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New biblical methods seem to appear each year, and it can be
difficult for students to find a comprehensive survey to the wide
range of interpretive options. Reading the Old Testament enables
introductory students to understand the established methods of
biblical study along with the emerging trends of recent years. This
book is firmly grounded in the best available scholarship; at the
same time, it speaks to students with no previous knowledge of
biblical study.
Students will appreciate this book's clarity and precision as it
compares traditional methods of exegesis with newer critical
innovations in Old Testament study.
From the Sunday Times bestselling author of A History of the Bible,
this is the story of how the Bible has been translated, and why it
matters The Bible is held to be both universal and specific, the
source of fundamental truths inscribed in words that are exact and
sacred. For much of the history of Judaism and almost the entirety
of Christianity, however, believers have overwhelmingly understood
scripture not in the languages in which it was first written but
rather in their own - in translation. This book examines how
saints, scholars and interpreters from ancient times down to the
present have produced versions of the Bible in the language of
their day while remaining true to the original. It explains the
challenges they negotiated, from minute textual ambiguities up to
the sweep of style and stark differences in form and thought
between the earliest writings and the latest, and it exposes the
bearing these have on some of the most profound questions of faith:
the nature of God, the existence of the soul and possibility of its
salvation. Reading dozens of renderings alongside their ancient
Hebrew and Greek antecedents, John Barton traces the migration of
biblical words and ideas across linguistic borders, illuminating
original meanings as well as the ways they were recast.
'Translators have been among the principal agents in mediating the
Bible's message,' he writes, 'even in shaping what that message
is.' At the separation of Christianity from Judaism and
Protestantism from Catholicism, Barton demonstrates, vernacular
versions did not only spring from fault lines in religious thinking
but also inspired and moulded them. The product of a lifetime's
study of scripture, The Word itself reveals the central book of our
culture anew - as it was written and as we know it.
A literary history of our most influential book of all time, by an
Oxford scholar and Anglican priest In our culture, the Bible is
monolithic: It is a collection of books that has been unchanged and
unchallenged since the earliest days of the Christian church. The
idea of the Bible as "Holy Scripture," a non-negotiable authority
straight from God, has prevailed in Western society for some time.
And while it provides a firm foundation for centuries of Christian
teaching, it denies the depth, variety, and richness of this
fascinating text. In A History of the Bible, John Barton argues
that the Bible is not a prescription to a complete, fixed religious
system, but rather a product of a long and intriguing process,
which has inspired Judaism and Christianity, but still does not
describe the whole of either religion. Barton shows how the Bible
is indeed an important source of religious insight for Jews and
Christians alike, yet argues that it must be read in its historical
context--from its beginnings in myth and folklore to its many
interpretations throughout the centuries. It is a book full of
narratives, laws, proverbs, prophecies, poems, and letters, each
with their own character and origin stories. Barton explains how
and by whom these disparate pieces were written, how they were
canonized (and which ones weren't), and how they were assembled,
disseminated, and interpreted around the world--and, importantly,
to what effect. Ultimately, A History of the Bible argues that a
thorough understanding of the history and context of its writing
encourages religious communities to move away from the Bible's
literal wording--which is impossible to determine--and focus
instead on the broader meanings of scripture.
This collection of John Barton's work engages with current concern
over the biblical canon, in both historical and theological
aspects; with literary reading of the Bible and current literary
theory as it bears on biblical studies; and with the theological
reading and use of the biblical text. John Barton's distinctive
writing reflects a commitment to a 'liberal' approach to the Bible,
which places a high value on traditional biblical criticism and
also seeks to show how evocative and full of insight the biblical
texts are and how they can contribute to modern theological
concerns. This invaluable selection of published writings by one of
the leading authorities on biblical text and canon, also includes
new essays and editorial introductions from the author.
A definitive look at how church music is changing in the 21st
century. There is no lack of resources for the church musician
focusing on particular skills or repertoire. But this is the first
collection of essays created specifically for musicians working in
parish ministry that imagines how those vocations will change along
with the evolving church. Ponder Anew chronicles the rapid changes
in the church music landscape in the last 20 years including the
role of technology, education, relationships with clergy and
choristers, and cultural presumptions. Contributors are parish
musicians, professors, clergy, and bishops.
