Published in 1900, Conrad's Lord Jim can in many ways be seen as the first 'modern' novel. This important full study of the book, originally published in 1988, emphasizes the outstanding historical and artistic significance of Conrad's masterpiece. John Batchelor pursues the ways in which Conrad dramatizes with unprecedented fidelity a relationship between friends and also explores what for Conrad is clearly a central truth about the human condition, namely the inalienable loneliness of man. The book provides a full discussion of the biographical and literary contexts of the novel, making use of the original manuscript and tracing the literary influences and sources of Conrad's writing. It also considers the novel's technical innovations, including Conrad's 'impressionism' and its method of dramatization. Further chapters are devoted to a detailed commentary on the text and the book concludes with a study of the novel's critical reception since its first publication. This volume will be essential reading for all students of literature and particularly for those with an interest in Conrad's place in the development of modern fiction.

Published in 1900, Conrad's Lord Jim can in many ways be seen as the first 'modern' novel. This important full study of the book, originally published in 1988, emphasizes the outstanding historical and artistic significance of Conrad's masterpiece. John Batchelor pursues the ways in which Conrad dramatizes with unprecedented fidelity a relationship between friends and also explores what for Conrad is clearly a central truth about the human condition, namely the inalienable loneliness of man. The book provides a full discussion of the biographical and literary contexts of the novel, making use of the original manuscript and tracing the literary influences and sources of Conrad's writing. It also considers the novel's technical innovations, including Conrad's 'impressionism' and its method of dramatization. Further chapters are devoted to a detailed commentary on the text and the book concludes with a study of the novel's critical reception since its first publication. This volume will be essential reading for all students of literature and particularly for those with an interest in Conrad's place in the development of modern fiction.

Is literary biography so widely read for popular, "prurient" reasons, or for reputable intellectual reasons? Is it of interest only in so far as it illuminates a writer's work? How much can we know about a life, such as Shakespeare's, where the documentation is so slight? These are among the wide range of questions addressed by the seventeen leading biographers and literary critics in this important new work.
Always a popular genre, biography has become one of the most immediate and accessible modes of writing about literature. This book examines such literary figures as Conrad, Lawrence, Huxley, Virginia Woolf, and the poets Elizabeth Bishop and Lord Rochester, while addressing the nature and form of literary biography--the concept of biography as autobiography, the problems the genre poses, the necessity of the ignorance of a biographer, and the literary biographer at work. The distinguished contributors include Anthony Storr, Lyndall Gordon, Richard Holmes, Jon Stallworthy, Hermione Lee, David Bradshaw, and Ann Thwaite.

This substantial collection of new includes contributions from leading international Shakespeare scholars such as Tom Craik, Philip Edwards, Inga-Stina Ewbank, R.A. Foakes, G.K. Hunter, Kenneth Muir, A.D. Nuttall, Brian Vickers and Stanley Wells. The book's twenty five essays range over the whole field of Shakespeare studies and deal especially with Shakespeare and his predecessors, Shakespeare and his contemporaries, Shakespeare in performance (including film) and Shakespeare in relation to later literature. Shakespearean Continuities is published in honour of the distinguished Shakespeare scholar E.A.J. Honigmann, FBA, Joseph Cowen Professor of English Literature at the University of Newcastle, 1970-1989.

This substantial collection includes contributions from leading international Shakespeare scholars such as Tom Craik, Philip Edwards, IngA-Stina Ewbank, R.A. Foakes, G.K. Hunter, Kenneth Muir, A.D. Nuttall, Brian Vickers and Stanley Wells. The book's twenty five essays range over the whole field of Shakespeare studies and deal especially with Shakespeare and his predecessors, Shakespeare and his contemporaries, Shakespeare in performance (including film) and Shakespeare in relation to later literature. Shakespearean Continuities is published in honour of the distinguished Shakespeare scholar E.A.J. Honigmann, FBA, Joseph Cowen Professor of English Literature at the University of Newcastle, 1970-1989.