In offering a wide-ranging overview of radicalism throughout the 'long' nineteenth century, from the mid eighteenth century to the aftermath of the First World War, this study contests the methods and findings of recent revisionist interpretations. Radical movements faced a more difficult task than other political formations since they sought not merely to construct an audience - to find a language which resonated with people's material needs and greivances - but to mobilise for change. Options were limited as radicals had to conform to rhetorical, organisational and cultural norms to ensure popular legitimacy and support. This volume pays particular attention therefore to contextual factors: to the changing codes and conventions of political culture and public space. Through critical engagement with revisionist and post-modernist interpretations, it throws new light on factors which often divided liberals from radicals, and indeed, radicals from themselves. This is an accessible and much-needed introduction to the new linguistic and cultural approaches to nineteenth-century popular politics.

This volume offers a multidisciplinary approach to the study of language in relation to the subject of history. The British and American contributors put forward the idea that language is a broadly based means of communication with contested and consensual meanings, and that such meanings must be revealed and evaluated by precise historical contextualisation of language and proper attention to established rules of historical method. The essays contend that the connections between the linguistic and the social must be rethought. The book aims to move beyond the unproductive fragmentation and relativism, the narrow textual range and the literal and anti-realist readings of the postmodern 'linguistic turn' to offer a rigorous approach to the study of language and the subject of history.

Bluecoat is a unique and much-loved Liverpool institution, its oldest city centre building. This book tells the fascinating story of its transformation from charity school to contemporary arts centre, the UK's first. Its early 18th century origins shed light on the religious and maritime mercantile environment of the growing port, whose merchants supported the school. Echoes from then are revealed in themes explored by artists in the 20th century, including slavery and colonial legacies. The predominant focus is on an inclusive building for the arts, starting with colourful bohemian society, the Sandon, who established an artistic colony in 1907, hosting significant exhibitions by the Post-Impressionists and many leading modern British artists. Bluecoat Society of Arts emerged as the building's custodians, paving the way for the arts centre which, despite financial struggles and wartime bomb damage, survived and continues to play a prominent role in Liverpool's and the UK's culture. Bluecoat is described as where 'village hall meets the avant-garde'. In its rich story, Picasso, Stravinsky, Yoko Ono, Captain Beefheart, Simon Rattle and the inspirational Fanny Calder are just some of the names encountered, as key strands, including music, visual art, performance and the building's tenants, are traced.

Long before the arrival of the ‘Empire Windrush’ after the Second World War, Liverpool was widely known for its polyglot population, its boisterous ‘sailortown’ and cosmopolitan profile of transients, sojourners and settlers. Regarding Britain as the mother country, ‘coloured’ colonials arrived in Liverpool for what they thought to be internal migration into a common British world. What they encountered, however, was very different. Their legal status as British subjects notwithstanding, ‘coloured’ colonials in Liverpool were the first to discover: ‘There Ain’t No Black in the Union Jack’. Despite the absence of significant new immigration, despite the high levels of mixed dating, marriages and parentage, and despite pioneer initiatives in race and community relations, black Liverpudlians encountered racial discrimination, were left marginalized and disadvantaged and, in the aftermath of the Toxteth riots of 1981, the once proud ‘cosmopolitan’ Liverpool stood condemned for its ‘uniquely horrific’ racism. ‘Before the Windrush’ is a fascinating study that enriches our understanding of how the empire ‘came home’. By drawing attention to Liverpool’s mixed population in the first half of the twentieth century and its approach to race relations, this book seeks to provide historical context and perspective to debates about Britain’s experience of empire in the twentieth century.

In the early 19th century, Henry Hunt became one of the most stirring orators of English Radicalism. His speech following the "Peterloo" massacre cost him three years in prison and gave him a reputation for inciting the rabble to violence. This book considers his place in the radical movement. This first full-scale biography finally brings to light Hunt's vital role in molding the English working-class into an effective political force. Converted to the reform cause during the wars against Napoleonic France, Hunt gave popular radicalism a distinctly working-class perspective that countered the contemporary belief in a laissez-faire political economy. Hero of the unrepresented and repressed, scourge of the moderate reformers and gradualists, Hunt set the standard for the Chartist challenge. This work, based on a wide range of primary sources, reassesses Hunt's influential career and illuminates a formative period in the development of radical politics in England.

Uncontrollable, anarchic, separate and alienated from mainstream England, the Liverpool of popular imagination is a hotbed of radicalism and creativity. But is that reputation really justified? Starting in 1911, a year which saw a warship on the Mersey suppressing near revolution in the Liverpool Transport Strike, the remarkable exhibition of paintings by Picasso, Matisse, Cézanne and the European avant-garde alongside works by local artists at the Bluecoat, and the opening of The Liver Building, the first major building in the UK to use reinforced concrete in its construction and crowned by two liver birds that came to symbolise the city’s resilience, this fascinating book looks at one hundred years of radicals and radicalism in Liverpool. Ranging widely across a century of politics, music, football, theatre, architecture and art, Liverpool: City of Radicals concludes with a look at the contemporary city and asks what role radicalism can play in the future of Liverpool.