A very special new edition of this beautiful and award-winning official coffee table book which celebrates one of sport's most historic and iconic venues as it celebrates its 100th birthday. The Centre Court at Wimbledon is known throughout the world and is famous for the legends who have graced its hallowed grass and the wonderful matches that have been played out in front of awed sold-out crowds. It truly is a fantastic theatre where players meet with 'triumph or disaster'. As it reaches its centenary year, Centre Court's place in the pantheon of sporting theatres is assured - and this book is a fitting tribute to its rich history.

For two glorious weeks every summer, Wimbledon sparkles at the centre of the sporting universe. This is the complete history, over more than 150 years, of The All England Lawn Tennis & Croquet Club and the world's most prestigious tennis Championships. The story goes that in 1877 the All England Croquet Club needed funds to repair a broken pony roller at their ground in Wimbledon so it decided to hold a tournament dedicated to the increasingly popular new pastime of lawn tennis. This beautifully-presented and fully revised and updated edition of popular former BBC commentator John Barrett's seminal history of The Championships tells the story of how a small croquet club in rural Surrey has grown to become the world's most famous tennis club and home to one of the great international sporting events. With additional text bringing the text right up to date and over more than 500 lavishly illustrated pages packed with archive photography and memorabilia from the Wimbledon Lawn Tennis Museum, the rich history of Wimbledon and its unique atmosphere - where the highest level of international sport meets an afternoon in an English garden - is magnificently captured in this essential volume.

`Archaeology is a diverse discipline, it operates through a number of institutional arrangements, each of which has a particular agenda and set of agreed working practices. Diversity might be regarded as a strength, reflecting the dynamism with which archaeological concerns have become a widely used currency in our modern world. But if we accept that diversity exists in a single discipline we might also wonder what defines the common ground; what is it that, at the end of the day, continues to make us all archaeologists?' The second `Oxbow Lecture' presents the text of a lecture delivered in 1995 at the Institute of Field Archaeologist's annual Archaeology in Britain Conference , and explores the current state and priorities of British archaeology.

A guide to the practice of stem cell transplantation, its status in the treatment of various disorders and the problems that arise after transplantation, aimed at the whole transplant team. An up to date guide to best practice in the use of stem cell transplantation, covering current status in the treatment of malignant and non-malignant conditions, practical aspects and problems such as infection and graft versus host disease. Has a practical, accessible approach with free use of algorithms, list tables. Aimed at the whole transplant team - this is an interdisciplinary field. International contributor team with editors in the UK and USA. Illustrated in colour throughout.

Kazuo Ohno is one of the founders of the Japanese modern dance form, Butoh, which had a large influence on contemporary American modern and postmodern dance. Now for the first time, Ohno's words and insights are available in English. This book brings together two distinct but related works: the first, Food for the Soul, is an interview with Yoshito Ohno about his father and his father's dances. With the help of some 100 photographs, he reveals a compelling and complex figure. The second, Workshop Words, is a collection of talks given by Kazuo Ohno to his students during workshops, complemented by photographs of Ohno in intimate settings. Lavishly illustrated and beautifully designed, this book is a finely nuanced portrait of one of the most distinctive contemporary performers to emerge from Japan in the 20th century. It is an indispensable manual for the aspiring performer in any field.

This book reconsiders how we can understand archaeology on a grand scale by abandoning the claims that material remains stand for the people and institutions that produced them, or that genetic change somehow caused cultural change. Our challenge is to understand the worlds that made great projects like the building of Stonehenge or Mycenae possible. The radiocarbon revolution made the old view that the architecture of Mycenae influenced the building of Stonehenge untenable. But the recent use of 'big data' and of genetic histories have led archaeology back to a worldview where 'big problems' are assumed to require 'big solutions'. Making an animated plea for bottom-up rather than top-down solutions, the authors consider how life was made possible by living in the local and materially distinct worlds of the period. By considering how people once built connections between each other through their production and use of things, their movement between and occupancy of places, and their treatment of the dead, we learn about the kinds of identities that people constructed for themselves. Stonehenge did not require an architect from Mycenae for it to be built, but the builders of Stonehenge and Mycenae would have shared a mutual recognition of the kinds of humans that they were, and the kinds of practices these monuments were once host to.