WINNER OF THE 2019 DUFF COOPER PRIZE A SUNDAY TIMES BESTSELLER
'With emotional and psychological insight, Barton unlocks this
sleeping giant of our culture. In the process, he has produced a
masterpiece.' Sunday Times The Bible is the central book of Western
culture. For the two faiths which hold it sacred, it is the bedrock
of their religion, a singular authority on what to believe and how
to live. For non-believers too, it has a commanding status: it is
one of the great works of world literature, woven to an
unparalleled degree into our language and thought. This book tells
the story of the Bible, explaining how it came to be constructed
and how it has been understood, from its remote beginnings down to
the present. John Barton describes how the narratives, laws,
proverbs, prophecies, poems and letters which comprise the Bible
were written and when, what we know - and what we cannot know -
about their authors and what they might have meant, as well as how
these extraordinarily disparate writings relate to each other. His
incisive readings shed new light on even the most familiar
passages, exposing not only the sources and traditions behind them,
but also the busy hands of the scribes and editors who assembled
and reshaped them. Untangling the process by which some texts which
were regarded as holy, became canonical and were included, and
others didn't, Barton demonstrates that the Bible is not the fixed
text it is often perceived to be, but the result of a long and
intriguing evolution. Tracing its dissemination, translation and
interpretation in Judaism and Christianity from Antiquity to the
rise of modern biblical scholarship, Barton elucidates how meaning
has both been drawn from the Bible and imposed upon it. Part of the
book's originality is to illuminate the gap between religion and
scripture, the ways in which neither maps exactly onto the other,
and how religious thinkers from Augustine to Luther and Spinoza
have reckoned with this. Barton shows that if we are to regard the
Bible as 'authoritative', it cannot be as believers have so often
done in the past.
This collection of John Barton's work engages with current concern
over the biblical canon, in both historical and theological
aspects; with literary reading of the Bible and current literary
theory as it bears on biblical studies; and with the theological
reading and use of the biblical text. John Barton's distinctive
writing reflects a commitment to a 'liberal' approach to the Bible,
which places a high value on traditional biblical criticism and
also seeks to show how evocative and full of insight the biblical
texts are and how they can contribute to modern theological
concerns. This invaluable selection of published writings by one of
the leading authorities on biblical text and canon, also includes
new essays and editorial introductions from the author.
This title was first published in 2000. From the work of Hegel and
Schelling to the dialectical theology of Barth, Bultmann and
Gogarten, "Revelation" has developed a long, rich tradition of
diverse thought, as well as many misunderstandings. Meaning, first
and foremost, "God's encounter with those to whom God wishes to
communicate God's own self", Revelation seeks to be recounted and
communicated to others. As a theological expression, Revelation
aims to direct our attention to the modes and areas in which we
have a basis for expecting encounter with God - through stories,
nature, the world as creation. From a rediscovered emphasis on
"story", narrative theology has emerged - a concept the
English-speaking world has welcomed for its neutrality between
history and imaginative fiction and stress on narrative rather than
doctrinal dimension of biblical text. This volume brings into
relationship a concern with theology of revelation and an interest
in the theology of story or narrative theology.
This title was first published in 2000. From the work of Hegel and
Schelling to the dialectical theology of Barth, Bultmann and
Gogarten, "Revelation" has developed a long, rich tradition of
diverse thought, as well as many misunderstandings. Meaning, first
and foremost, "God's encounter with those to whom God wishes to
communicate God's own self", Revelation seeks to be recounted and
communicated to others. As a theological expression, Revelation
aims to direct our attention to the modes and areas in which we
have a basis for expecting encounter with God - through stories,
nature, the world as creation. From a rediscovered emphasis on
"story", narrative theology has emerged - a concept the
English-speaking world has welcomed for its neutrality between
history and imaginative fiction and stress on narrative rather than
doctrinal dimension of biblical text. This volume brings into
relationship a concern with theology of revelation and an interest
in the theology of story or narrative theology.
Reflections for Daily Prayer continues to be one of the most
popular and highly valued daily Bible reading companions.
Continuing its tradition of excellence, regular favourites and new
contributors offer insightful, informed and inspiring reflections
on the scripture readings of the day, based on the Common Worship
lectionary for Morning Prayer. Stephen Cottrell, the Archbishop of
York, is the guest contributor for Holy Week. New voices this year
include Gregory Cameron, the Bishop of St Asaph and author of the
popular An Advent Book of Days and An Easter Book of Days; Chine
MacDonald, author, broadcaster and Director of the religious think
tank Theos; and Emma Parker, Deputy Warden of Cranmer Hall, Durham.
