The work of England's two premier pioneers in the field of cinematography, Robert W. Paul and Birt Acres, is also examined. The conflict in South Africa against the Boers and the uprising of the Boxers in China proved popular subjects for new films and fictional representations. Forgotten pioneers of film are rescued from oblivion in this volume through the attention paid to their roles in English cinema. Volume 5 is introduced and edited by Richard Maltby. The long-awaited fifth and final volume in the series is published for the first time by UEP, and edited and introduced by Richard Maltby, Professor of Screen Studies, Flinders University, Australia. Describing in detail one of the most inventive periods in the history of English cinema, this series represents a major contribution to international film studies. Each illustrated volume details a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors, as well as a comprehensive filmography of English films, fiction and non-fiction, for the year. The previous volumes are aready established as classics in their field and have recently been re-jacketed and re-issued by University of Exeter Press.The fifth and final volume documents the year 1900, when the conflict in South Africa against the Boers and the Boxer uprising in China proved popular subjects for news films and fictional representations. It includes a full Introduction by Richard Maltby which places Victorian cinema in its cultural, social and historical context

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Taking the Kinetoscope as its point of departure, Volume 1 explores in depth the progress made in the field of cinematography up until the end of 1896, by which time the film had become the main attraction of almost every major music hall in Great Britain. The contribution made by inventors such as R.W. Paul and Birt Acres is discussed in detail, as is also the work of hitherto forgotten pioneers of the British film. This volume is edited by Richard Maltby and has a foreword by David Robinson.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Volume 2 details how by 1897 on-screen movement was no longer enough to hold the attention of the public. Film makers were beginning to look for other means to widen the appeal of the moving image, including employing lecturers to accompany the shows and filming newsworthy events. Queen Victoria's Diamond Jubilee procession through London was one of the first of these events. Almost every major and minor film producer in England covered it. These types of films can be seen as the forerunners of the newsreels of the 1920s and 1930s. Barnes was awarded the Jean Mitry Prize for a life-long contribution to film in 1998. Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Particular attention is also paid to the ways in which the cinema of other countries affected the English industry. Volume 3 explains how by 1898 the playbills of almost every prominent English music hall featured cinema shows with musical accompaniment. Producers such as R.W. Paul, G.A. Smith and James Williamson began to experiment with 'made up' productions that anticipated cinema's development as a storytelling medium. The volume also details the technical improvements in film processing and the influence of French and American film production on the English cinema industry.

Ada 2012 is the latest version of the international standard for the programming language Ada. It is designated ISO/IEC 8652:2012 (E) and is a new edition replacing the 2005 version. The primary goals for the new version were to further enhance its capabilities particularly in those areas where its reliability and predictability are of great value. Many important new features have been included such as those defining dynamic contracts and for handling multiprocessors and are integrated within the existing language framework in an elegant and coherent manner. The Ada 2012 Rationale describes not only the changes from Ada 2005 but also the reason for the changes. It starts with an introduction providing a general overview and this is followed by seven chapters focusing on contracts and aspects; extended expressions; structure and visibility; tasking and real time; iterators and pools; predefined library and containers. The book concludes with an epilogue largely concerned with compatibility issues.

Ada 2005 is the latest version of the International Standard for the programming language Ada. Formally, it is an Amendment of ISO/IEC 8652:1995 (E) rather than a completely new standard. The primary goals for the new version were to enhance its capabilities particularly in those areas where its reliability and predictability are of great value. Accordingly, a number of intriguing and attractive ideas have been included and implemented in a coherent manner as appropriate to the level of perfection necessary for the diligent maintenance of a language standard.

The Ada 2005 Rationale describes not only the changes from Ada 95 but also the reason for the changes. It starts with an introduction providing a general overview and this is followed by seven chapters focusing on OOP; access types; structure and visibility; tasking and real time; exceptions, generics, etc.; the predefined library; and containers. The book concludes with an epilogue largely concerned with compatibility issues.

Ada 95, the enhanced version of the Ada programming language, is now in place and has attracted much attention in the community since the International Standard ISO/IEC 8652:1995(E) for the language was approved in 1995. The Ada 95 Rationale comes in four parts. The introductory part is a general discussion of the scope and objectives of Ada 95 and its major technical features. The second part contains a more detailed step by step account of the core language. The third part consists of several annexes addressing the predefined environment and specialized application areas. Finally, the three appendices of the fourth part are devoted to the upward compatibility with Ada 83, a few changes since the drafts of the standard were made public, and a summary of requirements.

Eva Peron's life is once more an obsession with the scheduled release of the movie version of Andrew Lloyd Weber's hit Broadway musical, Evita. Now the classic biography of her fascinating life--including 16 pages of photographs--is back in print. Whore, feminist, tyrant, and saint, Evita was the beautiful and legendary woman who rose from poverty to become First lady of Argentina.

An eloquent and thought-provoking book on racism and prejudice by the Liverpool and England football legend John Barnes. John Barnes spent the first dozen years of his life in Jamaica before moving to the UK with his family in 1975. Six years later he was a professional footballer, distinguishing himself for Watford, Liverpool and England, and in the process becoming this country's most prominent black player. Barnes is now an articulate and captivating social commentator on a broad range of issues, and in The Uncomfortable Truth About Racism he tackles head-on the issues surrounding prejudice with his trademark intelligence and authority. By vividly evoking his personal experiences, and holding a mirror to this country's past, present and future, Barnes provides a powerful and moving testimony. The Uncomfortable Truth About Racism will help to inform and advance the global conversation around society's ongoing battle with the awful stain of prejudice.

My Money is Worth More Than My Children was written because John Barnes wanted to let all of the fathers in the world know that they are not alone in their struggle. He wanted to share his story to help some mothers understand that just collecting child support does not raise a child. Allowing a child's father to be in their lives, to help raise them, to help nurture them and to protect them is what a child needs, not just financial support.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Particular attention is also paid to the ways in which the cinema of other countries affected the English industry. Volume 3 explains how by 1898 the playbills of almost every prominent English music hall featured cinema shows with musical accompaniment. Producers such as R.W. Paul, G.A. Smith and James Williamson began to experiment with 'made up' productions that anticipated cinema's development as a storytelling medium. The volume also details the technical improvements in film processing and the influence of French and American film production on the English cinema industry.

This Is A New Release Of The Original 1908 Edition.