For every day (excluding Sundays) of the 2023-24 church year, there
are full references and a quotation from the day’s set of
Scripture readings, concise and challenging commentary, and a
collect. Also included is a simple order for Morning and Night
Rrayer, and additional helps for nurturing a habit of regular daily
prayer.
John Barton used to live in the non-disabled world. Then he
developed symptoms of an obscure inherited condition that affected
his mobility, closely followed by Parkinson’s disease. And
suddenly he found himself propelled into the kingdom of the
disabled. There are two worlds, he writes: ‘In one lies power,
privilege and validity, in the other, the supposed lack, shame and
misery of the invalids. The barriers that separate them –
physical, political and psychological – diminish us all. They
cripple our societies.’ This is a book not about disability but
about our shared humanity. Barton takes us on a journey through
history, politics, sociology, medical science and psychology, to
explore the meanings of disability. Why do we, as a species, find
it so hard to share our common world with people who are different
from us? When you meet a disabled person in the street, socially,
or in your work, do you pass the Humanity Test? Read this book. You
may learn something.
Revelation and Story explores the relationship between the theology
of revelation and the theology of story or narrative theology.
Mediating between German systematic theology's concern for
revelation and current Anglo-Saxon interest in narrative theology
and centrality of 'story', this book illuminates both traditions.
Exploring 'revelation' and 'story' from both theological and
philosophical perspectives, this book connects these concepts with
questions of the authority of religious and literary texts,
particularly the Bible. Believing that God's revelation precedes
and forestalls all human perception of God, all speech about God,
and every attempt to experience anything about God or know Him,
leading scholars from both Anglo-Saxon and German traditions are
brought together to present a diverse range of conceptions relating
to how God's revelation occurs, resulting in a new theory of the
relation of revelation and story which transcends the traditional
cultural divide. Stanley Hauerwas contributes the Foreword.
Revelation and Story offers a valuable new contribution to
systematic theology, hermeneutics, and the study of the authority
of Scripture, as well as presenting insights into important
overlaps between British and German theology. This book will be of
particular interest to scholars and students of philosophy and
theology, and to students of literature and literary theory with an
interest in hermeneutics.
The study presents archival evidence to show how President Kaunda
raised political and economic exclusivity in Zambia in the early
years of Zambia's independence, and how this retarded capital
investment. Despite formal reforms and a new government, this
institutional mechanism still dominates and constrains Zambia's
political economy today.
The volume presents the results of a joint research project run by
the Universities of Bonn and Oxford.
A comprehensive and lively introduction to the Old Testament,
suitable for sixth-form, university and ministerial students, as
well as the interested general reader. It provides a complete
course covering history, archaeology, geography and textual
interpretation. Its core is a set of chapters on central biblical
themes including the nature of God, human suffering, ethics, the
relation of God to Israel and the covenant. There are detailed
chapters on aspects such as prophecy, worship, law, apocalyptic and
wisdom literature and historiography. The book is extensively
illustrated and easily navigable with icons, sidebars and boxes
providing helpful information and questions for discussion.
A comprehensive and accessible guide to the Hebrew Bible This book
brings together some of the world's most exciting scholars from
across a variety of disciplines to provide a concise and accessible
guide to the Hebrew Bible. It covers every major genre of book in
the Old Testament together with in-depth discussions of major
themes such as human nature, covenant, creation, ethics, ritual and
purity, sacred space, and monotheism. This authoritative overview
sets each book within its historical and cultural context in the
ancient Near East, paying special attention to its sociological
setting. It provides new insights into the reception of the books
and the different ways they have been studied, from
historical-critical enquiry to modern advocacy approaches such as
feminism and liberation theology. It also includes a guide to
biblical translations and textual criticism and helpful suggestions
for further reading. Featuring contributions from experts with
backgrounds in the Jewish and Christian faith traditions as well as
secular scholars in the humanities and social sciences, The Hebrew
Bible is the perfect starting place for anyone seeking a
user-friendly introduction to the Old Testament, and an invaluable
reference book for students and teachers.
Selected by editor John Barton, the 2023 edition of Best Canadian
Poetry showcases the best Canadian poetry writing published in
2021. "My goal," writes guest editor John Barton of his long career
as a literary magazine editor, "was always to be jostled awake, and
I soon realized that I was being jostled awake for two-myself and
the reader ... I came to understand that my job description
included an obligation to expose readers to wide varieties of
poetry, to challenge their assumptions while expanding their
taste." In selecting this year's edition of Best Canadian Poetry,
Barton brings the same catholic spirit to his survey of Canadian
poems published by magazines and journals in 2021. From new work by
Canadian favourites to exciting new talents, this year's anthology
offers fifty poems to challenge and enlarge your sense of the power
and possibility of Canadian poetry. Featuring: Leslie Joy Ahenda *
Billy-Ray Belcourt * Bertrand Bickersteth * Tawahum Bige *
Stephanie Bolster * Susan Braley * Moni Brar * Jake Byrne * Helen
Cho * Conyer Clayton * Lucas Crawford * Sophie Crocker * Michael
Dunwoody * Evelyna Ekoko-Kay * Tyler Engstroem * Triny Finlay *
Elee Kraljii Gardiner * Lise Gaston * Susan Gillis * Beth Goobie *
Patrick Grace * Laurie D. Graham * River Halen * Eva H.D. * Louise
Bernice Halfe-Skydancer * Sarah Hilton * Karl Jirgens *
Moboluwajidide D. Joseph * Penn Kemp * Jeremy Loveday * Randy Lundy
* Helen Han Wei Luo * Colin Morton * Jordan Mounteer * Samantha
Nock * Kathryn Nogue * Michelle Porter * Rebekah Rempel * Armand
Garnet Ruffo * Richard Sanger * Nedda Sarshar * K.R. Segriff *
Christina Shah * Sandy Shreve * Adrian Southin * J.J. Steinfeld *
Sarah Yi-Mei Tsiang * Eric Wang * Tom Wayman * Jan Zwicky
The Bible: The Basics is an accessible and engaging introduction to
the Bible as both a sacred text, central to the faith of millions,
and a classic work of Western literature, containing a tapestry of
genres, voices, perspectives, and images. This guide skilfully
addresses both aspects of the Bible's character by exploring: the
rich variety of literary forms, from poetry to prophecy and
epistles to apocalypses; the historical, geographic, and social
context of the Bible; contemporary attitudes to the Bible held by
believers and non-believers; the status of biblical interpretation
today. The second edition has been updated throughout and includes
maps and detailed suggestions for further reading. This is an ideal
starting point for people of any faith, or none, who are studying
the Bible in any setting or who simply want to know more about the
best-selling book of all time.
The Bible: The Basics is an accessible and engaging introduction to
the Bible as both a sacred text, central to the faith of millions,
and a classic work of Western literature, containing a tapestry of
genres, voices, perspectives, and images. This guide skilfully
addresses both aspects of the Bible's character by exploring: the
rich variety of literary forms, from poetry to prophecy and
epistles to apocalypses; the historical, geographic, and social
context of the Bible; contemporary attitudes to the Bible held by
believers and non-believers; the status of biblical interpretation
today. The second edition has been updated throughout and includes
maps and detailed suggestions for further reading. This is an ideal
starting point for people of any faith, or none, who are studying
the Bible in any setting or who simply want to know more about the
best-selling book of all time.
This book brings together some of the world's most exciting
scholars from across a variety of disciplines to provide a concise
and accessible guide to the Hebrew Bible. It covers every major
genre of book in the Old Testament together with in-depth
discussions of major themes such as human nature, covenant,
creation, ethics, ritual and purity, sacred space, and monotheism.
This authoritative overview sets each book within its historical
and cultural context in the ancient Near East, paying special
attention to its sociological setting. It provides new insights
into the reception of the books and the different ways they have
been studied, from historical-critical enquiry to modern advocacy
approaches such as feminism and liberation theology. It also
includes a guide to biblical translations and textual criticism and
helpful suggestions for further reading. Featuring contributions
from experts with backgrounds in the Jewish and Christian faith
traditions as well as secular scholars in the humanities and social
sciences, The Hebrew Bible is the perfect starting place for anyone
seeking a user-friendly introduction to the Old Testament, and an
invaluable reference book for students and teachers.
"The Mayor of Zalamea, Life's a Dream, The Great Theatre of the
World In The Mayor of Zalamea, commissioned by the Royal National
Theatre, peasants' honour clashes with military discipline. Life's
a Dream is Calderon's most famous philosophical play. The Great
Theatre of the World is an allegorical work that would originally
have been performed in the street to the accompaniment of music and
dancing."
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